Christoph Wolff | |
|---|---|
 Wolff in 2015 in the Gewandhaus in Leipzig | |
| Born | 24 May 1940 |
| Education | |
| Occupation | Musicologist |
| Organizations | |
| Awards | Royal Academy of Music Bach Prize |
Christoph Wolff (born 24 May 1940) is a German musicologist. He is best known for his works on the music, life, and period of Johann Sebastian Bach. Christoph Wolff is an emeritus professor of Harvard University, and was part of the faculty since 1976, and former director of the Bach Archive in Leipzig from 2001 to 2014.
He was born in Solingen, the son of theologian Hans Walter Wolff. He studied organ and historical keyboard instruments, musicology, and art history at the Universities of Berlin, Erlangen, and the Music Academy of Freiburg, receiving a performance diploma in 1963 and a PhD in 1966. Wolff taught music history at Erlangen, Toronto, Princeton, and Columbia Universities before joining the Harvard faculty in 1976 as Professor of Music and retiring in 2014. He was also on the graduate faculty of the Juilliard School from 2010 to 2018. A member of the American Academy of Arts and Sciences, [1] the American Philosophical Society, the Saxon Academy of Sciences, the Akademie für Mozart-Forschung (he chaired it from 1996 to 2006) and since 2015 a member of the Order Pour le Mérite for Sciences and the Arts, he also holds an honorary professorship at the University of Freiburg, Germany.
His books include Bach: Essays on His Life and Music (Cambridge, 1991), Mozart's Requiem (Berkeley, 1994), The New Bach Reader (New York, 1998), Johann Sebastian Bach: The Learned Musician, which was a finalist for the Pulitzer Prize in 2001 (New York, 2000), and Bach's Musical Universe: The Composer and His Work (W.W. Norton, 2020). In 2013, his Mozart at the Gateway to His Fortune won an ASCAP-Deems Taylor Award. Wolff was interviewed about Bach's The Art of Fugue in the documentary film Desert Fugue .
He was awarded the IRC Harrison Medal of the Society for Musicology in Ireland in 2004 [2] and the Royal Academy of Music/Kohn Foundation Bach Prize in 2006. [3] Also he was awarded the Dent Medal of the International Musicological Society in 1978, the Humboldt Research Prize in 1996, the Otto Kinkeldey Award of the American Musicological Society in 2000 for Johann Sebastian Bach; the Learned Musician [4] .
Robert David Levin is an American classical pianist, musicologist, and composer who served as the artistic director of the Sarasota Music Festival from 2007 to 2017.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
The German Bach-Gesellschaft was a society formed in 1850 for the express purpose of publishing the complete works of Johann Sebastian Bach without editorial additions. The collected works are known as the Bach-Gesellschaft-Ausgabe. On completion of the project, the Society dissolved itself.
Johann Sebastian Bach was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the Brandenburg Concertos; instrumental compositions such as the Cello Suites; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schubler Chorales and the Toccata and Fugue in D minor; and vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach revival, he has been generally regarded as one of the greatest composers in the history of Western music.
Singet dem Herrn ein neues Lied, BWV 225, is a motet by Johann Sebastian Bach. It was first performed in Leipzig around (probably) 1727. The text of the three-movement motet is in German: after Psalm 149 for its first movement, the third stanza of "Nun lob, mein Seel, den Herren" for the second movement, and after Psalm 150:2 and 6 for its third movement Psalms 150:2,6.
Laurence Dreyfus, FBA is an American musicologist and player of the viola da gamba who was University Lecturer and Fellow of Magdalen College, Oxford.
Otto Kinkeldey was an American music librarian and musicologist. He was the first president of the American Musicological Society and held the first chair in musicology at any American university.
Nino Pirrotta was an Italian musicologist, pianist, music critic, and academic. As a musicologist, he achieved international renown for his scholarship of Italian music from the late medieval, Renaissance and early Baroque eras.
Karol Berger is a Polish-American musicologist.
Thomas Forrest Kelly is an American musicologist, musician, and scholar. He is the Morton B. Knafel Professor of Music at Harvard University. His most recent books include: The Role of the Scroll (2019), Capturing Music: The Story of Notation (2014), and Music Then and Now (2012).
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a pedal clavichord. The collection of sonatas is generally regarded as one of Bach's masterpieces for organ. The sonatas are also considered to be amongst his most difficult compositions for the instrument.
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Rudolf Steglich was a German musicologist, music editor and academic teacher, who was professor at the University of Erlangen from 1930 to 1956. His focus was life and music of George Frideric Handel. He was instrumental in the composer's revival from the 1920s, and was from 1955 co-editor of the Hallische Händel-Ausgabe, the critical edition of the composer's complete works.
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