Miles Davis Volume 2 is the fifth studio album by musician Miles Davis. It refers to two separate but related entities. The first is a Miles Davis studio album released by Blue Note Records as a 10-inch LP, as BLP 5022 in 1953. The six tracks from this LP plus five alternate takes were released on CD in 1990 and remastered with restored artwork in 2001.
Miles Davis Volume 1 refers to two separate but related entities. The title was originally used for the first time in a pair of compilation albums of recordings made by Miles Davis in 1952, 1953 and 1954, released in 1956 as BLP 1501 on the Blue Note Records label.
The Amazing Bud Powell, also called The Amazing Bud Powell, Vol. 1, is an album by jazz pianist Bud Powell, first released on Blue Note in April 1952, as a 10" vinyl. It is part of a loosely connected series with the 1954 companion The Amazing Bud Powell, Vol. 2 and the 1957 Bud! The Amazing Bud Powell , all released on Blue Note. The album details two recording sessions. In the first, recorded on August 9, 1949, Powell performed in quintet with Fats Navarro, Sonny Rollins, Tommy Potter and Roy Haynes, and in trio with Potter and Haynes. In the second, on May 1, 1951, Powell performed in trio with Curley Russell and Max Roach, and solo.
Horace Silver and the Jazz Messengers is a 1956 repackage of 1955 10” LPs by jazz pianist Horace Silver with drummer Art Blakey and featuring Hank Mobley on tenor saxophone, Kenny Dorham on trumpet, and Doug Watkins on bass. By the time this repackage was released, this quintet had named themselves the Jazz Messengers, and the band name on the label reflected that. These recordings helped establish the hard bop style. Scott Yanow on Allmusic describes it as "a true classic". Originally released as an LP, the album has subsequently been reissued on CD several times.
Wizard of the Vibes is a Blue Note Records compilation of performances by jazz vibraphonist Milt Jackson. The sessions were the work of The Thelonious Monk Quintet and The Modern Jazz Quartet plus Lou Donaldson. The album has been recompiled and expanded three additional times, with various tracks from these sessions added and deleted.
Ritual is a studio album by The Jazz Messengers featuring Art Blakey. Three years after being recorded, it was first released on the Pacific Jazz Records label as PJM-402, and reissued by them in 1962, with an Elmo Hope session, as Art Blakey & The Jazz Messengers/The Elmo Hope Quintet* Featuring Harold Land as PJ-33. It has been reissued on CD.
Moving Out is an album by jazz saxophonist Sonny Rollins. This was his second for Prestige Records, featuring Kenny Dorham, Elmo Hope, Percy Heath, and Art Blakey, and one track with Thelonious Monk, Tommy Potter, and Art Taylor. The first 4 tracks had originally appeared on as the 10-inch LP Sonny Rollins Quintet Featuring Kenny Dorham, and the final track had appeared on the 10-inch LP Sonny Rollins and Thelonious Monk.
Thelonious Monk Trio is an album by American jazz pianist and composer Thelonious Monk. The album features his earliest recordings for Prestige Records, performing as a soloist with a rhythm section of bassist Gary Mapp, either Art Blakey or Max Roach on drums, and one track with Percy Heath replacing Mapp. It also contains the earliest recorded versions of the jazz standards "Blue Monk" and "Bemsha Swing".
Monk is a 1956 compilation album by jazz pianist and composer Thelonious Monk, featuring material recorded from 1953 to 1954 for the Prestige label and performed by Monk with two quintets, one featuring Julius Watkins, Sonny Rollins, Percy Heath, and Willie Jones and one featuring Ray Copeland, Frank Foster, Curly Russell, and Art Blakey. It was originally titled both Thelonious Monk [on its 1956 cover] and Thelonious Monk Quintets [on its labels]. Over the following decade, it was also re-released as Wee See and The Golden Monk The most common cover art, is 1958 revision, designed by Reid Miles.
Quartet/Quintet/Sextet is an album by jazz saxophonist Lou Donaldson featuring his earliest recordings as a leader on the Blue Note label performed by Donaldson's Quartet with pianist Horace Silver, bassist Gene Ramey and drummer Art Taylor, his Quintet with Silver, trumpeter Blue Mitchell, drummer Art Blakey and bassist Percy Heath, and a Sextet with Heath, Blakey, trumpeter Kenny Dorham, trombonist Matthew Gee and pianist Elmo Hope. The album was originally released as a 10" LP, then as a 12" long-playing record, and finally as a CD with additional tracks added.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
At the Half Note Cafe is a live album by American trumpeter Donald Byrd recorded in 1960 at the Half Note in Manhattan and released on the Blue Note label originally as two single LP issues and reissued as a double CD set.
The Eminent Jay Jay Johnson, Vol. 2 is the title of a 1954 Blue Note Records recording by American jazz trombonist J. J. Johnson. It is also the title used by Blue Note for two different-but-related compilation/re-issues from 1955 and 1989 (CD).
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
The Lester Young Buddy Rich Trio is a jazz trio album recorded in Hollywood, California in March–April 1946 by Lester Young, Nat King Cole and Buddy Rich.
Memorial Album is an album by American jazz trumpeter Clifford Brown composed of tracks recorded at two sessions in 1953 and originally released as a 12" LP on the Blue Note label in September 1956. Apart from a few obscure recordings, the album represents the first tracks recorded under Brown's leadership.
Meditations is an album by American jazz pianist Elmo Hope recorded in 1955 for the Prestige label.
The Final Sessions is an album by jazz pianist Elmo Hope which compiles sessions recorded in 1966, originally released as Last Sessions Volume One and Last Sessions Volume Two on the Inner City label in 1977.
Charles Freeman Lee, known as Freeman Lee was an American jazz trumpeter, recording with the Elmo Hope Quintet, Bennie Green, Babs Gonzales and Howard McGhee.
Horace Silver Trio and Art Blakey - Sabu is a 1955 compilation album, featuring, primarily the Horace Silver Trio, but also includes two percussion-centric tracks featuring drummer Art Blakey and conga player Sabu. The tracks on this album are compiled from three sessions which were Silver's first as a leader. Originally released as an LP, it has subsequently been reissued on CD several times, including additional tracks not present on the original LP.
