Author | Jonathan Safran Foer |
---|---|
Illustrator | Sara De Bondt |
Cover artist | Jon Gray |
Language | English |
Genre | Fiction, Ergodic |
Published | London |
Publisher | Visual Editions |
Publication date | November 2010 |
Media type | Paperback |
Pages | 139 |
Awards | D&AD In Book Award, Book Design, 2011 |
ISBN | 9780956569219 |
OCLC | 676728609 |
Preceded by | Eating Animals |
Followed by | Here I Am |
Tree of Codes is an artwork, in the form of a book, created by Jonathan Safran Foer, and published in 2010. To create the book, Foer took Bruno Schulz's book The Street of Crocodiles and cut out the majority of the words. The publisher, Visual Editions, describes it as a "sculptural object." [1] Foer himself explains the writing process as follows: "I took my favorite book, Bruno Schulz’s Street of Crocodiles, and by removing words carved out a new story". [1]
Due to the physical difficulties involved in printing a book where most of the words have been cut out, Foer stated that he had to contact several different publishers before finding one who was willing to print it. [2] The only printing office who could do the job was die Keure, from Belgium. He also said that due to the way the book had to be bound, it could not be produced in a hardcover edition. [2]
The Times described it as "a true work of art." [3] Heather Wagner at Vanity Fair called it "a quietly stunning work of art." [2] Michel Faber, at The Guardian , said that while Foer showed a strong sense of poetry, the book was less successful as a work of fiction. [4]
The book was adapted into a ballet by choreographer Wayne McGregor, composer Jamie xx, and visual artist Olafur Eliasson. It was first shown in the UK as part of the Manchester International Festival in July 2015, for which it was commissioned, [5] [6] and subsequently received its US premiere at the Park Avenue Armory in September 2015. [7]
Australian composer Liza Lim adapted the book into an opera. The joint production by Cologne Opera and Hellerau featured ensemble musikFabrik and premiered on 9 April 2016. [8] The cast included Emily Hindrichs as Adela, Christian Miedl as the Son and Carl Rosman as the Mutant Bird. The opera's US debut took place at the 2018 Spoleto Festival USA in Charleston, South Carolina in a new production under the direction of Ong Keng Sen. The cast for this production featured Marisol Montalvo as Adela, Elliot Madore as the Son, and Walter Dundervill as The Dresser. [9]
Wilhelm Richard Wagner was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk, by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle Der Ring des Nibelungen.
Die Meistersinger von Nürnberg, WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theater in Munich, today home of Bavarian State Opera.
Stephen and Timothy Quay are American identical twin brothers and stop-motion animators who are better known as the Brothers Quay or Quay Brothers. They received the 1998 Drama Desk Award for Outstanding Set Design for their work on the play The Chairs.
Erasure, or blackout poetry, is a form of found poetry or found object art created by erasing words from an existing text in prose or verse and framing the result on the page as a poem. The results can be allowed to stand in situ or they can be arranged into lines and/or stanzas.
Bruno Schulz was a Polish Jewish writer, fine artist, literary critic and art teacher. He is regarded as one of the great Polish-language prose stylists of the 20th century. In 1938, he was awarded the Polish Academy of Literature's prestigious Golden Laurel award. Several of Schulz's works were lost in the Holocaust, including short stories from the early 1940s and his final, unfinished novel The Messiah. Schulz was shot and killed by a Gestapo officer, in 1942 while walking back home toward Drohobycz Ghetto with a loaf of bread.
Hans Werner Henze was a German composer. His large oeuvre is extremely varied in style, having been influenced by serialism, atonality, Stravinsky, Italian music, Arabic music and jazz, as well as traditional schools of German composition. In particular, his stage works reflect "his consistent cultivation of music for the theatre throughout his life".
Jonathan Safran Foer is an American novelist. He is known for his novels Everything Is Illuminated (2002), Extremely Loud & Incredibly Close (2005), Here I Am (2016), and for his non-fiction works Eating Animals (2009) and We Are the Weather: Saving the Planet Begins at Breakfast (2019). He teaches creative writing at New York University.
Robert Wilson is an American experimental theater stage director and playwright who has been described by The New York Times as "[America]'s – or even the world's – foremost vanguard 'theater artist.'" He has also worked as a choreographer, performer, painter, sculptor, video artist, and sound and lighting designer.
Shen Wei is a Chinese-American choreographer, painter, and director who resides in New York City. Widely recognized for his defining vision of an intercultural and interdisciplinary mode of movement-based performance, Shen Wei creates original works that employ an assortment of media elements, including dance, painting, sound, sculpture, theater and video. Frequently, critics have commented on his innovative blend of Asian and Western sensibilities, as well as his syncretic approach to performance art.
Michael Gordon is an American composer and co-founder of the "Bang on a Can" music collective and festival. He grew up in Nicaragua.
Jonathan Dean Harvey was a British composer. He held teaching positions at universities and music conservatories in Europe and the United States.
The Manchester International Festival is a biennial international arts festival, with a specific focus on original new work, held in the English city of Manchester and run by Factory International. The festival is a biennial event, first taking place in June–July 2007, and subsequently recurring in the summers of 2009, 2011, 2013, 2015, 2017, 2019 and 2021. MIF23 will take place in summer 2023. The organisation is based in Blackfriars House, adjacent to Blackfriars Bridge but is due to move to a new £110 million new home, Factory International, in 2023.
The Street of Crocodiles, also known as The Cinnamon Shops, is a 1934 collection of short stories written by Bruno Schulz. First published in Polish, the collection was translated into English by Celina Wieniewska in 1963.
Michel van der Aa is a Dutch composer of contemporary classical music.
David Sawer, is a British composer of opera and choral, orchestral and chamber music.
Clement Power is a British conductor.
Yannis Kyriakides is a composer of contemporary classical music, and sound art. His music explores new forms and hybrids of media, synthesizing disparate sound sources and highlighting the sensorial space of music. He has focused in the majority of his work on ways of combining traditional performance practices with digital media, particularly in the use of live electronics. The relation between music and language has been explored in many pieces that utilize text films as a multimedia element.
Liberature is literature in which the material form is considered an important part of the whole and essential to understanding the work.
Gian Carlo Menotti was an Italian composer, librettist, director, and playwright who is primarily known for his output of 25 operas. Although he often referred to himself as an American composer, he kept his Italian citizenship. One of the most frequently performed opera composers of the 20th century, his most successful works were written in the 1940s and 1950s. Highly influenced by Giacomo Puccini and Modest Mussorgsky, Menotti further developed the verismo tradition of opera in the post-World War II era. Rejecting atonality and the aesthetic of the Second Viennese School, Menotti's music is characterized by expressive lyricism which carefully sets language to natural rhythms in ways that highlight textual meaning and underscore dramatic intent.
Here I Am is a 2016 novel by Jonathan Safran Foer. It depicts a series of events that impact members of a Jewish family living in Washington, D.C., which some reviewers suggest includes autobiographical elements of Foer’s life. Here I Am is the first new novel published by Foer in over ten years, and it is the first in Foer's three-book installment with Farrar, Straus and Giroux.
A true work of art