The cups and balls is a performance of magic with innumerable adaptations. Street gambling variations performed by conmen were known as Bunco Booths. A typical cups and balls routine includes many of the most fundamental effects of magic: the balls can vanish, appear, transpose, reappear and transform. Basic skills, such as misdirection, manual dexterity, sleight of hand, and audience management are also essential to most cups and balls routines. As a result, mastery of the cups and balls is considered by many as the litmus test of a magician's skill with gimmick style tricks. Magician John Mulholland wrote that Harry Houdini had expressed the opinion that no one could be considered an accomplished magician until he had mastered the cups and balls. Professor Hoffman called the cups and balls "the groundwork of all legerdemain".
Sleight of hand refers to fine motor skills when used by performing artists in different art forms to entertain or manipulate. It is closely associated with close-up magic, card magic, card flourishing and stealing. Because of its heavy use and practice by magicians, sleight of hand is often confused as a branch of magic; however, it is a separate genre of entertainment and many artists practice sleight of hand as an independent skill. Sleight of hand pioneers with worldwide acclaim include Dan and Dave, Ricky Jay, Derek DelGaudio, David Copperfield, Yann Frisch, Norbert Ferré, Dai Vernon, Cardini, Tony Slydini, Helder Guimarães and Tom Mullica.
In theatrical magic, misdirection is a form of deception in which the performer draws audience attention to one thing to distract it from another. Managing audience attention is the aim of all theater, and the foremost requirement of all magic acts. Whether the magic is of a "pocket trick" variety or a large stage production, misdirection is the central secret. The term describes either the effect or the sleight of hand or patter that creates it.
Coin magic is the manipulating of coins to entertain audiences. Because coins are small, most coin tricks are considered close-up magic or table magic, as the audience must be close to the performer to see the effects. Though stage conjurers generally do not use coin effects, coin magic is sometimes performed onstage using large coins. In a different type of performance setting, a close-up coin magician will use a large video projector so the audience can see the magic on a big screen. Coin magic is generally considered harder to master than other close-up techniques such as card magic, as it requires great skill and grace to perform convincingly, and this requires much practice to acquire.
Cardistry is the performance art of card flourishing. Unlike card magic, cardistry is meant to be visually impressive and appear very hard to execute.
This is a glossary of conjuring terms used by magicians.
The French drop, also known as "Le Tourniquet", is a sleight of hand method used by magicians to vanish a small object such as a coin or ball. It is one of the oldest methods of vanishing, however it is still effective when properly executed. Although the method is known as a vanish, it can also be used as a switch or transformation, giving rise to numerous possibilities.
In the retention of vision vanish, the magician places a coin or small object between the fingers and the thumb of the right hand. The left hand is palm up with the palm slightly tilted towards the audience. The right approaches and displays the object on the left palm for a second or so, held on opposite sides of a diameter. Then the right hand moves away empty as the fingers of the left hand close over the object. After a brief pause the left hand is shown empty and the coin has disappeared. In some versions the right hand can also be seen empty, leaving no clue as to where the coin went.
Glorpy, sometimes known as the Haunted Handkerchief, is a close-up magic trick. The effect is that a ghost or spirit is captured in a folded handkerchief that then makes the handkerchief move. This effect is also used in demonstrations of spirit writing when shown in a seance or mentalism context. Simple versions have been performed for years. A modern version by Bill Madden and Bernie Trueblood was created circa 1960 and declared the "Trick of the Millennium" by Genii, the conjurer's magazine.
The hat-trick is a classic magic trick where a performer will produce an object out of an apparently empty top hat.
Spoons can be played as a makeshift percussion instrument, or more specifically, an idiophone related to the castanets. They are played by hitting one spoon against the other.
In the art of conjuring, lapping refers to a set of techniques whereby a performer seated at a table can secretly dispose of an item into their lap. A common lapping technique is to sweep an item into the lap while pretending to pick it off the tabletop.
Close-up magic is magic performed in an intimate setting usually no more than 3 meters from one's audience and is usually performed while sitting at a table.
The Tarbell Course in Magic is a notable encyclopedia of magic amongst professional and amateur magicians. It has eight volumes; the first five were part of the original home-study correspondence course compiled in 1928 by Harlan Tarbell, the remaining three volumes being added on later.
Children's magic is a specialized aspect of parlor magic and is meant to entertain children. It is typically performed at birthday parties, churches, preschools, elementary schools, Sunday Schools or libraries. It is often the only type of magic most Westerners experience other than that seen on television. This type of magic is usually comedic in nature.
Magic, which encompasses the subgenres of illusion, stage magic, and close up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.
The Inexhaustible Bottle is a classic magic trick performed by stage magicians. It dates to the 17th century and has since inspired many variations; well known examples include Any Drink Called For, The Bar Act, Satan's Barman, the Assassin's Teapot and Think-a-Drink. During the temperance movement it became The Obliging Tea Kettle, and the modern Magic Tea Kettle remains a common prop available at most magic stores. A slight variation is the Magic Funnel. Today, the trick is normally performed for children, although some stand-up shows retain a variation.
The blow book, better known as a magic coloring book in modern variations, is a classic magic trick that has been performed for hundreds of years. It was most popular from the 16th to the 19th century, when variations of the concept were a staple of the book publishing trade. It has been referred to as the oldest example of a manufactured prop used for magic. It remains a common trick today, albeit mostly performed for children, preferably at birthday parties or other events due to the visual nature of the illusion.
A levitation illusion is one in which a magician appears to defy gravity by making an object or person float in the air. The subject may appear to levitate unassisted, or it may be performed with the aid of another object in which case it is termed a "suspension".
