Album III is the third full-length album from Loudon Wainwright III. It was originally released in 1972 on Columbia Records. Album III would spawn Loudon Wainwright's most popular hit single, "Dead Skunk", one of the many 'novelty songs' sprinkled throughout Wainwright's career. Although Wainwright has maintained an ironic, sometimes sepulchral sense of humor, "Dead Skunk", despite its commercial success, has dogged him ever since, as he comments on 1985's album I'm Alright, "Were you embarrassed about 'Dead Skunk'"?
Attempted Mustache is the fourth album from Loudon Wainwright III. It was recorded in Nashville, Tennessee with producer Bob Johnston and was released in 1973 on Columbia Records.
Fame and Wealth is a 1983 album by Loudon Wainwright III. It was released on Rounder Records. After a five-year hiatus since Final Exam, it eschewed the rock sound of his later 1970s albums in favour of a stripped-down, wirier folk sound which would typify his recorded output from then on.
I'm Alright is a 1985 album by Loudon Wainwright III. It was his third release on Rounder Records, recorded in London. It was produced by Richard Thompson, who also played electric lead guitar on several songs. The back cover features a photo of the two together, captioned 'Loud and Rich'.
History is the twelfth studio album by American singer-songwriter Loudon Wainwright III, released on September 21, 1992 on Charisma Records. The album was recorded following the death of Wainwright's father, Loudon Wainwright Jr. Regarding his father's death and its influence on History, Wainwright stated that:
[the] whole record is about him and me, and his death, and the struggle with my own son - and so as far as reconciliation goes, I think when one or both of your parents dies, you realize you're in the batter's box. That's it: You're going to die. You get a taste of your own mortality, and you also are not as angry at them, at least after a while, and so maybe you do try to start to reconcile some things.
Social Studies is a studio album by Loudon Wainwright III, released in 1999. The album comprises various topical and satirical songs, originally produced for National Public Radio and based upon then-current issues and events, such as the Tonya Harding scandal, the O. J. Simpson murder trial, the lead-up to Y2K, and controversies surrounding comments made by former Republican U.S. Senator Jesse Helms.
Last Man on Earth is the sixteenth studio album by American singer-songwriter Loudon Wainwright III, released on September 24, 2001 on Red House Records. Recorded in the wake of Wainwright's mother's death and the collapse of a romantic relationship, the album thematically addresses feelings of grief and loneliness. In 2012, Wainwright noted, "Last Man on Earth was written right after my mother died, so a lot of the material on that record has to do with that momentous event. The life circle was present on a lot of those songs."
T Shirt is a 1976 album by Loudon Wainwright III. Unlike his earlier records, this saw Wainwright adopt a full blown rock band (Slowtrain) - though there are acoustic songs on T Shirt, including a talking blues. According to Wainwright on the 2006 CD liner notes, it received a scathing review from Rolling Stone which depressed him so much he stayed in bed for five days. By the early 1990s, he disowned the album in a radio interview broadcast in Australia. However, by the time of the CD remaster he admitted to a much more sympathetic view of the album(s), which he referred to as his 'puppies'.
Final Exam is a 1978 album by Loudon Wainwright III. It was re-released on Telarc in 2006 at the time of his European tour as a double-disk album, coupled with his 1976 album T Shirt.
Don't Rock the Jukebox is the second studio album by American country music artist Alan Jackson. It was released on May 14, 1991, and produced five singles on the Hot Country Songs charts; the title track, "Someday", "Dallas", and "Love's Got a Hold on You", which all reached number 1, and "Midnight in Montgomery" which peaked at number 3. Fellow country music artist George Jones makes a cameo on the album, singing the last line on "Just Playin' Possum".
That's How a Heartache Begins is a 1964 compilation album consisting of songs recorded by American country music singer, Patsy Cline. The album was released by Decca Records on November 2, 1964.
Lee Townsend is an American independent music producer, curator, artist manager and co-owner of Songtone, specializing in recordings of singer-songwriters, contemporary composers, improvising musicians, and cross-cultural musical collaborations. He is also a psychotherapist in private practice in the San Francisco Bay Area.
The Intercontinentals is the 16th album by Bill Frisell to be released on the Elektra Nonesuch label. It was released in 2003 and features performances by Frisell, Sidiki Camara, Vinicius Cantuaria, Christos Govetas, Greg Leisz and Jenny Scheinman.
Civilians is the eleventh studio album by Joe Henry, released on August 18, 2007. It was his first album of new material since his 2003 album Tiny Voices. Henry recorded the album at The Garfield House in South Pasadena, California between January 9–12 and February 22, 2007. The album also includes guest musicians Loudon Wainwright III, Bill Frisell, Greg Leisz, and Van Dyke Parks.
Old New Borrowed Blue is the nineteenth studio album by folk rock band Fairport Convention, although for this release, they were billed as "Fairport Acoustic Convention" as it was the band's first all-acoustic album in 29 years. Part studio, part live, it was recorded to publicise a tour of the United States and consisted of cover versions, new songs and classic tracks dating back to the band's early career. Dave Mattacks, who had provided drums and electronic instrumentation for previous albums, was absent.
Don't Cheat in Our Hometown is the sixth studio album by American country music artist Ricky Skaggs. It was released in 1983 via Epic Records. The album peaked at number 1 on the Billboard Top Country Albums chart. It features guitar work from Albert Lee on five of the album's ten tracks and Dolly Parton harmonizes vocals on "A Vision Of Mother" and "Don't Step Over an Old Love".
High Notes is the thirty-fourth studio album by American musician Hank Williams, Jr. It was released by Elektra/Curb Records in April 1982, making it Williams' eighth studio album for Elektra/Curb and his ninth overall for the label. While not as successful or acclaimed as some of Williams' more recent recordings, High Notes was still a commercial success. It peaked at number 3 on the Billboard Top Country Albums chart and was certified Gold by the RIAA, becoming Williams' seventh album to do so. The album also generated two hit singles, "If Heaven Ain't a Lot Like Dixie" and "Honky Tonkin'". "If Heaven Ain't a Lot Like Dixie" peaked at number 5 on the Billboard Hot Country Singles & Tracks chart while "Honky Tonkin'", a song that was originally a number 14 hit written and performed by his father, Hank, Sr., became Hank, Jr.'s sixth Number One hit on the Billboard Hot Country Singles & Tracks chart.
All We Are Saying... is an album by American guitarist and composer Bill Frisell that was released in September 2011. It consists of songs written by John Lennon, both as a member of the Beatles and as a solo artist, arranged and performed in Frisell's definitive style. The album also features violinist Jenny Scheinman, pedal steel and acoustic guitarist Greg Leisz, bassist Tony Scherr, and drummer Kenny Wollesen. The title comes from the first line of the chorus to Lennon's 1969 single "Give Peace a Chance".
Slipstream is the sixteenth studio album by Bonnie Raitt, released in April 2012. American Songwriter Magazine praised it as "her best album in years and one of the best of her 40-year career."
Occupy This Album: 99 Songs for the 99 Percent is a four-disc compilation box set released in May 2012 through the record label Music for Occupy. The album concept, and initial production was initiated by Executive Producer Jason Samel. Jason Samel later recruited Producers Maegan Hayward, Alex Emanuel and Shirley Menard to assist with the project. The set consists of 99 songs inspired by or related to the Occupy movement. Proceeds from the album went "directly towards the needs of sustaining this growing movement."
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