Traditional Chinese house architecture refers to a historical series of architecture styles and design elements that were commonly utilised in the building of civilian homes during the imperial era of ancient China. Throughout this two-thousand year long period, significant innovations and variations of homes existed, but house design generally incorporated a set of qualities that made Chinese home architecture distinct from that of other cultures and regions. As highlighted by the classic siheyuan style, this included an emphasis on extended family units in a single dwelling, distinct separation of various elements of the household, alignment with the cardinal directions and wooden construction; all in line with Confucian hierarchy and Feng Shui. [1]
Chinese home design was originally more heterogeneous than it is today. In addition to the orthodox square shape, evidence of round dwellings are common in early archaeological sites. [2] Over the span of several millennia, architecture was influenced by the development of Chinese thought, narrowing the range of acceptable layouts closer to the mature siheyuan style. [1] As Han Chinese culture spread from out from the Yellow River Valley, dwellings in the outlying regions retained influence from the dwellings of the native cultures. [3] For instance, Yue homes in southern China were traditionally built on wooden piles due to the humid climate. When Han migrants moved to the region, they initially adapted this style before the standard Han practice of raised earth foundations eventually re-asserted itself. [1] [4] After the form of the traditional Chinese household had settled, this basic layout changed very little, especially for commoner's dwellings.
By the later imperial period, the structure of homes in China had coalesced into a form that reinforced Neo-Confucian ideals that emphasised a firm separation between social roles and classes. [5] This was especially true in the homes of the upper classes, which had the resources to delegate specific sections of the home to different sexes, age groups and occupations. [6]
Alignment along a north–south axis was ubiquitous among Chinese homes, as dictated by the paradigms of order and harmony with nature. Home units were constructed facing south, with individual buildings following the alignment of the greater structure, with perfect symmetry. This resulted in the classic siheyuan structure, with identifiable "wings" each facing one of the four cardinal directions. [7]
Extended family units generally assigned different wings of the home to different branches of the family, with older and more respected family members taking more auspicious positions. This often included buildings in the sunnier, more private rear of the compound. The ancestral shrine of the family where the common ancestors of the inhabitants where honored was either located here or in the center of the property. [1] Less important positions facing the east and west of the compounds were relegated to junior branches of the family, while more periphery locations were relegated to servants and other less important activities. [7] [8]
Buildings that were especially important such as the ancestral/ceremonial hall were often marked with taller and more ornate roof structures, as opposed to the other homes and buildings within the compound. As these buildings were generally in the back of the home directly facing the entrance, this served to enhance the symmetrical beauty of the home's alignment. [1]
Traditional Chinese dwellings were overwhelmingly built out of wood, especially after the earlier dynastic period. Stone dwellings and those made from dirt were relatively uncommon even when such materials were common in the local area. [1] As the centuries drew on, lumber became less and less common on the North China plain with bricks and stone becoming common construction materials for walls and public edifices. Despite this, the popularity of wood remained very high, with varying grades of timber being used by upper class as a means of showing their wealth. [1]
This focus on wooden construction has led to a relatively poor rate of survival, with very few homes remaining from before the Ming era, even fewer of were homes belonging to commoners due to lower quality construction materials and lack of maintenance. Therefore, much more is known about upper-class historical dwellings. [1]
Due to differences in culture and climate, the standard shape and style of homes varies from region to region. Homes in southern China often had sloped roof structures owing to the increased frequency of rainfall, while the arid northern climate made flat roofs more practical. Courtyards were emphasised in order to maximise sunlight in the north, while they were generally not as important in the very sunny south. [1] Additionally, homes were rarely built with more than one story in the northern plains, but quite common in the mountainous south where building space was less available. [1]
Notable exceptions to the ubiquitous use of wood include the Yaodong, the traditional homes of Shanxi and Shaanxi provinces which were cut into soft loess rocks into mountainsides, [9] Lingnan architecture, which is generally of green brick construction, [7] and the Tulou, traditional Hakka walled villages in Fujian and Guangdong which were built largely out of brick and earth. [10]
An earth shelter, also called an earth house, earth bermed house, or underground house, is a structure with earth (soil) against the walls, on the roof, or that is entirely buried underground.
A courtyard or court is a circumscribed area, often surrounded by a building or complex, that is open to the sky.
Vernacular architecture is building done outside any academic tradition, and without professional guidance. It is not a particular architectural movement or style, but rather a broad category, encompassing a wide range and variety of building types, with differing methods of construction, from around the world, both historical and extant and classical and modern. Vernacular architecture constitutes 95% of the world's built environment, as estimated in 1995 by Amos Rapoport, as measured against the small percentage of new buildings every year designed by architects and built by engineers.
A Hakka walled village is a large multi-family communal living structure that is designed to be easily defensible. This building style is unique to the Hakka people found in southern China. Walled villages are typically designed for defensive purposes and consist of one entrance and no windows at the ground level.
Chinese architecture is the embodiment of an architectural style that has developed over millennia in China and has influenced architecture throughout East Asia. Since its emergence during the early ancient era, the structural principles of its architecture have remained largely unchanged. The main changes involved diverse decorative details. Starting with the Tang dynasty, Chinese architecture has had a major influence on the architectural styles of neighbouring East Asian countries such as Japan, Korea, Vietnam, and Mongolia in addition to minor influences on the architecture of Southeast and South Asia including the countries of Malaysia, Singapore, Indonesia, Sri Lanka, Thailand, Laos, Cambodia and the Philippines.
A dugout or dug-out, also known as a pit-house or earth lodge, is a shelter for humans or domesticated animals and livestock based on a hole or depression dug into the ground. Dugouts can be fully recessed into the earth, with a flat roof covered by ground, or dug into a hillside. They can also be semi-recessed, with a constructed wood or sod roof standing out. These structures are one of the most ancient types of human housing known to archaeologists, and the same methods have evolved into modern "earth shelter" technology.
Cantonese culture, or Lingnan culture, refers to the regional Chinese culture of the region of Lingnan: twin provinces of Guangdong and Guangxi, the names of which mean "eastern expanse" and "western expanse", respectively.
A siheyuan is a historical type of residence that was commonly found throughout China, most famously in Beijing and rural Shanxi. Throughout Chinese history, the siheyuan composition was the basic pattern used for residences, palaces, temples, monasteries, family businesses, and government offices. In ancient times, a spacious siheyuan would be occupied by a single, usually large and extended family, signifying wealth and prosperity. Today, remaining siheyuan are often still used as subdivided housing complexes, although many lack modern amenities.
A yaodong is a particular form of earth shelter dwelling common in the Loess Plateau in China's north. They are generally carved out of a hillside or excavated horizontally from a central "sunken courtyard".
An earth structure is a building or other structure made largely from soil. Since soil is a widely available material, it has been used in construction since prehistoric times. It may be combined with other materials, compressed and/or baked to add strength.
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Lingnan architecture, or Cantonese architecture, refers to the characteristic architectural style(s) of the Lingnan region – the Southern Chinese provinces of Guangdong and Guangxi. Usually, it is referring to the architecture associated with the Cantonese people, with other peoples in the area having their own styles. This style began with the architecture of the ancient non-Han Nanyue people and absorbed certain architectural elements from the Tang Empire and Song Empire as the region sinicized in the later half of the first millennium AD.
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