Computer World is the eighth studio album by German electronic band Kraftwerk, released on 11 May 1981. It was accompanied by four singles, including a double A-side UK no. 1 featuring "Computer Love".
Gorillaz is the debut studio album by English virtual band Gorillaz, released on 26 March 2001 in the United Kingdom by Parlophone and June 19, 2001 in the United States by Virgin Records. The album reached number three in the UK and number fourteen in the US, and the top ten in several other countries. Gorillaz has sold over seven million copies worldwide. The album's success earned the group an entry in the Guinness Book of World Records as the "Most Successful Virtual Band", and spawned the singles "Clint Eastwood", "19-2000", "Rock the House", and "Tomorrow Comes Today".
Free Peace Sweet is the third studio album by English rock band Dodgy. It was released on 17 June 1996 through A&M Records. Following frequent touring in the support of their second studio album Homegrown (1994), the band recorded its follow-up in Wessex Sound Studios in London with producer Hugh Jones. Additional recording was later done at Battery and Orinoco Studios.
Beers, Steers + Queers is the second studio album by American–Belgian industrial rock band Revolting Cocks. Released in May 1990, the album was supported by three singles and was reissued several times. Its sound is industrial and built upon repetitive percussion and samples. David Jeffries of AllMusic described Beers, Steers + Queers as dominating college radio and clubs. The album's supporting tour was recalled by Chris Connelly as "ridiculous" and particularly chaotic.
Demon Music Group Limited is a record company owned by BBC Studios that is mainly concerned with back-catalogue rights and re-issuing recordings as compilations on physical media via supermarkets and specialist stores.
Spartacus is the debut studio album by British rock band the Farm, released on 4 March 1991 through Produce Records. Following a variety of member changes and single releases, the band solidified their line-up in 1987; after a record deal fell through, they opted to start their own label, Produce Records. They recorded the bulk of their debut album in London in 1990 with former Madness frontman Graham "Suggs" McPherson as producer; one track from 1987 was produced by the Housemartins members Paul Heaton and Stan Cullimore. Spartacus is a baggy and dance-rock album that takes influence from the work of Buzzcocks, the Clash and the Jam.
Marion are an English Britpop band, formed in 1993 in Macclesfield, Cheshire. The band's classic lineup featured frontman Jaime Harding, guitarist Phil Cunningham, guitarist Tony Grantham, bassist Julian Phillips and drummer Murad Mousa.
Forever Now is the 10th studio album released by British pop musical group Level 42, released in March 1994. There were two releases of the album with different track-listings and cover art. The first release in 1994 on RCA Records has 11 tracks. In 1996, the album was re-issued by the label Resurgence, with 15 tracks including six additional tracks, but without the songs "Tired Of Waiting" and "All Over You". Also, some of the songs on this version varied in length from those on the RCA release, and the track "Billy's Gone" was completely remixed. The Resurgence album was re-released in 2009 by the label Edsel, as a double CD, bringing "Tired Of Waiting" and "All Over You" back to the track-listing again, and also adding extended remixes of "All Over You", "Forever Now", "Learn To Say No" and "Love In A Peaceful World". The sleeve notes for the reissue state that the Resurgence version of the album contained the original intended track- listing.
Nocturnal Breed is a Norwegian blackened thrash metal band, formed in Oslo in 1996 by singer/bassist Kenneth Svartalv and guitarist Sven Atle Kopperud.
Fanfare for the Comic Muse is the debut album by Northern Irish chamber pop band the Divine Comedy, released in 1990 by Setanta Records. Recording took place at Homestead Studios in May 1990 with producer Sean O Neill. Lorcan Mac Loughlann engineered the sessions, and Mudd Wallace mixed the recordings.
The Program is the second album by Marion, released in 1998 on London Records, and produced by former guitarist of The Smiths, Johnny Marr. The album did not chart in the UK.
Revolt is the second album from UK rock band 3 Colours Red. It was recorded with producer Dave Eringa and saw the band adopting a more polished and commercial sound. The album reached number 17 on the UK album chart when it was released on Creation Records in 1999, but the band split at their peak after releasing only 2 singles from it, both of which entered the UK top 40. An additional EP, Paralyse, was released prior to the album.
Happy Birthday is the debut studio album by Scottish new wave band Altered Images, released in 1981. It was chiefly produced by Steven Severin and recorded at Rockfield Studios, with the exception of the title track, which was produced by Martin Rushent and recorded at Genetic Sound. "Happy Birthday" became the band's biggest hit, peaking at number two on the UK Singles Chart in October 1981.
Sum and Substance is a compilation album released by the British rock band The Mission on 7 February 1994 through Vertigo/Phonogram Records. It contains all the singles released by the band as well as two new songs. The vinyl version on two LP's had a slightly different track-listing. A remix of "Tower of Strength" by Youth preceded the release, although it was not included on the compilation. A second single "Afterglow" appeared in March of the same year, but failed to chart. A VHS with all the music videos produced by the band bears the same title. The band did a short tour around the UK in support of the release.
Rich Kid Blues is a studio album by British singer Marianne Faithfull, recorded in 1971 under the title Masques and first released in 1985.
Sound Effects No. 13 – Death & Horror is an album produced by Mike Harding of the BBC Radiophonic Workshop and released in 1977 by BBC Records & Tapes. It is the thirteenth instalment in the label's Sound Effects series and contains over 80 sound effects related to horror and death, so that producers may use them in amateur film and stage productions. Mike Harding and label staff man Ian Richardson picked numerous "classics" from the BBC Effects Library and from the BBC Radiophonic Workshop, but also created many new sound effects for the album themselves, many of which were created by "mistreating large white cabbages." The effects are arranged throughout the album into six distinct themed sections.
Libertine is the fourth and final studio album by English rock band Gene. It was released on 22 October 2001 though their own label Contra. After departing from their previous label Polydor Records in 1999, the band spent sometime writing material. Their next album was recorded across various studios in Lincolnshire, Twickenham and London. Hugh Jones served as the producer on nearly all of the songs, bar one that was produced by Stephen Street. Libertine focusses on piano instrumentation, taking influence from soul music, namely What's Going On (1971) by Marvin Gaye.
Revelations is the third studio album by English rock band Gene. It was released on 1 March 1999 through Polydor Records. When they released their second studio album Drawn to the Deep End in 1997, it was a commercial success, but did not meet the label's expectations. Polydor was hesitant about letting them record another; sessions were mainly held at Rockfield Studios in Rockfield, Wales with producer Hugh Jones. The band produced one song at Maison Rogue in London. Revelations was compared to the band's debut studio album Olympian (1995), though lacked the Smiths influence found there. A few of the songs criticize British politicians, such as Tony Blair.
All That She Wants: The Classic Collection is a commemorative box set by the Swedish pop group Ace of Base. The set was released under the label Edsel by the Demon Music Group on 3 July 2020 in the UK. The release coincides with the band's 30th anniversary.
"Madman" is a song by the new wave band Cuddly Toys, which was released in Japan in 1979 and in the UK in 1980 as the lead single from their debut studio album Guillotine Theatre. The song, dating to 1976–77, originated as a composition by Steve Harley and Marc Bolan, with later contributions by David Bowie. Cuddly Toys' version of the song reached number 19 in the UK Independent Singles Chart in July 1980.
