![]() Title page of the 1595 Dutch Edition | |
Author | Hans Staden |
---|---|
Original title | Warhaftige Historia und beschreibung eyner Landtschafft der Wilden Nacketen, Grimmigen Menschfresser-Leuthen in der Newenwelt America gelegen |
Country | Germany |
Language | German |
Publisher | Andreas Kolbe |
Publication date | 1557 |
True History: An Account of Cannibal Captivity in Brazil (German : Warhaftige Historia und beschreibung eyner Landtschafft der Wilden Nacketen, Grimmigen Menschfresser-Leuthen in der Newenwelt America gelegen) is an account published by the German soldier Hans Staden in 1557 describing his two trips to the new world. The book is best known for Staden's descriptions of his experiences while held captive by the Tupinambá near Bertioga, Brazil. [1] True History became one of the best-selling travel narratives of the sixteenth century. [2]
Hans Staden arrived in Brazil as a gunner for the Portuguese in 1550 and was taken as a prisoner of war by the Tupinambá people of Brazil. The Tupinambá were reputed to perform cannibalistic rituals, especially with prisoners of war. Since the Tupinambá were French allies and the French and Portuguese were enemies, the account was a dramatic first person account from a Portuguese view of the natives.
During Staden's adventures, an imperial confrontation was taking place between the French, the Spanish and the Portuguese, whose naval power was unmatched at the time. They contended for resources and control of global trading, which often resulted in violence. [3] Due to Brazil's position as a top-priority resource, violence there was common.
Native tribes were forced to form alliances with western powers to survive. One tribe, known as the Tupiniquin, allied with the Portuguese; another, called the Tupinambá, allied with the French. [3] As a mercenary, Staden fought for both Portugal and France, eventually finding himself as part of a garrison in a Portuguese settlement, which led to his being captured by the Tupinambá. Staden's experience was one of the first accounts of cannibalism by a European, and later caused turmoil in the world of anthropology, which had previously disputed the existence of cannibalism. [3]
Hans Staden was a German traveler born around 1520 in Hesse, a principality of the Holy Roman Empire. He studied in several towns in Hesse and even served as a soldier. In 1547, Staden declared that he would be leaving Hesse for India. He soon found himself in Latin America.
Staden was known as a “go-between,” a mediator of sorts between the Europeans and the indigenous tribes. In addition to mediation, he also acted as a broker and translator for the Europeans. He was a mediator in multiple respects: social, economic and trade. Like any other “go-between,” he did not take sides.
It was after Staden’s capture by the Tupinambá that he became a mediator. He possessed abundant knowledge of the land, geography and people, and during his time as a captive he made a conscious effort to learn the Tupinambá language, beliefs and customs.
Once Staden gained this abundant knowledge of Tupinambá, they became pawns in his game. He began to deceive them. He claimed that the tribe’s oracles and gourds, known as Tamaraka, were lying about him. He changed his self-image in order to make his captors fear him. While achieving his own ends, he also made offers to be their healer, mercenary and even prophet.
In 1552, after being released by Charles V, Staden returned home to Hesse, where he remained until his death in 1579. Allegedly, in 1556, he even spoke to a prince, Landgrave Phillip about his book. Staden described it as an adventure story, much more leisurely than the actual events. [4] [ clarification needed ]
True History: An Account of Cannibal Captivity in Brazil recounts various observations Hans Staden, a German explorer, had of a tribal group in Brazil called Tupinambá. This travel log consists of two introductions, a list of illustrations, and a two-part narrative, with fifty-three chapters and thirty-six chapters, respectively. Staden introduces cannibalism as a cultural and religious practice alongside his survival journey. He shares his personal views on the indigenous culture, traditions, and lifestyle from the perspective of a European captive.
Staden’s experience begins with his capture by two Tupinambá males—Jeppipo Wasu and Alkindar Miri—who took him to a small village called Uwattibi [Ubatuba]. [5] He initially felt fear because they desired to eat his flesh. Religious rituals such as singing, dancing, and worship that suggested cannibalistic intentions compounded his fear. [5] Ipperu Wasu, who held Staden as a captive, gave Staden to Alkindar Miri in return of a favor. Staden believed his death would involve barbaric methods, as he underwent a series of rites. The Tupinambá people decorated him with strings and rings, and further continued to dance as a form of ritual. [5]
The Tupinambá distrusted the Portuguese, favoring the French, who established diplomatic relations through trade. The Tupinambá people categorized Staden as Portuguese, which put his life at risk. [5] The two natives who captured Staden harbored hostility against the Portuguese, who had slain their father. Their desire for revenge promised to ensure Staden’s fate. Despite Staden’s attempt to convince the Tupinambá by lying about his nationality, a Frenchman disproved Staden’s claim to be French. [5] Staden believed the Frenchman would support him, based on their mutual religious background. Instead, the Frenchman sided with the Tupinambá and departed as soon as he had his load ready. [5]
After several days' imprisonment, the Tupinambá transported Staden to another village, called Arirab [Ariro], where he met their highest king, Konyan Bebe. During his visit, Staden continued to persuade the king that he was not an enemy. [5] He flattered the king by noting his fierce and belligerent personality, while the king proceeded in questioning Staden’s nationality as well as sharing stories of how he had slain the Portuguese. [5] After his interrogation, the Tupinambá brought Staden back to Uwattibi. Staden expected to be killed upon arrival. [5] However, the Tupiniquins attacked the village, during which time Staden volunteered to assist the Tupinambá in combat. Despite his display of fealty, Staden again was placed under surveillance. [5]
In Part II, Staden shares his observations on the Tupinambá nature, culture, and lifestyle. His perception of South America was dominated by the rich forest and mountains. [5] He describes the indigenous people as savages who were naked, dark skinned, dextrous, and had facial paintings. [5] He notes that the dwellings were well protected from enemies, with resources such as food and wood located within their huts. [5] Staden notes the technology devised by the indigenous people. He recounts how the natives created fire through using friction, which later plays a crucial role in manufacturing cooking utensils such as pots. [5] In regions with no European presence, the natives use animal tools[ clarification needed ] to cut and hew, as they are unaware of axes, knives, and scissors. [5] Some European influence was scattered across the indigenous population. Staden mentions that a few tribal groups who participated in trade with the Europeans consumed salt, whereas those who did not do so ate no salt. [5] He mentions boiling as an essential part of the culinary culture. [5] The indigenous hunting techniques that involved using tools such as bows, arrows, and nets served as a huge contributor to the food supply. [5] Staden states “It seldom happens that a man returns empty-handed from hunting.” [5] Although Staden notes the indigenous communities “do not have any particular form of government or law,” [5] he notes that chiefs were integral political figures who tended to show competency in waging war and that social hierarchy existed in indigenous societies. [5]
His book was a success in 16th century Europe, and one of the most popular travel narratives of its time, [6] specially due to its descriptive nature, its illustrations and religious message. [7] The popularity of the work meant that it shaped the European imagination about Brazil during the first centuries of its colonization, helping to create both a paradisiacal vision of the New World and a demonic one when necessary. [8]
Many critics agree that Staden’s account is a unique source of information on indigenous cultures. [9] [10] [11] [12] Some modern critics have argued that Staden's account is one of the most reliable of its kind because he spent a long time in Brazil and spoke indigenous languages. [13]
Depending on the edition, some critics take issue with the editors’ interpretation and introduction. [14] Some modern critics argue that Staden exaggerated accounts of cannibalism and even fabricated parts of his story based on similar narratives written by others. [15] Santana-Dezmann 2019 states that Staden helped to create an "irreal view" with prejudices and stereotypes about Brazil and its people, in a time which the country of Brazil and the Brazilian people didn't exist, and in a region that was still in its colonial period. [16]
The book has been translated into several languages, [lower-alpha 1] received several adaptations at least since 1625, [18] and [19] has also been interpreted through several political and social movements according to their agendas. The interpretations include a “children’s book … Antropofagia [Cannibalism] … Estado Novo … Cinema Novo … neo-nationalist and postmodern commemoration … [and] a forgettable and tedious movie.” [20]
The Brazilian writer Monteiro Lobato deconstructed the portrait of Hans Staden as a “good European” in his adaptation of the work in the Sítio do Picapau Amarelo children's books series, showing that his survival was due to cowardice, not any "heroic traits". [21] Santana-Dezmann 2019 explains that under the indigenous beliefs, Staden's flesh carried his cowardice, so that's why he managed to stay alive. [22]
Year 1557 (MDLVII) was a common year starting on Friday of the Julian calendar.
Indigenous peoples once comprised an estimated 2,000 tribes and nations inhabiting what is now the country of Brazil, before European contact around 1500 AD.
The Tupi people, a subdivision of the Tupi-Guarani linguistic families, were one of the largest groups of indigenous peoples in Brazil before its colonization. Scholars believe that while they first settled in the Amazon rainforest, from about 2,900 years ago the Tupi started to migrate southward and gradually occupied the Atlantic coast of Southeast Brazil.
This article contains information about the literary events and publications of 1557.
José Bento Renato Monteiro Lobato was one of Brazil's most influential writers, mostly for his children's books set in the fictional Sítio do Picapau Amarelo but he had been previously a prolific writer of fiction, a translator and an art critic. He also founded one of Brazil's first publishing houses and was a supporter of nationalism.
Caramuru was the Tupi name of the Portuguese colonist Diogo Álvares Correia, who is notable for being the first European to establish contact with the native Tupinambá population in modern-day Brazil and was instrumental in the early colonization of Brazil by the Portuguese crown. Notably, Caramuru's native-born wife, Catarina Paraguaçu, was the first South American native to be received at the Palace of Versailles in 1526. He and Catarina would become the first Christian family in Brazil and have three children: Gaspar, Gabriel and Jorge, all named knights by Tomé de Sousa.
The Tupinambá are one of the various Tupi ethnic groups that inhabit present-day Brazil, and whom had been living there long before the conquest of the region by Portuguese colonial settlers. The name Tupinambá was also applied to other Tupi-speaking groups, such as the Tupiniquim, Potiguara, Tupinambá, Temiminó, Caeté, Tabajara, Tamoio, and Tupinaé, among others. Before and during their first contact with the Portuguese, the Tupinambás had been living along the entire Eastern Atlantic coast of Brazil.
Hans Staden was a German soldier and explorer who voyaged to South America in the middle of the sixteenth century, where he was captured by the Tupinambá people of Brazil. He managed to survive and return safe to Europe. In his widely read True History: An Account of Cannibal Captivity in Brazil, he claimed that the native people that held him captive practiced cannibalism.
Cunhambebe was an Indigenous Brazilian chieftain of the Tupinambá tribe, which dominated the region between present-day Cabo Frio and Bertioga. He lived in a village in Iperoig.
Jean de Léry (1536–1613) was an explorer, writer and Reformed pastor born in Lamargelle, Côte-d'Or, France. Scholars disagree about whether he was a member of the lesser nobility or merely a shoemaker. Either way, he was not a public figure prior to accompanying a small group of fellow Protestants to their new colony on an island in the Bay of Rio de Janeiro, Brazil from 1557 to 1558. There he produced the first known transcriptions of native American music: two chants of the Tupinambá, near Rio de Janeiro. The colony, France Antarctique was founded by the Chevalier de Villegaignon, with promises of religious freedom, but on arrival, the Chevalier contested the Protestants' beliefs and persecuted them. After eight months the Protestants left their colony and survived for a short time on the mainland, living amongst the Tupinambá Indians. These events were the basis of de Lery's book, History of a Voyage to the Land of Brazil, Also Called America (1578). Exhausted and starving, they then returned to France aboard a pirate ship.
Cannibalism in the Americas has been practiced in many places throughout much of the history of North America and South America. The modern term "cannibal" is derived from the name of the Island Caribs (Kalinago), who were encountered by Christopher Columbus in the Bahamas. Numerous cultures in the Americas were reported by European explorers and colonizers to have engaged in cannibalism, however these claims are not always reliable since the Spanish used them as part of their justifications for conquest.
The Caeté were an Indigenous people of Brazil, linguistically belonging to the Tupi people.
How Tasty Was My Little Frenchman is a Brazilian black comedy directed and co-written by Nelson Pereira dos Santos released in 1971.
Ulrich Schmidl or Schmidel was a German Landsknecht, conquistador, explorer, chronicler, and councilman. Schmidl was, beside Hans Staden, one of the few Landsknechts who wrote down their experiences of travel in the New World.
The year 1557 CE in science and technology included a number of events, some of which are listed here.
Neil L. Whitehead was an English anthropologist, who is best known for his work on the anthropology of violence, dark shamanism, post-human anthropology and the historical anthropology of South America and the Caribbean. From 1997 to 2007 he was the editor of Ethnohistory, Journal of the American Society for Ethnohistory.
The Man-Eating Myth: Anthropology and Anthropophagy is an influential anthropological study of socially sanctioned "cultural" cannibalism across the world, which casts a critical perspective on the existence of such practices. It was authored by the American anthropologist William Arens of Stony Brook University, New York, and first published by Oxford University Press in 1979.
History of a Voyage to the Land of Brazil, Also Called America is an account published by the French Huguenot Jean de Léry in 1578 about his experiences living in a Calvinist colony in the Guanabara Bay in Rio de Janeiro, Brazil. After the colony dissolved, de Léry spent two months living with the Tupinambá Indians.
The New Found World, or Antarctike is the English title of an account first published in French in 1557 by the French Franciscan priest and explorer André Thevet after his experiences in France Antarctique, a French settlement in modern Rio de Janeiro.
New World Scene is a woodcut thought to have been made in 1505 by Johann Froschauer, a German artist based in Augsburg, Germany. The woodcut measures 22 cm by 33.3 cm and a hand-colored copy is in the New York Public Library.