Biography
In 1986, Tom Liwa was a founding member and became frontman of the band, Flowerpornoes, in his native Duisburg.
The four albums released during this period mainly featured English lyrics. Liwa has stated that he had in fact already begun writing German lyrics but that at the time German songtexts were considered "unhip". Although his English texts had received praise in music magazines, the later decision to begin recording songs in German rather than English was made in a conscious effort to address what Liwa perceived as a failure to communicate the deeper meanings in his lyrics to an audience beyond music critics. [4]
After unfruitful attempts to score any major popular success and with mounting tensions between the band members and differing artistic visions, the Flowerpornoes disbanded shortly after the release of the 1990 album, As Trivial As Life And Death. Subsequent bids for a contract from a major record label failed, to Liwa's retrospective relief. [6]
After the breakup, Tom Liwa toured with Blumfeld on their first tour. Other than that, he played only very minor gigs during the time. In his own retrospect account, he states that he considered his career finished at that point. [6]
The Flowerpornoes project was revived in 1993, culminating in the release of Mamas Pfirsiche (Für schlechte Zeiten). Two more albums followed, 1994's Red' nicht von Straßen, nicht von Zügen and Ich & Ich in 1996, before the band members parted ways again.
From 1995 to 1997, Liwa also contributed to the eponymous first album by the Tim Isfort Orchester project alongside Blixa Bargeld, Eva Kurowski, Katharina Thalbach and others. [7] [8]
After the second breakup of the Flowerpornoes, Tom Liwa began work on his first solo album. Due to participation in a number of other projects, it took four years to complete and publish St. Amour in 2000. The earlier Voeding, released in 1998, was a collection of songs released as mailorder only. The final track of St. Amour is a non-musical piece called "Wir haben die Musik" ("we have the music"), spoken by Christian Brückner, whose voice is well known throughout Germany as the dubbing voice for Robert De Niro and other actors. [2] [9] [10] Also during the time, Liwa featured on Kevin Coyne's Knocking On Your Brain, published in 1997. [11]
More solo albums followed since then, 2004's Dudajim being the latest of those that have not been published as mailorder only.
On 25 July 2005, the Flowerpornoes performed together for the first time since the 1996 breakup. The occasion was a concert in Cologne, organised as part of the campaign "nrw retten, taz abonnieren" ("save NRW, subscribe to taz") by newspaper die tageszeitung's North Rhine-Westphalia edition, which at the time was struggling financially. [12]
In 2007, after a hiatus of more than ten years, a new Flowerpornoes album was released, Wie oft musst du vor die Wand laufen bis der Himmel sich auftut? The album has received considerably greater mainstream attention than any prior work of Tom Liwa. [13] [14] [15] [16]
One of the songs on the album is called "Österreich", an allusion to the band's website being located within the Austrian top-level domain .at because the German top-level domain URL (flowerpornoes.de) is registered by someone not related to the band in any form. [17]
