Nomeansno was a Canadian punk rock band formed in Victoria, British Columbia and later relocated to Vancouver. They issued 11 albums, including a collaborative album with Jello Biafra, as well as numerous EPs and singles. Critic Martin Popoff described their music as "the mightiest merger between the hateful aggression of punk and the discipline of heavy metal." Nomeansno's distinct hardcore punk sound, complex instrumentation, and dark, "savagely intelligent" lyrics inspired subsequent musicians. They are often considered foundational in the punk jazz and post-hardcore movements, and have been cited as a formative influence on the math rock and emo genres.
Tom Holliston is a Canadian punk rock musician. Primarily associated with the bands Nomeansno and The Hanson Brothers, he also leads the side project Showbusiness Giants, and has released four solo records since 2002.
Wrong is the fourth full-length album by Canadian punk rock band Nomeansno. It was released in 1989 through Alternative Tentacles record label.
Sex Mad is the second full-length album by Canadian punk rock band NoMeansNo. Released in 1986, it is both the first Nomeansno LP to feature long-time guitarist Andy Kerr in addition to founding members Rob Wright and John Wright and the first Nomeansno album issued through Alternative Tentacles.
All Roads Lead to Ausfahrt is the tenth and final studio album by Vancouver punk rock band Nomeansno. It was released by the band's own Wrong Records imprint, in conjunction with AntAcidAudio in North America and Southern Records in Europe, making it their first record not to be released by the Alternative Tentacles imprint since Mama in 1982. The album marked a return to shorter and more conventional songs than their previous efforts, Dance of the Headless Bourgeoisie (1998) and One (2000).
Why Do They Call Me Mr. Happy? is the sixth full-length album by Vancouver punk rock group Nomeansno. Released in 1993, it is their second album recorded by the original two-piece lineup of brothers Rob and John Wright following Mama (1982), and first after the departure of longtime guitarist Andy Kerr. Here the band mostly replaced its hardcore punk sound with slower songs influenced by heavy metal and progressive rock. The album was well-received by critics and praised for its balance of heaviness and subtlety, showcasing the dynamics of the band in its original incarnation.
Dance of the Headless Bourgeoisie is the eighth full-length album released by Canadian punk rock band Nomeansno. It was initially released on Alternative Tentacles in 1998 as a 10-track CD and 12-track double LP. The band's own label Wrong Records, along with distributors Southern Records, re-released the 12-track version of the album in 2007, 2010, and 2014 with modified track order and art.
One is the ninth full-length album by Vancouver punk rock band Nomeansno. Released in 2000, it was their penultimate album and last of eight albums issued through the Alternative Tentacles imprint. Its long, ponderous songs generally pleased critics and longtime fans, with All Music critic Tom Schulte assessing the album's "intense and heavy collegiate punk" as one of the band's finest efforts since their seminal 1989 album Wrong. It features a cover of the Ramones song "Beat on the Brat" and a reworking of the title track of Miles Davis's Bitches Brew album. Because of the ambiguity of the album cover layout, the album has been understood at times by the press to be called No One.
The Day Everything Became Isolated and Destroyed is a compilation album of two records by Vancouver punk band Nomeansno. The compilation album comprises the EP The Day Everything Became Nothing and the full-length album Small Parts Isolated and Destroyed, both recorded during the same December 1987 recording session.
Mama is the debut album by Victoria, British Columbia punk rock band Nomeansno. Featuring the band's original incarnation comprising brothers John and Rob Wright, the album was released independently on LP in 1982. Nomeansno reissued a remastered version the album in 1992 on their own Wrong Records imprint, coupled with the tracks from their Betrayal, Fear, Anger, Hatred EP of 1981.
You Kill Me is an EP by Canadian punk rock band Nomeansno. Recorded in 1985, it is the first Nomeansno record to feature the band's three-piece lineup, with guitarist Andy Kerr joining founding members Rob Wright and John Wright. Originally issued on the Undergrowth label, it was later re-released on CD with the Sex Mad album on the Sex Mad/You Kill Me compilation CD and cassette released by Alternative Tentacles.
Betrayal, Fear, Anger, Hatred is the first EP by Canadian punk rock band Nomeansno. Released in 1981, it and the "Look, Here Come the Wormies / SS Social Service" 7-inch split single from the previous year are the two official Nomeansno releases from their origins recording in their parents' basement before becoming a live band. Originally self-released in a limited vinyl run, the EP since has been re-released by the band's Wrong Records imprint on 7-inch and included on reissues of the band's 1982 debut album Mama.
0 + 2 = 1 1⁄2 is a compilation album by Vancouver punk band Nomeansno. Recorded in 1991 and released as a digital album in 2010, it includes five outtakes and four demo tracks recorded for 0 + 2 = 1, Nomeansno's fifth full-length record and final album to feature Nomeansno's longtime guitarist Andy Kerr.
Generic Shame is an EP from Vancouver punk rock band Nomeansno. Released in 2001 on Wrong Records, the three-song EP was recorded during the same sessions which produced the album One.
Sex Mad/You Kill Me is a compilation of two records by Canadian punk rock band Nomeansno. Released in 1991 on the Alternative Tentacles imprint domestically and Cargo Records internationally, the album compiles the You Kill Me EP from 1985 and the Sex Mad album from 1986. These two records were the band's first recordings with longtime guitarist Andy Kerr.
Would We Be Alive? is an EP by Vancouver punk rock band Nomeansno. Its title track is a cover of a song by the avant-garde group The Residents, from their Intermission: Extraneous Music from the Residents' Mole Show record. The EP also features a new version of the song "Big Dick" from the Nomeansno album Wrong, as well as two new tracks.
In the Fishtank 1 is an EP by Vancouver punk rock band Nomeansno. Recording during the band's 1996 European tour, it was the first release in the In the Fishtank series, in which the Netherlands-based De Konkurrent label provided bands with two days of studio recording time and released the final results.
Tour EP 2 is an EP from Vancouver punk rock band Nomeansno. Released in 2010 on the band's Wrong Records imprint, the four-song EP was issued as a thumb drive and 12" vinyl EP in support of Nomeansno's European tour late in 2010. It was reissued in 2013 and distributed by Southern Records. Tour EP 2 and its predecessor Tour EP 1 were originally intended as the first half of a four-EP series, but this series was never completed. They were Nomeansno's final releases before their 2016 breakup.
Look, Here Come the Wormies / SS Social Service is a split 7-inch vinyl single with one song each from Victoria, British Columbia punk rock bands Nomeansno and Mass Appeal, artist Ray Carter's first audio work. The record was independently issued in a limited run in 1980 and has not been re-released. It is the first Nomeansno record and one of two, along with the Betrayal, Fear, Anger, Hatred EP, from the band's home-recording era before they became a live band.
"Dad/Revenge" is a single by Canadian punk rock band Nomeansno. Recorded in 1985, it features two tracks from Nomeansno's 1986 album Sex Mad. "Dad" was a minor college radio hit.
