Thomas W. Christensen

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Thomas W. Christensen (born September 29, 1948) is an American author, translator, and publisher. He is known for his publications on literature, history, and art; his literary translations from French and Spanish; and his work as an editor and publisher.

Americans citizens, or natives, of the United States of America

Americans are nationals and citizens of the United States of America. Although nationals and citizens make up the majority of Americans, some dual citizens, expatriates, and permanent residents, may also claim American nationality. The United States is home to people of many different ethnic origins. As a result, American culture and law does not equate nationality with race or ethnicity, but with citizenship and permanent allegiance.



Born in Myrtle Point, Oregon, Christensen received advanced degrees in comparative literature from the University of Wisconsin-Madison. After travels in Latin America he relocated to the San Francisco Bay Area and worked as an editor and publishing executive at the independent trade book publishing companies North Point Press and Mercury House. Married to translator Carol Christensen, he lives in the San Francisco Bay Area. [1]

Myrtle Point, Oregon City in Oregon, United States

Myrtle Point is a city in Coos County, Oregon, United States. The population was 2,514 at the 2010 census.

Mercury House, a project of Words Given Wings Literary Arts Project, a 501(c)(3) nonprofit corporation, is an independent literary publishing house based in San Francisco, California.

Publishing work

Christensen joined North Point Press in 1980, shortly after the press's founding, and worked there until 1989 as a senior editor. Among the authors he worked closely with were Gina Berriault, Wendell Berry, Kay Boyle, Evan S. Connell, and Gary Snyder. He joined Mercury House in 1990 as executive director and editor-in-chief, serving in that capacity until 1999. At Mercury House he published such authors as Harold Brodkey, Leonard Michaels, Alison Deming, and Lucille Eichengreen. Under his direction Mercury House was short-listed for a Carey Thomas Award for creative publishing from Publishers Weekly. [1] He subsequently directed the publishing program of the Asian Art Museum in San Francisco. He is currently a contributing editor of Catamaran Literary Reader in Santa Cruz, California, where he has edited such authors as Douglas Brinkley, Jonathan Franzen, Jane Vandenburgh, and Lawrence Weschler. [2]

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Christensen's best-known book-length translation is Like Water for Chocolate by Laura Esquivel. Other notable authors he has translated include Carlos Fuentes, Laura Esquivel, Alejo Carpentier, Louis Ferdinand Céline, and Jose Angel Valente. He often collaborates with his wife, Carol Christensen. In 2000, he received an award for dedication to translation from the American Literary Translators Association and was short-listed for a PEN USA West Literary Award for Translation. [1] His translations include: [3]

<i>Like Water for Chocolate</i> novel by Mexican novelist Laura Esquivel

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Carlos Fuentes Mexican writer

Carlos Fuentes Macías was a Mexican novelist and essayist. Among his works are The Death of Artemio Cruz (1962), Aura (1962), Terra Nostra (1975), The Old Gringo (1985) and Christopher Unborn (1987). In his obituary, The New York Times described Fuentes as "one of the most admired writers in the Spanish-speaking world" and an important influence on the Latin American Boom, the "explosion of Latin American literature in the 1960s and '70s", while The Guardian called him "Mexico's most celebrated novelist". His many literary honors include the Miguel de Cervantes Prize as well as Mexico's highest award, the Belisario Domínguez Medal of Honor. He was often named as a likely candidate for the Nobel Prize in Literature, though he never won.

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Original writings

Christensen's writing has focused on literature, history, and art, often with an emphasis on globalism. An early work in this vein was The U.S.-Mexican War, which Carlos Fuentes called 'the clearest, most balanced and fully documented account' of the conflict. [4]

1616: The World in Motion, a global study of one year in the early seventeenth century, is the author's most widely praised book. According to Contemporary Authors,

Several critics praised the book as a lively, often surprising, yet substantial work of history. It 'is a delight, an adventure, a reading and visual treat of the first order,' with Christensen uncovering 'many unimagined and unprecedented connections,' remarked David Walton in the [Cleveland Plain Dealer]. He added: 'The color art of this book is central, and catalyzes the art of digression. Richly, beautifully illustrated, with long, fascinating captions, this is a book to get lost in, hour by hour.' On the ForeWord Reviews website, Leia Menlove noted that 'Christensen manages to portray and connect disparate events with remarkable cogency,' in a style that 'is droll and at times hilarious.' A [Publishers Weekly reviewer ]called [1616] 'a stunning overview of the nascent modern world,' and [Maclean's contributor] Brian Bethune observed that 'Christensen shines ... in his tales of individuals incongruently ricocheting around this newly opened world.' [1]

In April 2016 "1616" will provide the template for a three-day multidisciplinary symposium at Rhodes College in Memphis. Christensen will deliver the keynote address. [5]

In 2014 Christensen published River of Ink: Literature, History, Art, a collection of essays selected from across his career. According to a profile of the author in the San Jose Mercury News, "with dozens of full-color illustrations, the book is a dazzling cabinet of wonders for anyone seeking knowledge about the wider world." [6] Christensen's books include: [3]

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  1. 1 2 3 4 "Thomas Christensen." Contemporary Authors Online. Detroit: Gale, 2013. Biography in Context. Web. 18 Nov. 2015. Retrieved 3/28/2016.
  2. Catamaran Literary Reader. Retrieved 3/28/2016.
  3. 1 2 Author website. Retrieved 3/28/2016.
  4. Author website. Retrieved 3/28/2016.
  5. Rhodes College 1616 Symposium website.
  6. Georgia Rowe, "Tom Christensen's 'River of Ink' traces some of history's more obscure intertwinings," [San Jose Mercury News]. Retrieved 3/28/2016.