Vampire Can Mating Oven | ||||
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EP by | ||||
Released | 1987 | |||
Genre | Alternative rock | |||
Length | 21:48 | |||
Label | Pitch-A-Tent [1] | |||
Producer | Camper Van Beethoven, Wally Sound, Harry Parker [2] | |||
Camper Van Beethoven chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
Robert Christgau | A− [4] |
The Encyclopedia of Popular Music | [1] |
MusicHound Rock: The Essential Album Guide | [5] |
New Musical Express | 2/10 [6] |
The New Rolling Stone Album Guide | [7] |
Spin Alternative Record Guide | 5/10 [8] |
Vampire Can Mating Oven is an EP by the alternative rock band Camper Van Beethoven, released in 1987. [9] [10] The EP includes satirical liner notes relating false stories behind the songs. A re-recorded version of "Never Go Back" was included the following year on the band's major label debut, Our Beloved Revolutionary Sweetheart .
Billboard called the EP "typically funny and provocative." [2] Trouser Press deemed it "enjoyable odds and ends," and praised the "jolly" cover of "Photograph". [11]
Chart (1987) | Peak position |
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UK Indie Chart [12] | 24 |
Camper Van Beethoven is an American rock band formed in Redlands, California in 1983, later based in Santa Cruz and San Francisco. Their style mixes elements of pop, ska, punk, folk, alternative, country, and world music, amongst other genres. The band initially polarized audiences within the hardcore punk scene of California's Inland Empire and then found wider acceptance and, eventually, an international audience. Their strong iconoclasm and emphasis on do-it-yourself values proved influential to the burgeoning indie rock movement.
Camper Van Beethoven is a 1986 album by musical group Camper Van Beethoven, released on Pitch-A-Tent. With the six then CVB members joined in the studio by acid-folk eccentric Eugene Chadbourne, the album is arguably the zenith of the band's musical experimentation, with surreal lyrics, backwards, sped-up and slowed down parts; a portion of the track "Stairway To Heavan" is itself a musical palindrome. A great number of ethnic instruments are used in addition to the usual violin parts played by member Jonathan Segel; the album also features pedal steel, banjo, tablas and sitar.
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