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"Ain't No Mountain High Enough" is a pop/soul song written by Nickolas Ashford & Valerie Simpson in 1966 for the Tamla label, a division of Motown. The composition was first successful as a 1967 hit single recorded by Marvin Gaye and Tammi Terrell, and became a hit again in 1970 when recorded by former Supremes frontwoman Diana Ross. The song became Ross's first solo number-one hit on the Billboard Hot 100 chart and was nominated for a Grammy Award.
"You're All I Need to Get By" is a song recorded by the American R&B/soul duo Marvin Gaye and Tammi Terrell and released on Motown Records' Tamla label in 1968. It was the basis for the 1995 single "I'll Be There for You/You're All I Need to Get By" from Method Man and Mary J. Blige.
"I'm Every Woman" is the debut solo single by American singer Chaka Khan from her debut solo studio album Chaka (1978). It was Khan's first hit outside her recordings with the funk band Rufus. "I'm Every Woman" was produced by Arif Mardin and written by the successful songwriting team Nickolas Ashford and Valerie Simpson. The single established Chaka's career outside the group Rufus, whom she would leave after their eighth studio album Masterjam was released in late 1979.
"Ooo Baby Baby" is a song written by Smokey Robinson and Pete Moore. It is a classic 1965 hit single by The Miracles for the Tamla (Motown) label. The song has inspired numerous other cover versions by other artists over the years, including covers by Ella Fitzgerald, Todd Rundgren, The Escorts, The Five Stairsteps, Linda Ronstadt, and many others. The Miracles' original version of "Ooo Baby Baby", is listed as number 266 on Rolling Stone Magazine's list of "The 500 Greatest Songs of All Time".
"Try Me, I Know We Can Make It" is a song by American singer and songwriter Donna Summer from her third studio album A Love Trilogy album released in 1976. Summer's breakthrough had come in the form of the disco song "Love to Love You Baby" which in its entirety lasted almost seventeen minutes and took up the entire first side of the album of the same name. Due to its success the format was repeated with the next album and with this song which was longer than "Love To Love You Baby", clocking in at eighteen minutes. Edited versions were also released on the 7" single format.
"The Blues" is the title of a number-one R&B single by the band Tony! Toni! Toné!. The hit song spent one week at number one on the U.S. R&B Singles Chart and peaked at number 46 on the Billboard Hot 100. The single also peaked at number 43 on the Hot Dance Club Play Chart, and number 92 on the UK Singles Chart
"Remember Me" is a 1970 single recorded and released by singer Diana Ross on the Motown label and was included on her 1971 album Surrender. In the US, the song was Ross' third top forty pop hit within a year, peaking at number 16 on the Hot 100 chart and number 10 on the soul chart. It was also Diana Ross' third entry on the Easy Listening chart, where it went to number 20. It gave Diana her third gold single in a year and her third top 10 charting single in Cash Box, peaking at number eight. Overseas, "Remember Me" reached the top ten in the UK, where it reached number seven. It was the lead single from Ross' 1971 album, Surrender.
"Keep On Lovin' Me Honey" is a 1968 hit written and produced by Nickolas Ashford & Valerie Simpson, and issued as a single on Motown Records' Tamla label by Marvin Gaye and Tammi Terrell. It was the third release from the duo's You're All I Need album.
"California Soul" is a funk-soul tune written by Ashford & Simpson, issued originally as the B-side of the Messengers' single "Window Shopping" in 1967 under the Motown group of labels. Nick Ashford then released his own version in June 1968 on Verve 10599. It was then issued as a single by American pop quintet the 5th Dimension in late 1968, and also covered by Motown vocal duo Marvin Gaye and Tammi Terrell, and by Marlena Shaw the following year. It was Gaye's and Terrell's last single together when released in early 1970.
"What You Gave Me" is a hit duet written and produced by Ashford & Simpson and issued as a single originally by the vocal duo of Marvin Gaye and Tammi Terrell in 1969 on the Tamla label.
"I'll Be Good to You" is a 1976 hit song by R&B duo the Brothers Johnson. George Johnson, one of the two Johnson brothers in the band, wrote the song after deciding to commit to a relationship with one woman, instead of dating several at a time. While George was recording a demo for the song, family friend Senora Sam came by and added some lyrics. Brothers Johnson producer and mentor Quincy Jones heard the song, liked it, and convinced George to sing lead on the finished track. Released from their debut album, Look Out for #1, it was a top-ten hit on the Billboard Hot Singles Charts, peaking at number three, and a number one song on the Billboard R&B Charts during the summer of 1976. The single was later certified gold by the RIAA.
"Stuff Like That" is a hit song with music and lyrics written by Quincy Jones, Ashford & Simpson, Steve Gadd, Eric Gale, Ralph MacDonald and Richard Tee. The song was originally an instrumental rhythm track. Jones worked on the track with Ashford & Simpson, Chaka Khan and studio musicians Gadd, Gale, MacDonald and Tee to turn it into a single. Ashford & Simpson and Khan featured as vocalists while George Young was playing alto saxophone. The song was included on Jones' 1978 album Sounds...And Stuff Like That!. The single spent one week at number one on the R&B singles chart, for the week ending 1 July 1978, and peaked at number 21 on the Billboard Hot 100 singles chart.
"Disco Nights (Rock-Freak)" is a song written by Emanuel LeBlanc, Herb Lane, Keith Crier and Paul Service and performed by American band GQ, from their 1979 debut studio album Disco Nights. The song was produced by Larkin Arnold, Beau Ray and Fleming Jimmy Simpson.
"Murphy's Law," was the name of a number 1 Billboard Hot Dance Club Play Chart single by the Canadian/American female dance music duo Chéri. It reached the top spot in May 1982 and stayed there for three weeks. The single also reached number 5 on the soul chart, reached the UK top twenty (#13), and entered the Billboard Hot 100 chart, where it peaked at number 39.
"Surrender" is a song composed by Ashford & Simpson and released as the first single from singer Diana Ross' album of the same name in 1971 on the Motown label.
"Found a Cure" is a 1979 single by Ashford & Simpson, from their album, Stay Free. Along with the title track and the song, "Nobody Knows", "Found a Cure" hit number one on the dance/disco chart for two weeks. The tracks replaced Diana Ross's album, The Boss, which was produced by Ashford & Simpson. "Found a Cure" also crossed over to the soul singles chart where it stayed at number two for three weeks, as well as crossing over to the pop singles chart where it made the Top 40 peaking at number 36.
They Only Come Out at Night is 1984 dance single by Peter Brown. The single was his first number one on the dance chart, where it stayed for one week. "They Only Come Out at Night", also peaked at number fifty on the soul singles chart, but unlike previous Peter Brown entries, it did not make the Hot 100. It did, however, reach No. 102 on the Billboard Bubbling Under the Hot 100 chart.
"Loveride" is a 1984 single by the group Nuance, from the group's album Sing, Dance, Rap, Romance. The vocals on the song were performed by Vikki Love.
Josephine Armstead, also known as "Joshie" Jo Armstead, is an American soul singer and songwriter. Armstead began her career singing backing vocals for blues musician Bobby "Blue" Bland before becoming an Ikette in the Ike & Tina Turner Revue in the early 1960s. She also had some success as a solo singer, her biggest hit being "A Stone Good Lover" in 1968. As a songwriter, Armstead teamed up with Ashford & Simpson. The trio wrote hits for various artists, including Ray Charles, Aretha Franklin, Tina Britt, Ronnie Milsap, and Syl Johnson. In the 1970s, Armstead appeared in the Broadway musicals Don't Play Us Cheap! and Seesaw.
"Just a Touch of Love" is a 1991 single written by Robert Clivillés and performed by C+C Music Factory. The single also known as "Just a Touch of Love (Everyday)", which featured vocals by Zelma Davis, was the duo's fourth release from their album, Gonna Make You Sweat. "Just a Touch of Love" was the duo's fourth number one on the US dance charts. On other US charts, the single went to #50 on the Hot 100 and #83 on the soul singles chart.
References
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 207.
- ↑ Whitburn, Joel (2004). Hot Dance/Disco: 1974-2003. Record Research. p. 100.