"Unsatisfied" | |
---|---|
Song by The Replacements | |
from the album Let It Be | |
Released | 2 October 1984 |
Genre | |
Length | 4:01 |
Label | Twin/Tone Records |
Songwriter(s) | Paul Westerberg |
Producer(s) |
|
"Unsatisfied" is a song written by Paul Westerberg and recorded by his band the Replacements for their third studio album Let It Be (1984). Revolving around the central lyric "I'm so unsatisfied," the song was largely fleshed out in the studio and featured improvised guitar lines from guitarist Bob Stinson.
Though not released as a single, the song has become one of the Replacements' most acclaimed songs, being lauded by music writers and frequently appearing in the band's live setlists.
"Unsatisfied" was written by the band's frontman, Paul Westerberg. Westerberg described the mode of the song as being as "melancholy as we want to get and [still] be alive." [1] The first version of the song Westerberg brought into the studio was largely unfinished and, aside from the central "I'm so unsatisfied" lyric, the song was largely improvised in the studio. [1] Guitarist Bob Stinson joined midway on the song when it was being recorded and, despite having not heard it before, began contributing guitar licks to the song. Westerberg recalled:
We ran through it one time. Then [Bob] came in and played along for about half of it. Steve [Fjelstad] rolled the tape, and that was it. That one was really nice because there was no time to think. He played real well on that—reserved, but with emotion. [1]
Westerberg added the song's 12-string guitar introduction and slide guitar parts at subsequent sessions. [1] After the song's release, however, members of the band expressed disapproval of the song's unfinished nature. Bob Stinson asserted, "If we'd put another five minutes' worth of time into it, it would have sounded fifty times better." [1] Westerberg concluded that "Unsatisfied" was "one of the most overrated, half-assed, half-baked songs. It doesn't have nothing but one line." [1]
Author Bob Mehr suggests that the song's central lyric was possibly inspired by Westerberg's interest in palmistry. [1] In a later interview, Westerberg pointed to the tumult of the music business as an influence, stating, "Everybody in the band has cried in the van on the way to the show. ... Sometimes it's like what we're doing is like this funky, weird little dream thing. And that's the kind of stuff, if you let it get to you, it'll really get you down. That's where 'Unsatisfied' came from." [2]
Personnel taken from Let It Be liner notes [3]
"Unsatisfied" was first released as an album track on the band's 1984 third album, Let It Be . It has also appeared on the compilation album Don't You Know Who I Think I Was? .
"Unsatisfied" would also appear regularly in the band's live setlist. When the band performed on a bill with the Rolling Stones' Keith Richards in 1988, the band dedicated the song to Richards, who had written "(I Can't Get No) Satisfaction". During the band's 1991 tour, the song would sometimes be played in a medley with "Sadly Beautiful", a song from the band's final album All Shook Down . [1] When the band reunited in the 2010s, they performed the song live in 2014 in St. Paul for the first time since reuniting. [4] A live version appears on the 2017 album For Sale: Live at Maxwell's 1986 . [5]
Bill Janovitz of AllMusic noted that the song "influenced a generation of bands to follow in the Replacements' wake." [6] KCRW commented, "'Unsatisfied' is to teenage angst what 'Strangers in the Night' is to adult romance." [5] Chicago Tribune dubbed it an "anthem of failure and frustration," [7] while The A.V. Club said the song "may be the perfect synergy between The Replacements' rage and Westerberg's emotionality." [8]
PopMatters ranked the song number one on their list of the best Replacements songs, calling it "absolutely one of the most cathartic rock songs of all time" as well as "the quintessential Replacements/Westerberg song." [9] Diffuser.fm ranked it the band's second best lyric, writing, "'Unsatisfied' stood as an anthem for a legion of depressed and misunderstood teens and college-music fans. It still cuts deep." [10] Ultimate Classic Rock ranked it the band's third best song, writing, "As the songs comes to a close, Westerberg practically shreds his voice in an anguished performance that pulls at the heartstrings." [11] UPROXX named it the band's seventh best song, highlighting Stinson's guitar work as "the loveliest and most restrained guitar of his life." [12]
"Unsatisfied" was covered by the Arizona-based rock band Calexico in 2013. [13] In September 2022, Sunny Day Real Estate's Dan Hoerner announced the band's plans to perform "Unsatisfied" live, stating, "That song totally encapsulates the Sunny Day experience. Never in the history of Sunny Day Real Estate have we covered a song live. But we're going to play 'Unsatisfied' at some point during this tour." [14]
The Replacements were an American rock band formed in Minneapolis, Minnesota, in 1979 after nineteen-year-old Bob Stinson gifted his eleven-year-old brother Tommy Stinson a bass guitar. The band was composed of the guitarist and vocalist Paul Westerberg, guitarist Bob Stinson, bass guitarist Tommy Stinson, and drummer Chris Mars for most of its existence. After two albums in the style of punk rock, they became one of the main pioneers of alternative rock with their acclaimed albums Let It Be and Tim. Bob Stinson was kicked out of the band in 1986, and Slim Dunlap joined as lead guitarist. Steve Foley replaced Mars in 1990. Towards the end of the band's career, Westerberg exerted more control over its creative output. The group disbanded in 1991 and the members eventually found various projects. A reunion was announced on October 3, 2012. Fans affectionately refer to the band as the 'Mats, a nickname which originated as a truncation of "The Placemats".
Paul Harold Westerberg is an American musician, best known as the lead singer, guitarist, and songwriter for The Replacements. Following the breakup of The Replacements, Westerberg launched a solo career that saw him release three albums on two major record labels.
Thomas Eugene Stinson is an American rock musician. He came to prominence in the 1980s as the bass guitarist for The Replacements, one of the definitive American alternative rock groups. After their breakup in 1991, Stinson formed Bash & Pop, acting as lead vocalist, guitarist and frontman. In the mid-1990s he was the singer and guitarist for the rock band Perfect, and eventually joined the hard rock band Guns N' Roses in 1998.
Calexico is an American indie rock band based in Tucson, Arizona. Founded in 1996, the band's two main members, Joey Burns and John Convertino, first played together in Los Angeles as part of the group Giant Sand. They have recorded a number of albums on Quarterstick Records and City Slang, and their 2005 EP, In the Reins, recorded with Iron & Wine, reached the Billboard 200 album charts. Their musical style is influenced by traditional Latin sounds of mariachi, conjunto, cumbia, and tejano mixed with country, jazz, and post-rock.
Don't Tell a Soul is the sixth studio album by the American rock band the Replacements, released on February 1, 1989, by Sire Records.
Robert Neil Stinson was an American musician best known as a founding member and lead guitarist of the rock band The Replacements.
Let It Be is the third studio album by American rock band the Replacements. It was released on October 2, 1984, by Twin/Tone Records. A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a little more sincere."
Sorry Ma, Forgot to Take Out the Trash is the first studio album by the American band The Replacements. It was released on August 25, 1981 by Twin/Tone Records. Squarely inspired by punk rock, the album stands in contrast to the power pop and indie rock styles of later albums.
Hootenanny is the second studio album by the American rock band the Replacements, released on April 29, 1983, by Twin/Tone Records. The album received positive reviews from critics.
All Shook Down is the seventh and final studio album by the American rock band The Replacements, released on September 25, 1990, by Sire Records.
Bob "Slim" Dunlap is an American rock musician. He is a Minnesota-based guitarist and singer-songwriter who is best known as a member of The Replacements from 1987 to 1991, replacing original lead guitarist Bob Stinson. Dunlap also recorded two solo albums in the mid-1990s.
"I Will Dare" is a song by American alternative rock band The Replacements, written by Paul Westerberg. The song's pop stylings were a departure from the band's punk origins and its lyrics reflected the band's willingness to "dare to do anything." The track also features guitar performed by Peter Buck of R.E.M.
"Androgynous" is a song by the Replacements featured on their 1984 album Let It Be. The song, which has been described as "decades ahead of its time" describes in positive terms a romantic relationship between two gender non-conforming individuals, and expresses hope that in the future such people and their personal relationships will be more accepted.
"Bastards of Young" is a song written by Paul Westerberg and recorded by his band The Replacements for their fourth studio album Tim (1985). Inspired by Westerberg's sister Mary and the band's feelings of alienation, the song has been described as an "anthem" and features a Who-inspired guitar intro.
"Alex Chilton" is a song by American rock band the Replacements from their fifth studio album Pleased to Meet Me. The song was written as a homage to Big Star frontman Alex Chilton, who was an idol of the band's who worked with them on several occasions. The song's hook was inspired by Replacements frontman Paul Westerberg's attempt to compliment one of Chilton's songs upon meeting him for the first time.
Tim is the fourth studio album by American alternative rock band The Replacements. It was released in September 1985 on Sire Records. It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
"Can't Hardly Wait" is a song by American rock band the Replacements from their fifth studio album Pleased to Meet Me. Written shortly after the sessions for Let It Be, the song was attempted for the 1985 Tim album but ultimately went unreleased until Pleased to Meet Me. The song features Alex Chilton on guitar as well as an arrangement with horns and strings, additions that were controversial within the band.
"Swingin Party" is a song written by Paul Westerberg and recorded by his band The Replacements for their fourth studio album Tim (1985). The song is an indie rock and rock and roll ballad with influences from jazz, country and new wave. Lyrically, it portrays the protagonist's "feigned nonchalance". It was well received by music critics, who praised Westerberg's songwriting talent. The song has been covered by other artists, notably Kindness in 2009 and Lorde in 2013.
For Sale: Live at Maxwell's 1986 is a 2017 live album by the American alternative rock band The Replacements. Recorded at the famous Maxwell's at the height of the band's commercial and creative arc, it is one of the few good recordings of their live performances. The band's only previous live album—1985's The Shit Hits the Fans—was a limited cassette tape release which features poor audio quality and several false starts and stops on songs. In 2007, bassist Tommy Stinson stated that "There are no good Replacements live recordings", in part due to a lack of high-quality recordings and in part due to the band's notoriously sloppy performances due to alcohol abuse. The album was produced by Bob Mehr, who wrote the 2016 biography of the band Trouble Boys: The True Story of the Replacements.
"Merry Go Round" is a song by American alternative rock band the Replacements, from their 1990 studio album All Shook Down. Written by lead singer Paul Westerberg, the song features lyrics inspired by his relationship with his younger sister Mary as well as a drumming performance by Charley Drayton instead of the band's drummer Chris Mars.
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