 | This article possibly contains original research .(September 2016) |
| Three Miles North of Molkom | |
|---|---|
| Directed by | Robert Cannan Corinna McFarlane |
| Produced by | Robert Cannan Corinna McFarlane |
| Cinematography | Joseph Russell |
Release date |
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Running time | 105 minutes |
| Country | United Kingdom |
Three Miles North of Molkom is a 2008 documentary film directed by Corinna Villari-McFarlane and Robert Cannan. [1] [2] It was nominated in the Best British Documentary category for the British Independent Film Awards 2008. [3] [4]
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It follows seven participants of the 2007 No Mind Festival [5] at Ängsbacka, a course center located in Molkom, Sweden. This yearly New Age event lasts one or two weeks, has a thousand participants, and is claimed to be the largest alternative festival in Northern Europe. [6] [7]
The activities shown in the film include tree hugging (each one choosing his own tree), firewalking, nude swimming, sweat lodge, hugging, Tantric sex, singing, dancing, talks in "sharing circles". There is also an exercise in defending oneself against a physical attack using psychic energy. [8] [9]
The portrayed participants are:
- Siddhartha, a Swedish harbor master, who says he feels like a king in his nice house, but also that he is lonely, and longs for a woman. [8]
- Peter, who has come with his two sons; his wife did not come along.
- Mervi, an older, female former career counselor from Finland. She suffers from a lack of saliva, but some activities are so exciting that it is produced. In the psychic energy exercise, she is knocked over, and the instructor claims that she failed to defend herself with the energy.
- Ljus, an American hippie, and a former goatherd.
- Regina Lund, a well-known actress and singer/songwriter; she arrives one day later, because she had to sing at a lesbian wedding, and leaves earlier.
- Marit, a shy Norwegian woman. On one occasion she reveals her hidden fantasy of being a queen; at her request, the others one by one bow to her.
- Nick, an Australian rugby coach who explains that he expected a different kind of festival; a female journalist friend suggested he attend while she would be there writing a story about the festival. He is very skeptical at first, describing the festival as a cult, but evolves into an enthusiastic participant. He teaches the group some Australian expressions, pronounced in the Australian way, such as "no worries". [10]
