The Final Sessions | ||||
---|---|---|---|---|
Compilation album by | ||||
Released | 1996 | |||
Recorded | March 8 and May 9, 1966 New York City | |||
Genre | Jazz | |||
Length | 121:52 CD reissue | |||
Label | Evidence ECD 22147-2 | |||
Elmo Hope chronology | ||||
|
The Final Sessions is an album by jazz pianist Elmo Hope which compiles sessions recorded in 1966, originally released as Last Sessions Volume One and Last Sessions Volume Two on the Inner City label in 1977. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
The Allmusic review by Scott Yanow stated "Elmo Hope is in surprisingly joyous form throughout the set, sounding both original and accessible to bebop fans. Highly recommended". [2]
All compositions by Elmo Hope except as indicated
Disc One:
Disc Two:
The Amazing Bud Powell, also called The Amazing Bud Powell, Vol. 1, is an album by jazz pianist Bud Powell, first released on Blue Note in April 1952, as a 10" vinyl. It is part of a loosely connected series with the 1954 companion The Amazing Bud Powell, Vol. 2 and the 1957 Bud! The Amazing Bud Powell , all released on Blue Note. The album details two recording sessions. In the first, recorded on August 9, 1949, Powell performed in quintet with Fats Navarro, Sonny Rollins, Tommy Potter and Roy Haynes, and in trio with Potter and Haynes. In the second, on May 1, 1951, Powell performed in trio with Curley Russell and Max Roach, and solo.
Take Twelve is an album by jazz trumpeter Lee Morgan originally released on the Jazzland label. It was recorded on January 24, 1962 and features performances by Morgan with Clifford Jordan, Barry Harris, Bob Cranshaw and Louis Hayes.
Clifford Brown and Max Roach at Basin Street is a 1956 album by the Clifford Brown and Max Roach Quintet, the last album the quintet officially recorded. Apart from Sonny Rollins Plus 4, it was the last studio album Brown and pianist Richie Powell recorded before their deaths in June that year. The album was identified by Scott Yanow in his AllMusic essay "Hard Bop" as one of the 17 Essential Hard Bop Recordings.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Pieces of Dreams is an album by jazz saxophonist Stanley Turrentine, his first recording for the Fantasy label after associations with Blue Note Records and CTI, featuring performances by Turrentine with an orchestra arranged and conducted by Gene Page. The CD rerelease added three additional tracks.
It's All Right! is an album by jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with Kenny Burrell and Candido Camero recorded in 1964. Original recording was produced by Creed Taylor.
Introducing Paul Bley is the debut album by Canadian jazz pianist Paul Bley recorded in 1953 and released on Charles Mingus' Debut label.
Birks' Works is an album by trumpeter Dizzy Gillespie recorded in 1957 and released on the Verve label. The original album featured 10 tracks and was reissued as Birks Works: The Verve Big Band Sessions, a 2 CD compilation featuring unreleased tracks, alternate takes and tracks from Gillespie's previous 1956 albums Dizzy in Greece and World Statesman.
Kenny Drew and His Progressive Piano is a 12" LP record album by American jazz pianist Kenny Drew. It contains sessions recorded in 1953 and 1954 and was released on the Norgran label.
Hope Meets Foster is an album by jazz pianist Elmo Hope and saxophonist Frank Foster recorded in 1955 for the Prestige label.
Meditations is an album by American jazz pianist Elmo Hope recorded in 1955 for the Prestige label.
Homecoming! is an album by jazz pianist Elmo Hope recorded in 1961 for the Riverside label.
Hope-Full is an album by jazz pianist Elmo Hope recorded in 1961 for the Riverside label. Hope performs 5 solo piano pieces and three piano duets with his wife Bertha.
Trio and Quintet is an album by jazz pianist Elmo Hope which compiles sessions recorded in 1953, originally released as a 10" LP titled Elmo Hope Trio, and 1954, originally released as a 10" LP titled Elmo Hope Quintet, Volume 2, for the Blue Note label along with a session from 1957 originally released on Pacific Jazz as part an 1962 LP release shared with a Jazz Messengers reissue.
Here's Hope! is an album by jazz pianist Elmo Hope which was originally released on the Celebrity label.
High Hope! is an album by jazz pianist Elmo Hope which was originally released on the Beacon label.
Sonority is an album by American jazz bassist Curtis Counce featuring recordings from 1956 to 1958 which was released on the Contemporary label in 1989.
Jay Jay Johnson with Clifford Brown is a 1953 Blue Note Records album by American jazz trombonist J. J. Johnson, recorded on June 22, 1953. The album was re-issued on CD in 1989 as The Eminent Jay Jay Johnson, Volume 1, with three alternate take 'bonus tacks' from the same 1953 recording session. Five of the six original tracks were included also in a 1955 12 inch LP re-issue/compilation (also) titled, The Eminent Jay Jay Johnson, Volume 1.
The Complete Roost Recordings is a 1997 compilation 3-CD set of sessions led by saxophonist and bandleader Stan Getz recorded for the Roost Records label between 1950 and 1954. The compilation includes material previously released on Getz's Roost LPs The Sound, The Getz Age, the two volumes of Stan Getz at Storyville and the album with guitarist Johnny Smith - Moonlight in Vermont along with alternate takes and previously unreleased performances.
Earl Hines Plays Duke Ellington is a compilation double album set featuring solo recordings by pianist Earl Hines performing compositions by Duke Ellington which were originally released as a series of four LPs that Hines recorded for the Master Jazz label in four separate sessions between 1971 and 1975 and rereleased on the New World label on LP in 1988 and on CD in 1992. It was followed by a second volume in 1997.