Thomaskantor of Thomanerchor | |
---|---|
Type | Director of music |
Reports to | Leipzig |
Formation | 1518 |
First holder | Georg Rhau |
Thomaskantor (Cantor at St. Thomas) is the common name for the musical director of the Thomanerchor , now an internationally known boys' choir founded in Leipzig in 1212. The official historic title of the Thomaskantor in Latin, Cantor et Director Musices, describes the two functions of cantor and director. As the cantor, he prepared the choir for service in four Lutheran churches, Thomaskirche (St. Thomas), Nikolaikirche (St. Nicholas), Neue Kirche (New Church) and Peterskirche (St. Peter). As director, he organized music for city functions such as town council elections and homages. Functions related to the university took place at the Paulinerkirche. Johann Sebastian Bach was the most famous Thomaskantor, from 1723 to 1750.
Leipzig has had a university dating back to 1409, and is a commercial center, hosting a trade fair first mentioned in 1165. It has been mostly Lutheran since the Reformation. The position of Thomaskantor at Bach's time has been described as "one of the most respected and influential musical offices of Protestant Germany. [1]
The readings and required music of the Lutheran services in Leipzig were regulated in detail. The Church Book (Complete Church / Book / Containing / The Gospels and Epistles / For Every Feast-, Sun-, and Apostle Day Of the Entire Year ...) lists the prescribed readings, repeated every year. [2] The church year began with the First Sunday in Advent and was divided in feast days, fasting periods and the feast-less time after Trinity Sunday. For music, there was mainly no concert music such as a cantata during the fasting times of Advent and Lent. Modest music was performed during the second half of the church year, and rich music with more complex instrumentation and more services per day on feast days. Christmas, Easter and Pentecost were celebrated for three days each, and many other feast days were observed. [3] The library of St. Thomas contained works in vocal polyphony from the fifteenth century onward. [4]
The Thomaskantor reported to the city council, the rector of the Thomasschule and the church superintendent. [5] He had the duty to prepare the choir for service in the city's four Lutheran churches: [6] the main churches Thomaskirche (St. Thomas) and the Nikolaikirche (St. Nicholas), [7] and also the Neue Kirche (New Church) and the Peterskirche (St. Peter). [8] [9]
As cantor, the Thomaskantor had to compose and take care of copying, rehearsals and performances. [10] He also had to teach music and general subjects. [6] He took part in the admission process for new students to the school. [11] The choir was divided in groups: the most advanced singers performed a cantata every Sunday, alternating between St. Thomas and St. Nicholas, a second group sang at the other church, beginners on feast days at the smaller churches. On high holidays, the cantata was performed in both churches, a morning service in one and a vespers service in the other. To earn additional funding, the choir performed also for weddings and funerals. [12]
As director of music, the Thomaskantor was Leipzig's "senior musician", responsible for the music on official occasions such as town council elections and homages. [6] Functions related to the university took place at the Paulinerkirche.
Today, the Thomaskantor leads the music in services at the Thomaskirche, including weekly afternoon services called Motette which often contain a Bach cantata. He also conducts the choir in recordings and on tours.
The following table shows the names of the known people in the position, and their time of service, in chronological order from the Reformation to now.
No. | No. after Bach | Image | Name | Tenure | Born | Died | Notes |
---|---|---|---|---|---|---|---|
1 | Georg Rhau | 1518–1520 | c. 1488 in Eisfeld | 6 August 1548 in Wittenberg | |||
2 | Johannes Galliculus | 1520–1525 | c. 1490 in Dresden | c. 1550 in Leipzig | |||
3 | Valerian Hüffeler | 1526–1530 | |||||
4 | Johannes Hermann | 1531–1536 | 1515 in Zittau | 22 April 1593 in Freiberg | |||
5 | Wolfgang Jünger | 1536–1539 | c. 1517 in Sayda | 4 March 1564 in Großschirma | |||
6 | Johannes Bruckner | 1539–1540 | |||||
7 | Ulrich Lange | 1540–1549 | 1549 in Leipzig | ||||
8 | Wolfgang Figulus | 1549–1551 | c. 1525 in Naumburg | 1589 in Meißen | |||
9 | Melchior Heger | 1553–1564 | in Brüx (today Most) | ||||
10 | Valentin Otto | 1564–1594 | 1529 in Markkleeberg | April 1594 | |||
11 | Sethus Calvisius | 1594–1615 | 21 February 1556 in Gorsleben | 24 November 1615 in Leipzig | |||
12 | Johann Hermann Schein | 1615–1630 | 20 January 1586 in Grünhain | 19 November 1630 in Leipzig | |||
13 | Tobias Michael | 1631–1657 | 13 June 1592 in Dresden | 26 June 1657 in Leipzig | |||
14 | Sebastian Knüpfer | 1657–1676 | 6 September 1633 in Asch | 10 October 1676 in Leipzig | |||
15 | Johann Schelle | 1677–1701 | 6 September 1648 in Geising | 10 March 1701 in Leipzig | |||
16 | Johann Kuhnau | 1701–1722 | 6 April 1660 in Geising | 5 June 1722 in Leipzig | |||
17 [lower-alpha 1] | Johann Sebastian Bach | 1723–1750 | 21 March 1685 in Eisenach | 28 July 1750 in Leipzig | |||
18 | 1 | Gottlob Harrer | 1750–1755 | 1703 in Görlitz | 9 July 1755 in Karlsbad | ||
19 | 2 | Johann Friedrich Doles | 1756–1789 | 23 April 1715 in Steinbach-Hallenberg | 8 February 1797 in Leipzig | Longest-serving in the role. | |
20 | 3 | Johann Adam Hiller | 1789–1801 | 25 December 1728 in Wendisch-Ossig | 16 June 1804 in Leipzig | 1781–1785 Gewandhauskapellmeister | |
21 | 4 | August Eberhard Müller | 1801–1810 | 13 December 1767 in Northeim | 3 December 1817 in Weimar | 1810–1817 Großherzoglich-Sächsischer Hofkapellmeister | |
22 | 5 | Johann Gottfried Schicht | 1810–1823 | 29 September 1753 in Reichenau | 16 February 1823 in Leipzig | ||
23 | 6 | Christian Theodor Weinlig | 1823–1842 | 25 July 1780 in Dresden | 7 March 1842 in Leipzig | 1814–1817 Kreuzkantor | |
24 | 7 | Moritz Hauptmann | 1842–1868 | 13 October 1792 in Dresden | 3 January 1868 in Leipzig | ||
25 | 8 | Ernst Friedrich Richter | 1868–1879 | 24 October 1808 in Großschönau | 9 April 1879 in Leipzig | ||
26 | 9 | Wilhelm Rust | 1880–1892 | 15 August 1822 in Dessau | 2 May 1892 in Leipzig | ||
27 | 10 | Gustav Schreck | 1893–1918 | 8 September 1849 in Zeulenroda | 22 January 1918 in Leipzig | ||
28 | 11 | Karl Straube | 1918–1939 | 6 January 1873 in Berlin | 27 April 1950 in Leipzig | ||
29 | 12 | Günther Ramin | 1939–1956 | 15 October 1898 in Karlsruhe | 27 February 1956 in Leipzig | ||
30 | 13 | Kurt Thomas | 1957–1960 | 25 May 1904 in Tönning | 31 March 1973 in Bad Oeynhausen | ||
31 | 14 | Erhard Mauersberger | 1961–1972 | 29 December 1903 in Mauersberg / Marienberg | 11 December 1982 in Leipzig | ||
32 | 15 | Hans-Joachim Rotzsch | 1972–1991 | 25 April 1929 in Leipzig | 24 September 2013 in Leipzig | ||
33 | 16 | Georg Christoph Biller | 1992–2015 | 20 September 1955 in Nebra | 27 January 2022 | ||
34 | 17 | Gotthold Schwarz | 2016–2021 | 2 May 1952 in Zwickau | |||
35 | 18 | Andreas Reize | 2021 | 19 May 1975 in Solothurn, Switzerland | First Swiss and the first Catholic |
The St. Nicholas Church is one of the major churches of central Leipzig, Germany. Construction started in Romanesque style in 1165, but in the 16th century, the church was turned into a Gothic hall church. Baroque elements like the tower were added in the 18th century.
The St. Thomas Church is a Lutheran church in Leipzig, Germany, located at the western part of the inner city ring road in Leipzig's central district. Martin Luther preached in the church in 1539. It is associated with several well-known composers, especially Johann Sebastian Bach, who was its Thomaskantor from 1723 until his death in 1750. The church holds his remains.
The Thomanerchor is a boys' choir in Leipzig, Germany. The choir was founded in 1212. The choir comprises about 90 boys from 9 to 18 years of age. The members, called Thomaner, reside in a boarding school, the Thomasalumnat and attend the St. Thomas School, Leipzig, a Gymnasium school with a linguistic profile and a focus on musical education. The younger members attend the primary school Grundschule Forum Thomanum or Anna-Magdalena-Bach-Schule. Johann Sebastian Bach served as Thomaskantor, director of the choir and church music in Leipzig, from 1723 to 1750.
The cantatas composed by Johann Sebastian Bach, known as Bach cantatas, are a body of work consisting of over 200 surviving independent works, and at least several dozen that are considered lost. As far as known, Bach's earliest cantatas date from 1707, the year he moved to Mühlhausen, although he may have begun composing them at his previous post in Arnstadt. Most of Bach's church cantatas date from his first years as Thomaskantor and director of church music in Leipzig, a position which he took up in 1723.
St. Thomas School, Leipzig is a co-educational and public boarding school in Leipzig, Saxony, Germany. It was founded by the Augustinians in 1212 and is one of the oldest schools in the world.
Jesus nahm zu sich die Zwölfe, BWV 22, is a church cantata by Johann Sebastian Bach composed for Quinquagesima, the last Sunday before Lent. Bach composed it as an audition piece for the position of Thomaskantor in Leipzig and first performed it there on 7 February 1723.
Erfreut euch, ihr Herzen, BWV 66.2, BWV 66, is a church cantata for Easter by Johann Sebastian Bach. He composed it for the Second Day of Easter in Leipzig and first performed it on 10 April 1724. He based it on his congratulatory cantata Der Himmel dacht auf Anhalts Ruhm und Glück, BWV 66.1, first performed in Köthen on 10 December 1718.
Du wahrer Gott und Davids Sohn, BWV 23, is a church cantata by Johann Sebastian Bach. He composed it in Köthen between 1717 and 1723 for Quinquagesima Sunday and performed it as an audition piece for the position of Thomaskantor in Leipzig on 7 February 1723. The Sunday was the last occasion for music at church before the quiet time of Lent.
The Paulinerkirche was a church on the Augustusplatz in Leipzig. It was built in 1231 as the Klosterkirche St. Pauli for the Dominican monastery in Leipzig. From the foundation of the University of Leipzig in 1409, it served as the university church. After the Protestant Reformation it was donated to the university and was inaugurated in 1545 by Martin Luther as the Universitätskirche St. Pauli, later also called Unikirche. Johann Sebastian Bach was director of music for "festal" (holiday) services in 1723−25.
Unser Mund sei voll Lachens, BWV 110, is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata in Leipzig for Christmas Day and first performed it on 25 December 1725.
Georg Christoph Biller was a German choral conductor. He conducted the Thomanerchor as the sixteenth Thomaskantor since Johann Sebastian Bach from 1992 to 2015. He was also a baritone, an academic teacher, and a composer. Active as Thomaskantor after the German reunification, Biller returned the Thomanerchor to its original focus on church music. He was instrumental in the new buildings for the choir's boarding school, the Forum Thomanum, and in the celebration of its 800th anniversary in 2012.
Johann Sebastian Bach composed the church cantata Die Elenden sollen essen, BWV 75, for the first Sunday after Trinity. He led its first performance in Leipzig on 30 May 1723, his first Sunday in the position of Thomaskantor. The complex work is in two parts, each consisting of seven movements, and marks the beginning of his first annual cycle of cantatas.
Preise, Jerusalem, den Herrn, BWV 119, is a sacred cantata by Johann Sebastian Bach. He composed it in Leipzig for Ratswechsel, the inauguration of a new town council, and first performed it on 30 August 1723.
Johann Sebastian Bach composed the cantata Mit Fried und Freud ich fahr dahin, BWV 125, for use in a Lutheran service. He composed this chorale cantata in Leipzig in 1725 for the feast for the Purification of Mary, which is celebrated on 2 February and is also known as Candlemas. The cantata is based on Martin Luther's 1524 hymn "Mit Fried und Freud ich fahr dahin" and forms part of Bach's chorale cantata cycle, written to provide Sundays and feast days of the liturgical year with cantatas based on a related Lutheran hymn.
St. Matthew was a church in the old town of Leipzig. During its history it had several names and functions. As a church of the Franciscan order, built in 1488, it was known as Barfüßerkirche and Heiliggeistkirche. It served as a Lutheran church, known as Neukirche, from 1699. A new congregation formed in 1876 and named the church Matthäikirche. The building was destroyed in a bombing in 1943.
Leipziger Universitätsmusik refers to music education and performance at the University of Leipzig. Music at the university dates back to its founding of the university in the 15th century. At present, Leipziger Universitätsmusik is the name of several musical ensembles formed by students and professors, and supported by professional musicians, the choir Leipziger Universitätschor, an orchestra, two smaller instrumental ensembles, and a big band.
Herrscher des Himmels, erhöre das Lallen, BWV 248III, is a 1734 church cantata for the third day of Christmas (27 December) which Johann Sebastian Bach composed as the third part of his Christmas Oratorio. The Christmas cantata was first performed in 1734, in Leipzig. Bach was then Thomaskantor, responsible for music at four churches in Leipzig, a position he had assumed in 1723.
Ehre sei dir, Gott, gesungen, BWV 248V, is a church cantata for the second Sunday after Christmas, which Johann Sebastian Bach composed as the fifth part of his Christmas Oratorio, written for the Christmas season of 1734–35 in Leipzig. The Christmas cantata was first performed on 2 January 1735. Bach was then Thomaskantor, responsible for music at four churches in Leipzig, a position he had assumed in 1723.
The Forum Thomanum is a music educational campus developed from 2002 in Leipzig, Saxony, Germany, as the new home of the Thomanerchor which was founded in 1212. It was conceived in 2002 by Georg Christoph Biller, then Thomaskantor, and others, to provide an internationally oriented innovative campus for a future of the traditional choir which was defined until then by Thomaskirche and Thomasschule.