They Won't Believe Me | |
---|---|
Directed by | Irving Pichel |
Screenplay by | Jonathan Latimer |
Story by | Gordon McDonell |
Produced by | Joan Harrison |
Starring | Robert Young Susan Hayward Jane Greer |
Cinematography | Harry J. Wild |
Edited by | Elmo Williams |
Music by | Roy Webb |
Color process | Black-and-white |
Production company | |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 95 minutes; 80 minutes (re-issue) |
Country | United States |
Language | English |
They Won't Believe Me is a 1947 American film noir directed by Irving Pichel and starring Robert Young, Susan Hayward and Jane Greer. It was produced by Alfred Hitchcock's longtime assistant and collaborator, Joan Harrison. The film was made and distributed by Hollywood major studio RKO Pictures.
After the prosecution rests its case in the murder trial of Larry Ballentine, the defendant takes the stand to tell his story.
In flashback, Larry recounts how he started seeing Janice Bell, innocently enough, but feelings developed between them. When Larry is unwilling to divorce Greta, whom he had married for her money, Janice gets a job transfer. Larry tells her he will run off with her, that he will dump Greta. But Greta knows all about the relationship and is unwilling to give up Larry. She tells him she has purchased a quarter-interest in a brokerage in Los Angeles for him. The temptation is too great, and Larry abandons Janice, never explaining or saying goodbye.
At the brokerage, Larry is reprimanded by his business partner, Trenton, for neglecting a rich client, but employee Verna Carlson shows Trenton a copy of a letter she lets Trenton believe Larry wrote and sent, when it was she who actually had. Verna is an admitted gold-digger, involved with Trenton, but she is interested in Larry and he lets her seduce him.
As before, Greta finds out about Larry's affair, but will not seek a divorce. She sells the brokerage interest and buys an old Spanish ranch in the mountains. Once again she makes Larry choose. Larry tells Verna he is ending their affair, much to her bitter disappointment.
The ranch is isolated, without phone or mail service. There is a general store down the road. Larry is bored, but Greta loves their life. After some time, she tells Larry that she wants to build a guest house for an aunt he despises, who reviles him in return. He concocts a plan; he claims that he knows an architect who can prepare plans for the addition and, on the pretext of calling him, phones Verna from the store and arranges to meet her in Los Angeles.
Larry tells Verna he will run away with her after cleaning out his and Greta's joint checking account. He writes a large check for her to cash, and leaves a note for Greta declaring he has left her. Verna meets him as planned, but returns the check. Verna has also bought herself a cheap wedding ring, inducing him to follow through on his promise to divorce Greta and marry her.
As they drive to Reno that night, an oncoming truck blows a tire and swerves into their path. Verna is killed and burned beyond recognition. Larry wakes up in the hospital. Because of the ring, Verna has been misidentified as Greta. Larry does not correct the error.
Once he recovers, he returns to the ranch to kill Greta for her money before she is seen alive, but she is not there. Going to her favorite spot, a cliff by a waterfall, he finds at the top the goodbye note he left for her and discovers her body at the bottom. He dumps her corpse in the dark pool below the falls.
Depressed but now rich, Larry tours South America and the Caribbean, unsuccessfully trying to cheer himself up. In Jamaica, he runs into Janice. He persuades her to reconcile, and they return to Los Angeles. Later, arriving early to meet her at her hotel, he sees Trenton go into her room. Eavesdropping, he learns that Trenton is concerned about Verna's disappearance and has enticed Janice to help bring Larry home.
Ultimately, Trenton calls in the police. They find Greta's decomposed body, but assume it is Verna's. The local storekeeper is a witness to Larry and Verna driving away together, the last time she was seen. The police theorize that Larry killed her because she was blackmailing him.
While the jury deliberates, Larry is visited by Janice, whose love for him has revived. He says he knows he has no chance of acquittal, and has passed judgment on himself. Back in court, as the verdict begins to be read, Larry rushes to an open window, but before he can jump, he is shot dead by the courtroom guard.
The verdict is then read: Not guilty.
Dennis Schwartz, in a 2003 review of the film, called the film, "An outstanding film noir melodrama whose adultery tale is much in the same nature as a Hitchcock mystery or James M. Cain's gritty Double Indemnity ." [1]
Ted Shen, reviewing the film for the Chicago Reader, also compares the film to Cain's writing and praises the acting, and wrote, "Cast against type, Young manages to be both creepy and sympathetic. Actor-turned-director Irving Pichel gets hard-boiled performances from a solid cast." [2]
Critic Steve Press wrote, "The flashback structure of this suspenseful film noir effectively creates a foreboding tension that mounts to a powerful final scene." [3]
In an interview on The Dick Cavett Show aired on September 9, 1968, Robert Young claimed he made one picture in which he played a nasty character, resulting in a box-office flop, They Won’t Believe Me.
In 1957, the 95-minute film was cut to 80 minutes for reissue as part of a double feature. This was generally the only version available until Warner Bros. (the current owner of the RKO library) restored it to its full length in 2021. It premiered on Turner Classic Movies on May 8, followed by a Blu-Ray release via Warner Archive three days later.
The Divorcee is a 1930 American pre-Code drama film written by Nick Grindé, John Meehan, and Zelda Sears, based on the 1929 novel Ex-Wife by Ursula Parrott. It was directed by Robert Z. Leonard, who was nominated for the Academy Award for Best Director. The film was also nominated for Best Picture, and won Best Actress for its star Norma Shearer.
The Set-Up is a 1949 American film noir boxing drama directed by Robert Wise and starring Robert Ryan and Audrey Totter. The screenplay was adapted by Art Cohn from a 1928 narrative poem of the same name by Joseph Moncure March. The Set-Up was the last film Wise made for RKO, and he named it his favorite of the pictures he directed for the studio, as well as one of his top ten of his career.
The Narrow Margin is a 1952 American film noir starring Charles McGraw and Marie Windsor. Directed by Richard Fleischer, the RKO picture was written by Earl Felton, based on an unpublished story written by Martin Goldsmith and Jack Leonard. The screenplay by Earl Felton was nominated for an Academy Award.
Born to Kill is a 1947 RKO Pictures American film noir starring Lawrence Tierney, Claire Trevor and Walter Slezak with Esther Howard, Elisha Cook Jr., and Audrey Long in supporting roles. The film was director Robert Wise's first film noir production, preceding his later work on The Set-Up (1949) and The Captive City (1952).
Christopher Strong is a 1933 American pre-Code romantic drama film produced by RKO and directed by Dorothy Arzner. It is a tale of illicit love among the English aristocracy and stars Colin Clive and Katharine Hepburn. The screenplay by Zoë Akins is an adaptation of the 1932 British novel Christopher Strong by Gilbert Frankau.
Deadline at Dawn is a 1946 American film noir, the only film directed by stage director Harold Clurman. It was written by Clifford Odets and based on a novel of the same name by Cornell Woolrich. The RKO Pictures film release was the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Odets. The director of photography was RKO regular Nicholas Musuraca. The musical score was by German refugee composer Hanns Eisler.
Rita Ann Johnson was an American actress.
Harry J. Wild, A.S.C. was a film and television cinematographer. Wild worked at RKO Pictures studios from 1931 through the 1950s. In total Wild was involved in 91 major film projects and two extended television series.
The Locket is a 1946 American psychological thriller film noir directed by John Brahm, starring Laraine Day, Brian Aherne, Robert Mitchum, and Gene Raymond, and released by RKO Pictures. The film is based on a screenplay by Sheridan Gibney, adapted from "What Nancy Wanted" by Norma Barzman, wife of later-blacklisted writer Ben Barzman. It is noted for its complex and confusing use of layered flashbacks within flashbacks to give psychological depth to the narrative.
Garbo Talks is a 1984 American comedy-drama film directed by Sidney Lumet and starring Anne Bancroft, Ron Silver, and Carrie Fisher, with an uncredited appearance by Betty Comden as Greta Garbo.
The Violent Men is a 1955 American CinemaScope Western film directed by Rudolph Maté and starring Glenn Ford, Barbara Stanwyck, Edward G. Robinson, Dianne Foster, Brian Keith, and May Wynn. Based on the 1955 novel Smoky Valley by Donald Hamilton, its storyline involves a ranch owner who comes into conflict with the land grabbing tactics of the big local rancher, whose tense marriage threatens his family's stranglehold over the region.
Caught is a 1949 American film noir directed by Max Ophüls, and starring James Mason, Barbara Bel Geddes and Robert Ryan. Caught was based on a novel by Libbie Block.
Irving Pichel was an American actor and film director, who won acclaim both as an actor and director in his Hollywood career.
Quality Street is a 1937 American historical comedy film made by RKO Radio Pictures. It was directed by George Stevens and produced by Pandro S. Berman. Set in 19th-century England, the film stars Katharine Hepburn and Franchot Tone. Joan Fontaine makes one of her early (uncredited) film appearances. The screenplay was by Allan Scott, Mortimer Offner, and Jack Townley, based on the 1901 play Quality Street by J. M. Barrie.
Tomorrow Is Forever is a 1946 American romantic drama film directed by Irving Pichel, adapted by Lenore Coffee from Gwen Bristow's 1943 serialized novel of the same name. Starring Claudette Colbert, Orson Welles, and George Brent, it was the film debut of both Richard Long and Natalie Wood. The film was produced by International Pictures, and distributed by RKO Radio Pictures.
And Now Tomorrow is a 1944 American drama film based on the best-selling novel, published in 1942 by Rachel Field, directed by Irving Pichel and written by Raymond Chandler. Both center around one doctor's attempt for curing deafness. The film stars Alan Ladd, Loretta Young, and Susan Hayward. Its tagline was Who are you that a man can't make love to you?. It is also known as Prisoners of Hope.
Come Live with Me is a 1941 American romantic comedy film produced and directed by Clarence Brown and starring James Stewart, Hedy Lamarr and Ian Hunter. Based on a story by Virginia Van Upp, the film is about a beautiful Viennese refugee seeking United States citizenship who arranges a marriage of convenience with a struggling writer.
Greta Granstedt was an American film and television actress.
That Funny Feeling is a 1965 American romantic comedy film directed by Richard Thorpe and starring Sandra Dee, Bobby Darin, and Donald O'Connor.
Lawless Valley is a 1938 American Western film directed by David Howard from a screenplay by Oliver Drake, based on the short story "No Law in Shadow Valley" by W. C. Tuttle. Produced and distributed by RKO Radio Pictures, it opened on November 4, 1938. The film stars George O'Brien, Kay Sutton and Fred Kohler. Kohler died one week before the film’s release.