Tokyo Jihen discography | |
---|---|
Studio albums | 6 |
Live albums | 1 |
Compilation albums | 2 |
Video albums | 13 |
Music videos | 24 |
EPs | 5 |
Singles | 13 |
B-sides | 11 |
The discography of Tokyo Jihen consists of five studio albums, three compilation albums, one regular release extended play and three vinyl exclusive extended plays and 13 video releases, released through Toshiba EMI, EMI Music Japan and Universal between 2004 and 2013.
Title | Album details | Peak positions | Sales [1] | Certifications | ||||
---|---|---|---|---|---|---|---|---|
JPN [2] | KOR [3] [upper-alpha 1] | KOR Overseas [4] [upper-alpha 2] | TWN [10] | TWN East Asian [11] | ||||
Kyōiku |
| 2 | — | — | — | — | 391,000 | |
Adult |
| 1 | — | — | — | 3 | 294,000 |
|
Variety |
| 2 | — | — | 18 | 2 | 175,000 |
|
Sports |
| 1 | 15 | 4 | — | 9 | 177,000 |
|
Dai Hakken |
| 1 | 30 | 7 | — | 10 | 140,000 |
|
Ongaku |
| 2 | — | — | — | — | ||
"—" denotes a recording that did not chart or was not released in that territory. |
Title | Album details | Peak positions | Sales [1] | ||
---|---|---|---|---|---|
JPN [2] | KOR Overseas [4] | TWN East Asian [11] | |||
Tokyo Collection |
| 1 | 43 | 4 | 62,000 |
Shin'ya Waku |
| 3 | 39 | 11 | 52,000 |
Sogo |
| 3 | — | — | 34,515 [18] |
Title | Album details | Peak positions | Sales [1] |
---|---|---|---|
JPN [2] | |||
Hard Disk |
| 15 | 12,000 |
Title | EP details | Peak positions | Sales [1] | Certifications | |||
---|---|---|---|---|---|---|---|
JPN [2] | KOR [3] | KOR Overseas [4] | TWN East Asian [11] | ||||
Gunjō Biyori / Sōnan |
| 108 | — | — | — | 2,300 | |
Adult Video Original Sound Track |
| 221 | — | — | — | 1,100 | |
Variety Zōkangō (娯楽(バラエティ)増刊号) |
| 281 | — | — | — | 700 | |
Color Bars |
| 2 | 42 | 3 | 6 | 109,000 |
|
News |
| 2 | — | — | 3 | 30,407 [20] | |
"—" denotes a recording that did not chart or was not released in that territory. |
Title | Year | Peak chart positions | Sales [1] | Certifications | Album | ||
---|---|---|---|---|---|---|---|
JPN Oricon [21] | JPN Hot 100 [22] [upper-alpha 3] | TWN East Asian [11] [upper-alpha 4] | |||||
"Gunjō Biyori" | 2004 | 2 | 45 | — | 203,000 | Kyōiku | |
"Sōnan" | 2 | — | — | 123,000 |
| ||
"Shuraba" | 2005 | 5 | — | — | 110,000 | Adult | |
"OSCA" | 2007 | 2 | — | — | 58,000 | Variety | |
"Killer-tune" | 5 | — | — | 51,000 | |||
"Senkō Shōjo" | — | — | — | — | Sports | ||
"Nōdōteki Sanpunkan" | 2009 | 1 | 1 | 16 | 71,000 | ||
"Tengoku e Yōkoso" | 2010 | — | — | — | — | Dai Hakken | |
"Dopa-Mint!" | — | 36 | — | — | |||
"Sora ga Natteiru" | 2011 | 6 | 11 | — | 54,000 | ||
"Onna no Ko wa Dare Demo" | 6 | 5 | — | ||||
"Erabarezaru Kokumin" | 2020 | — | — | — | — | News | |
"—" denotes a recording that did not chart or was not released in that territory. |
Title | Year | Peak chart positions | Album |
---|---|---|---|
JPN Hot 100 [22] | |||
"Omatsuri Sawagi" (御祭騒ぎ, "The Merrymaking") | 2004 | — | Kyōiku |
"Black Out" (ブラックアウト, Burakku Auto) | 2006 | — | Adult |
"Kenka Jōtō" (喧嘩上等, "Active Fighting") | — | ||
"Shōjo Robot" | — | Just Can't Help It. | |
"Kachi Ikusa" | 2010 | 30 | Sports |
"Denpa Tsūshin" (電波通信, "Electro-communication") | — | ||
"Season Sayonara" | 13 | ||
"Sweet Spot" | — | ||
"Atarashii Bunmei Kaika" | 2011 | 8 | Dai Hakken |
"Nijūisseiki Uchū no Ko" (21世紀宇宙の子, "Child of the 21st Century Universe") | — | ||
"Handsome Sugite" (ハンサム過ぎて, "Too Handsome") | 14 | CS Channel | |
"Kon'ya wa Karasawagi" | 2012 | 4 | Color Bars |
"Tadanaranu Kankei" (ただならぬ関係, "Incomparable Relationship") | 6 | Shin'ya Waku | |
"Bon Voyage" | 2013 | — | Hard Disk |
"—" denotes a recording that did not chart. |
The following songs are appearances by Tokyo Jihen for other musicians, as instrument performers and song arrangers.
Title | Year | Album |
---|---|---|
"Amagasa" (Tokio) | 2008 | 17 |
"Kachū no Otoko" (渦中の男, "Vortex Boy")(Tokio) | "Amagasa" (single) | |
"Hiyori Hime" (Puffy) | 2009 | Bring It! |
"Shuen no Onna" (主演の女, "Leading Lady")(Puffy) | ||
"Tokai no Manner" (都会のマナー, "City Manners")(Rie Tomosaka) | Toridori. | |
"Oishii Kisetsu" (Chiaki Kuriyama) | 2011 | Circus |
"Ketteiteki Sanpunkan" (Chiaki Kuriyama) | ||
"Carnation" (Ringo Sheena) | "Carnation" (single) | |
"Watashi no Aisuru Hito" (私の愛するひと, "My Love")(Ringo Sheena) | ||
"Jinsei wa Omoidōri" (人生は思い通り, "Life Is How I Like It")(Ringo Sheena) | ||
"Tsukiyo no Shōzō" (Chiaki Kuriyama) | Circus Deluxe Edition | |
"Seishun no Matataki" (Chiaki Kuriyama) |
Title | Album details | Peak positions JPN [33] |
---|---|---|
Tokyo Incidents Vol .1 |
| 5 |
Adult Video |
| 4 |
Senkō Shōjo |
| 6 |
CS Channel |
| 4 |
Golden Time |
| 11 |
Title | Album details | Peak positions JPN [33] |
---|---|---|
Dynamite In |
| 2 |
Dynamite Out |
| 2 |
Just Can't Help It. |
| 2 |
Spa & Treatment |
| 3 |
Ultra C |
| 17 |
Discovery |
| 1 |
Bon Voyage |
| 3 |
Chin Play Kō Play (珍プレー好プレー, "Bloopers and Highlights") |
| 1 |
Year | Music video | Director |
---|---|---|
2004 | "Gunjō Biyori" | Masaaki Uchino |
"Sono Onna Fushidara ni Tsuki" (その淑女ふしだらにつき, "The Lady Is a Tramp") | ||
"Sōnan" | ||
"Dynamite" (ダイナマイト, Dainamaito) | ||
"Kurumaya-san" (車屋さん, "Taxi Driver") | ||
"Service" (サービス, Sābisu) | ||
2005 | "Shuraba" | Shuichi Banba |
2006 | "Kenka Jōtō" | Hiroshi Usui |
"The Kabuki" (歌舞伎) | ||
"Himitsu for DJ" (秘密, "A Secret") | ||
"Koi wa Maboroshi" (恋は幻, "Get It Up for Love") | ||
"Tasogare Naki for Mother" (黄昏泣き, "Don't Cry My Child") | ||
2007 | "OSCA" | Yuichi Kodama |
"Killer-tune" | ||
"Senkō Shōjo" | ||
2009 | "Nōdōteki Sanpunkan" | |
"Kachi Ikusa" | ||
2011 | "Sora ga Natteiru" | |
"Onna no Ko wa Dare Demo" | ||
"Atarashii Bunmeikaika" | ||
"Tengoku e Yōkoso" (Tokyo Bay Ver. CS Edit) | ||
"Handsome Sugite" | ||
2012 | "Kon'ya wa Karasawagi" | |
"Tada Naranu Kankei" |
Japanese singer Ayumi Hamasaki has released eighteen studio albums, five compilation albums, twenty-six remix albums, four live albums and numerous singles and promotional singles. She debuted in 1995 under Nippon Columbia with the stage name Ayumi, releasing an extended play Nothing from Nothing, which was a collaboration with Dohzi-T and DJ Bass. Three years later, Hamasaki debuted again as a singer under Avex Trax with the single "Poker Face" (1998). Her first album A Song for ×× (1999) debuted at number one on Oricon's albums chart, and sold over 1.4 million copies.
The discography of Japanese-American R&B and pop singer Hikaru Utada consists of eleven studio albums, three compilation albums, eleven video albums and numerous singles and promotional singles. Utada began as a musician in the early 1990s as a member of U3, a family unit made up of her, her mother Junko Utada, also known as 1970s enka singer Keiko Fuji, and her father, musical producer Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America. In 1996, the group was rebranded as Cubic U, an R&B project focusing on Hikaru Utada, resulting in the English language album Precious in 1998 with record label Toshiba EMI.
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The discography of Japanese R&B singer Misia consists of nine studio albums, three compilation albums, one extended play (EP), one live album, six remix albums, twenty-six singles, twelve promotional singles, eighteen video albums and thirty-seven music videos. In 1997, Misia signed a recording contract with BMG Japan and joined the then up-and-coming talent agency, Rhythmedia. Under the sub-label Arista Japan, Misia released her first single, "Tsutsumikomu Yō ni..." in February 1998, followed by "Hi no Ataru Basho" in May. In June, her debut album, Mother Father Brother Sister, opened at number three on the Oricon chart. The album peaked at number one three weeks later and stayed in the top five for eleven consecutive weeks. Mother Father Brother Sister was certified double million and won a Japan Record Award for Best Album, as well as a Japan Gold Disc Award for Pop Album of the Year. In 2000, Misia's second studio album, Love Is the Message, debuted at number one and was certified double million. It won a Japan Record Award for Best Album and a Japan Gold Disc Award for Pop Album of the Year. The album spawned three top ten hits: "Believe," "Wasurenai Hibi" and "Sweetness." Misia's first remix album, Misia Remix 2000 Little Tokyo, was released three months later and shot to number one. It sold over 800,000 copies and is the second best-selling remix album of all time in Japan.
The discography of Mika Nakashima includes 11 studio albums, 7 compilation albums, 45 singles and 20 video albums. These have all been released through Sony Music Entertainment Japan.
The solo discography of Japanese musician Yui consists of five studio albums, three compilation albums, twenty-one singles and five video albums. These were released on independent label Leaflet Records in 2004, followed by Sony Music Entertainment Japan sub-label Gr8! Records in 2005, Sony Records between 2005 and 2006, Sony sub-label Studioseven Recordings between 2007 and 2010, before returning to Gr8! Records in 2010.
The discography of Japanese-American musician Yuna Ito consists of three studio albums, one compilation album and nineteen singles. Her debut album, Heart, was released in 2007 after six singles, including one of the two theme songs for the film Nana, "Endless Story" (2005), which also featured Ito in her acting debut, as well as "Precious" (2006), the theme song of the film Limit of Love: Umizaru. Both of these songs were very commercially successful, becoming certified by the RIAJ.
The discography of Japanese contemporary R&B singer Crystal Kay consists of 12 studio albums, three extended plays, five compilation albums, four video albums and numerous single releases. Crystal Kay debuted as a singer at 13 years of age in 1999 under Epic Records Japan. Her third album Almost Seventeen (2002) saw a great leap in popularity for Crystal Kay, reaching number two on Oricon's albums chart. In 2005, Crystal Kay sang the eponymous theme song for the Tsuyoshi Kusanagi drama Koi ni Ochitara: Boku no Seikō no Himitsu. "Koi ni Ochitara" became Crystal Kay's most successful single, being certified for a million ringtone downloads.
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This is the discography for Japanese boy band KAT-TUN.
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The discography of Japanese musician Angela Aki consists of seven studio albums, two compilation albums, one extended play, thirteen singles, and five video albums. Her debut album, These Words, was released independently in the United States in early 2000 and was sung entirely in English. After returning to Japan in 2003, Aki followed this with a Japanese-language extended play, One, released under Virgo Music in 2005.
The discography of Japanese contemporary R&B singer and Thelma Aoyama consists of seven studio albums, six compilation albums, one extended play, one remix album, one cover album, two video albums and numerous solo and collaboration singles. Aoyama debuted as a musician in 2007 under Universal Music Japan, and became famous through her collaboration song with rapper SoulJa, "Koko ni Iru yo". Aoyama's version "Soba ni Iru ne" became one of the most successful songs of all time in Japan, certified for three million ringtone downloads and three million downloads by the RIAJ.
The discography of Japanese R&B and pop singer Ken Hirai consists of ten studio albums, two compilation albums, one remix album, three cover albums, thirteen video albums and numerous singles and promotional singles. Hirai debuted as a musician under Sony Music Records in 1995 with the single "Precious Junk", but found success five years later with the single "Lakuen" and his third album, The Changing Same.
The discography of Japanese recording artist and actor Masaharu Fukuyama consists of ten studio albums, four compilation albums, three remix albums, twenty video albums, and numerous physical and promotional singles. Fukuyama debuted through BMG Japan by releasing the single "Tsuioku no Ame no Naka" (1990) and the album Dengon. The works failed to chart, however, in 1992 the single "Good Night", aided by the popularity it gained through use in the drama Ai wa Dō da, charted on the Oricon Singles Chart, peaking at number nine. In 1993, his album Calling became his first number one album on the Oricon Albums Chart; it has sold over 850,000 copies in Japan and has been certified two-times platinum by the Recording Industry Association of Japan (RIAJ).
The discography of Monkey Majik consists of thirteen studio albums, five compilation albums and numerous singles and digital downloads. The band's releases were originally self-released in Sendai, after which they were signed to independent label and management Under Horse Records, and released material through there between 2004 and 2005. In 2005, Monkey Majik were signed to major label Avex Entertainment, and continue to release under the Binyl Records sub-label.
The discography of M-Flo features nine studio albums, nine compilation albums, one live album and 25 singles. These were released on Labsoul Records and Avex Group independent label Rhythm Republic in 1998, and from 1999 onwards released through Rhythm Zone.
The discography of Japanese pop singer Kana Nishino consists of seven studio albums, six compilation albums, thirty-four singles and ten video albums. Nishino debuted in 2008 under Sony Music Japan, and gained national recognition with the singles "Tōkutemo" and "Kimi ni Aitaku Naru Kara" (2009). Nishino has released some of the most digitally successful songs in Japan: "Motto..." (2009), "Dear..." (2009), "Best Friend" (2010), "Aitakute Aitakute" (2010), "If" (2010) and "Kimi tte" (2010), all of which were certified million by the RIAJ.
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The discography of Japanese musician Miwa consists of six studio albums, one compilation album, seven video albums and twenty-five singles. After releasing two independent singles, Miwa debuted through major label Sony Music Entertainment Japan with the single "Don't Cry Anymore" (2010), a song used as the theme song of the drama Nakanai to Kimeta Hi. The song was commercially successful, and was eventually certified Platinum by the Recording Industry Association of Japan. This song, along with her third single "Change", used as a theme song for the anime Bleach, led her debut album Guitarissimo (2011) to debut at number one on Oricon's album charts.