Mīrzā Muhammad Tāraghay bin Shāhrukh, better known as Ulugh Beg, was a Timurid sultan, as well as an astronomer and mathematician.
The Timurid dynasty, self-designated as Gurkani, was a Sunni Muslim dynasty or clan of Turco-Mongol origin descended from the warlord Timur. The word "Gurkani" derives from "Gurkan", a Persianized form of the Mongolian word "Kuragan" meaning "son-in-law". This was an honorific title used by the dynasty as the Timurids were in-laws of the line of Genghis Khan, founder of the Mongol Empire, as Timur had married Saray Mulk Khanum, a direct descendant of Genghis Khan. Members of the Timurid dynasty signaled the Timurid Renaissance, and they were strongly influenced by Persian culture and established two significant empires in history, the Timurid Empire (1370–1507) based in Persia and Central Asia, and the Mughal Empire (1526–1857) based in the Indian subcontinent.
The Timurid Empire was a late medieval, culturally Persianate Turco-Mongol empire that dominated Greater Iran in the early 15th century, comprising modern-day Iran, Iraq, Afghanistan, much of Central Asia, the South Caucasus, as well as parts of contemporary Pakistan, North India and Turkey. The empire was culturally hybrid, combining Turko-Mongolian and Persianate influences, with the last members of the dynasty being "regarded as ideal Perso-Islamic rulers".
The Gūr-i Amīr or Guri Amir is a mausoleum of the Turco-Mongol conqueror Timur in Samarkand, Uzbekistan. It occupies an important place in the history of Central Asian architecture as the precursor for and had influence on later Mughal architecture tombs, including Gardens of Babur in Kabul, Humayun's Tomb in Delhi and the Taj Mahal in Agra, built by Timur's Indian descendants, Turco-Mongols that followed Indian culture with Central Asian influences. Mughals established the ruling Mughal dynasty of the Indian subcontinent. The mausoleum has been heavily restored over the course of its existence.
Shah Rukh or Shahrukh Mirza was the ruler of the Timurid Empire between 1405 and 1447.
Kamāl ud-Dīn Behzād, also known as Kamal al-din Bihzad or Kamaleddin Behzād, was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid Periods. He is regarded as marking the highpoint of the great tradition of Islamic miniature painting. He was very prominent in his role as kitābdār in the Herat Academy as well as his position in the Royal Library in the city of Herat. His art is unique in that it includes the common geometric attributes of Persian painting, while also inserting his own style, such as vast empty spaces to which the subject of the painting dances around. His art includes masterful use of value and individuality of character, with one of his most famous pieces being "The Seduction of Yusuf" from Sa'di's Bustan of 1488. Behzād's fame and renown in his lifetime inspired many during, and after, his life to copy his style and works due to the wide praise they received. Due to the great number of copies and difficulty with tracing origin of works, there is a large amount of contemporary work into proper attribution.
The Mausoleum of Khawaja Ahmed Yasawi is a mausoleum in the city of Turkestan, in southern Kazakhstan. The structure was commissioned in 1389 by Timur, who ruled the area as part of the expansive Timurid Empire, to replace a smaller 12th-century mausoleum of the famous Turkic poet and Sufi mystic, Khoja Ahmed Yasawi (1093–1166). However, construction was halted with the death of Timur in 1405.
A Persian miniature is a small Persian painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western Medieval and Byzantine traditions of miniatures in illuminated manuscripts. Although there is an equally well-established Persian tradition of wall-painting, the survival rate and state of preservation of miniatures is better, and miniatures are much the best-known form of Persian painting in the West, and many of the most important examples are in Western, or Turkish, museums. Miniature painting became a significant genre in Persian art in the 13th century, receiving Chinese influence after the Mongol conquests, and the highest point in the tradition was reached in the 15th and 16th centuries. The tradition continued, under some Western influence, after this, and has many modern exponents. The Persian miniature was the dominant influence on other Islamic miniature traditions, principally the Ottoman miniature in Turkey, and the Mughal miniature in the Indian sub-continent.
The Jāmiʿ al-tawārīkh is a work of literature and history, produced in the Mongol Ilkhanate. Written by Rashid al-Din Hamadani at the start of the 14th century, the breadth of coverage of the work has caused it to be called "the first world history". It was in three volumes and published in Arabic and Persian versions.
A Muraqqa is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter. The album was popular among collectors in the Islamic world, and by the later 16th century became the predominant format for miniature painting in the Persian Safavid, Mughal and Ottoman empires, greatly affecting the direction taken by the painting traditions of the Persian miniature, Ottoman miniature and Mughal miniature. The album largely replaced the full-scale illustrated manuscript of classics of Persian poetry, which had been the typical vehicle for the finest miniature painters up to that time. The great cost and delay of commissioning a top-quality example of such a work essentially restricted them to the ruler and a handful of other great figures, who usually had to maintain a whole workshop of calligraphers, artists and other craftsmen, with a librarian to manage the whole process.
The Garrett Zafarnama is an early manuscript of the Zafarnama by Sharaf ad-Din Ali Yazdi now in the Johns Hopkins University Library in Baltimore, Maryland, USA.
Timur or Tamerlane was a Turco-Mongol conqueror who founded the Timurid Empire in and around modern-day Afghanistan, Iran, and Central Asia, becoming the first ruler of the Timurid dynasty. An undefeated commander, he is widely regarded as one of the greatest military leaders and tacticians in history, as well as one of the most brutal and deadly. Timur is also considered a great patron of art and architecture as he interacted with intellectuals such as Ibn Khaldun, Hafez, and Hafiz-i Abru and his reign introduced the Timurid Renaissance.
Sultan ‛Ali Mashhadi, Persian: سلطانعلی مشهدی was a Persian calligrapher and master of nastaliq script.
ʿAbd al-Ḥayy was a Persian illustrator specializing in discreet, miniature art. His career spanned from the late 14th century through the early 15th century. He is most commonly recognized for his wall paintings that decorated many ornate palaces, including the palaces of the Timurid Empire and his monochromatic ink paintings.
The album of Muḥammad Siyāh Qalam or Siāh-Qalam comprise around 80 extant late 14th and early 15th century paintings folios, ink drawings (qalam-siāhi), and calligraphies, on various material, sometimes silk. The albums that contains these paintings, most of which are signed as Mehmet or Muhammad Siyah Qalam, is called the Fatih. These paintings depict cultural and religious ritual norms of the time period, providing insight into the demographics of that era as well as the geography. Measuring up to 335 × 485 cm, these paintings are generally attributed to Iran and bear the strong influence of Chinese art and techniques, as well as symbols of Buddhism and Shamanism, which were both major faiths in the region of Central Asia before the arrival of Islam.
The Timurid Renaissance was a historical period in Asian and Islamic history spanning the late 14th, the 15th, and the early 16th centuries. Following the gradual downturn of the Islamic Golden Age, the Timurid Empire, based in Central Asia ruled by the Timurid dynasty, witnessed the revival of arts and sciences. Its movement spread across the Muslim world. The French word renaissance means "rebirth", and defines a period as one of cultural revival. The use of the term for the description of this period has raised reservations among scholars, some of whom see it as a swan song of Timurid culture.
Sultan Muhammad was a Persian painter at the Safavid court at Tabriz under Shah Ismail I and Shah Tahmasp I. He served as the director of Shah Ismail's artists’ workshop and as the first project director of the Shahnameh of Shah Tahmasp. He gave painting lessons to Tahmasp when he was the crown prince.
The architecture of Afghanistan refers to a distinct style of architecture of the modern country and its predecessor states. As the connection between the three major cultural and geographic centers of Central Asia, the Indian subcontinent, and the Iranian plateau, the boundaries of the region prior to this time changed with the rapid advancement of armies, with the land belonging to a vast range of empires over the last two millennia.
The Nasser D. Khalili Collection of Islamic Art includes 28,000 objects documenting Islamic art over a period of almost 1400 years, from 700 AD to the end of the twentieth century. It is the largest of the Khalili Collections: eight collections assembled, conserved, published and exhibited by the British-Iranian scholar, collector and philanthropist Nasser David Khalili, each of which is considered among the most important in its field. Khalili's collection is one of the most comprehensive Islamic art collections in the world and the largest in private hands.
Abu'l-Fath Pir Budaq more commonly known simply as Pir Budaq, son of Jahān Shāh of the Qara Qoyunlu dynasty, was governor of Shiraz (1456-1460) and of Baghdad (1460-66) where he introduced a period of political and economic stability. He is noted for developing a library of the finest manuscripts, for his patronage of the arts, for establishing Baghdad as an important centre of the arts and for reinvigorating the art of the book. He has been described as the greatest Turkmen patron of the arts.
