Three Choirs Festival

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Worcester cathedral
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Gloucester cathedral
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Hereford Cathedral

The Three Choirs Festival is a music festival held annually at the end of July, rotating among the cathedrals of the Three Counties (Hereford, Gloucester and Worcester) and originally featuring their three choirs, which remain central to the week-long programme. The large-scale choral repertoire is now performed by the Festival Chorus, but the festival also features other major ensembles and international soloists. [1] The 2011 festival took place in Worcester from 6 to 13 August. The 2012 festival in Hereford took place earlier than usual, from 21 to 28 July, to avoid clashing with the 2012 Summer Olympics. [2] The event is now established in the last week of July. The 300th anniversary of the original Three Choirs Festival was celebrated during the 2015 festival, which took place from 25 July to 1 August in Hereford (the landmark 300th meeting of the Three Choirs does not fall until 2027 due to there being no Three Choirs Festivals for the duration of both World War I and World War II).


The festival is closely identified with the musical careers of British composers Edward Elgar and Ralph Vaughan Williams. The organists of the three cathedrals (who act as artistic director and festival conductor when it is their cathedral's turn to host the festival) are Geraint Bowen (Hereford), Adrian Partington (Gloucester) and Samuel Hudson (Worcester).


The festival, originally held over two days in September (but also held in September in 1933 and 1947, since C. S. Lewis's brother Warren is known to have attended), is one of the world's oldest classical choral music festivals. [3] Originally called the Annual Music Meeting of the Three Choirs, the first is believed to have been held in Gloucester in 1715. [4] Publicity for it in 1719 addressed "Members of the yearly Musical Assembly in these parts". Its music obviously tended towards the ecclesiastical. In early gatherings, Purcell's setting of the Te Deum and Jubilate was a regular part of the repertoire until 1784, and Handel dominated 18th-century programmes with oratorios such as Alexander's Feast , Samson , Judas Maccabaeus and Messiah . Sir Samuel Hellier, guardian of the Hellier Stradivarius, was a "prominent figure". [5] Haydn's The Creation was heard first in the festival of 1800. From 1840, Mendelssohn's Elijah was performed every year until 1930.

The 19th century saw the introduction of Rossini, Mozart and Beethoven, and the festival's fortunes were enhanced by the arrival of the railways. However, these also brought crowds, a phenomenon not always pleasing to the church authorities, although full seats uplifted the finances. In the 1870s, the festival was reduced to the three cathedral choirs, ending for a while the era of the visiting celebrity singer as a faction in the church sought to stress the "appropriate" nature of activities allowed in cathedrals. However, the civil authorities took issue with the ecclesiastical and the festival revived. Works by J. S. Bach were not heard until the 1870s, soon to be followed by local (Worcestershire-born) composer Elgar, who began to be featured around the turn of the century and whose works dominated the festival for much of the 20th century as its emphasis shifted toward British musicians. Herbert Sumsion, organist at Gloucester between 1928 and 1967, particularly helped to promote the works of native composers, including premiering works of Howells, Finzi, and others. Parry's compositions were also performed regularly. His De Profundis was one of the earliest works to be commissioned especially for the festival and performed in 1891.

Delius in 1901 was another composer who introduced or conducted new works, with his Dance Rhapsody No. 1. Another was Ralph Vaughan Williams, whose Fantasia on a Theme by Thomas Tallis was premiered there in 1910, followed by the Five Mystical Songs in 1911 and the Fantasia on Christmas Carols in 1912, after which he co-featured with Elgar as a central prop to the musical repertoire. Sumsion fostered a relationship with Hungarian composer Zoltán Kodály and programmed Kodály's works at six Gloucester festivals. Other names include Gustav Holst, Arthur Sullivan, Herbert Howells, Gerald Finzi, William Walton, Arthur Bliss and Benjamin Britten and recently, Lennox Berkeley, John McCabe, William Mathias, Paul Patterson and James MacMillan.

A timeline of some of the more significant events in the festival's history from 1709 until the present day has been compiled by Anthony Boden: Three Choirs Festival timeline

In 1995, a Festival Society was established to provide a means for enthusiasts to actively participate in support for the Three Choirs Festival. [3] The festival is funded by ticket sales, donations and sponsorships.

In 2010, the Three Choirs Festival Youth Choir was formed. Made up of singers aged 16–25, it has performed at every festival since then, under a variety of conductors. In 2012 in Hereford the Three Choirs Festival Youth Choir premiered Centuries of Meditation, a setting by Dobrinka Tabakova of words by Thomas Traherne. [6]

The Philharmonia Orchestra began a rolling three-year formal residency at the festival in 2012. [7]

In July 2019 it was reported that the programming of Beethoven's Ode to Joy for the finale of the festival had prompted anger amongst Brexiteers, due to its use as the Anthem of Europe. The concert, unlike the other major musical events at the festival, did not sell out. [8]

See also

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  1. Hereford web pages: History
  2. "Hereford 2012". Three Choirs Festival. Retrieved 20 December 2011.
  3. 1 2 Three Choirs web site Retrieved 15 August 2009
  4. Boden & Hedley 2017, p. 11
  5. The British Institute of Organ Studies. ISSN   0309-8052 BIOS Reporter Volume 28, number 4, page 15. October 2004. Archived 20 February 2012 at the Wayback Machine
  6. "Three Choirs Festival Youth Choir". Three Choirs Festival. Retrieved 20 December 2011.
  7. "The Philharmonia Orchestra & the Three Choirs Festival". Three Choirs Festival. Retrieved 20 December 2011.
  8. "Brexiters boycott choral festival over EU's Ode to Joy". the Guardian. 7 July 2019. Retrieved 12 May 2020.

Further reading