Tiny in Swingville | ||||
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Studio album by | ||||
Released | 1959 | |||
Recorded | August 13, 1959 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
Genre | Jazz | |||
Length | 39:59 | |||
Label | Swingville SV 2002 | |||
Producer | Esmond Edwards | |||
Tiny Grimes chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
The Penguin Guide to Jazz Recordings | [2] |
Tiny in Swingville is an album by guitarist Tiny Grimes with saxophonist Jerome Richardson recorded in 1959 and released on the Swingville label. [3]
The Allmusic site awarded the album 4½ stars stating "it really puts the focus on Grimes' bluish but swinging guitar playing". [1]
All compositions by Doretta Crawley and Tiny Grimes except where noted
Lloyd "Tiny" Grimes was an American jazz and R&B guitarist. He was a member of the Art Tatum Trio from 1943 to 1944, was a backing musician on recording sessions, and later led his own bands, including a recording session with Charlie Parker. He is notable for playing the electric tenor guitar, a four-stringed instrument.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings by Cannonball Adderley and Nat Adderley, produced for the Savoy label.
Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
Kofi is an album by American trumpeter Donald Byrd featuring performances by Byrd with Frank Foster, Lew Tabackin, Duke Pearson, Ron Carter, Bob Cranshaw, Airto Moreira, Wally Richardson, and Mickey Roker recorded in 1969 and 1970 and released on the Blue Note label in 1995.
Profiles is a live album by American jazz vibraphonist Gary McFarland featuring performances recorded at the Lincoln Centre Philharmonic Hall in 1966 for the Impulse! label.
Free Ride is an album by trumpeter Dizzy Gillespie which was composed, arranged and conducted by Lalo Schifrin, recorded in 1977 and released on the Pablo label. The album represents the first collaboration between the two since The New Continent in 1962.
The Eddie "Lockjaw" Davis Cookbook is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was later issued as Vol. 1 when two subsequent "Cookbook" volumes were released.
The Eddie "Lockjaw" Davis Cookbook, Vol. 2 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was the second of Davis' popular "Cookbook" volumes to be released.
Up the Street, 'Round the Corner, Down the Block is an album by guitarist Kenny Burrell recorded in 1974 and released on the Fantasy Records label.
Sky Street is an album by guitarist Kenny Burrell recorded in 1975 and released on the Fantasy Records label in 1976. The album was released on CD combined with Stormy Monday as Stormy Monday Blues in 2001.
Ellington Is Forever is an album by guitarist Kenny Burrell featuring compositions associated with Duke Ellington recorded in 1975 and released on the Fantasy Records label. Originally released as a double album set in 1975 it was rereleased on CD in 1993 as Ellington Is Forever Volume 1.
Soul Street is an album by saxophonist Jimmy Forrest compiled from four different sessions between 1960 and 1962 and released on New Jazz Some tracks appear as CD bonus tracks on other CDs but this is the only album on which the Big Band tracks appear.
The Big Sound is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same sessions which produced Groove Blues.
Groove Blues is an album by saxophonist Gene Ammons recorded in 1958 and released on the Prestige label. The album was recorded at the same session that produced The Big Sound.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.
Hawk Eyes is an album by saxophonist Coleman Hawkins which was recorded in 1959 and released on the Prestige label.
Blues Groove is an album by guitarist Tiny Grimes with saxophonist Coleman Hawkins recorded in 1958 and released on the Prestige label. The album was subsequently rereleased under Hawkins leadership.
Callin' the Blues is an album by guitarist Tiny Grimes with trombonist J. C. Higginbotham recorded in 1958 and released on the Prestige label. The album was subsequently rereleased on Prestige's Swingville subsidiary label.
This is the discography for American jazz guitarist Tiny Grimes.
Things Ain't What They Used to Be is an album by the First Annual Prestige Swing Festival featuring two all-star groups, one including Coleman Hawkins, Hilton Jefferson, Jimmy Hamilton and Joe Newman and the other led by Al Sears with Buddy Tate, Pee Wee Russell and Joe Thomas which was recorded in 1961 and first released on the Swingville label as a double album before being reissued as two single discs with Hawkins name prominently displayed; Things Ain't What They Used to Be and Years Ago. All tracks were also reissued as Jam Session in Swingville which was credited to Hawkins and Russell.