Psychedelic rock is a rock music genre that is inspired, influenced, or representative of psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously.
Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.
Space rock is a music genre characterized by loose and lengthy song structures centered on instrumental textures that typically produce a hypnotic, otherworldly sound. It may feature distorted and reverberation-laden guitars, minimal drumming, languid vocals, synthesizers, and lyrical themes of outer space and science fiction.
Acid rock is a loosely defined type of rock music that evolved out of the mid-1960s garage punk movement and helped launch the psychedelic subculture. Named after lysergic acid diethylamide (LSD), the style is generally defined by heavy, distorted guitars, lyrics with drug references, and long improvised jams. Much of the style overlaps with 1960s garage punk, proto-metal, and early heavy, blues-based hard rock.
Pye Records was a British record label. Its best known artists were Lonnie Donegan (1956–1969), Petula Clark (1957–1971), the Searchers (1963–1967), the Kinks (1964–1971), Sandie Shaw (1964–1971), Status Quo (1968–1971) and Brotherhood of Man (1975–1979). The label changed its name to PRT Records in 1980, before being briefly reactivated as Pye Records in 2006.
Live at Last is a 1980 live album by English heavy metal band Black Sabbath. Despite its wide distribution and success, the album was released without the permission or knowledge of the band, and is thus regarded in some quarters as an unofficial bootleg live album. The album was, however, released legally by the band's former manager Patrick Meehan who owned the rights to the recording. It was re-released officially, with the approval of the band, on September 2, 2002 as disc 1 of the two-disc Past Lives set.
Psychedelic folk is a loosely defined form of psychedelia that originated in the 1960s. It retains the largely acoustic instrumentation of folk, but adds musical elements common to psychedelic music.
Pete Fowler is a Welsh artist best known for his artwork for the Welsh band Super Furry Animals and his Monsterism toys and goods. He is a freelance illustrator and "monster maker" inspired by animals, music, folklore, myths, psychedelia and super nature. He has also worked on a number of other projects in the UK and Japan, such as television advertisements, as well as having art exhibitions in the UK and abroad.
Sunshine Superman is the third studio album by Scottish singer-songwriter Donovan. It was released in the United States on August 26, 1966, but was not released in the UK because of a contractual dispute. In June 1967, a compilation of tracks from this album and the follow-up Mellow Yellow was released as Sunshine Superman in the UK. Both versions were named after Donovan's hit single released in the US in July 1966. The album was Donovan's most successful, peaking at number 11 in the US and remaining on the Billboard Top LPs chart for six months. The UK edition peaked at number 25. The tracks from Sunshine Superman and Mellow Yellow were not mixed into stereo, with the exception of "Season of the Witch", until the 2011 2-CD deluxe edition issued by UK EMI.
Delerium Records was a British independent record label, that specialised in psychedelic music and which existed from 1991 to 2003, and was notable in promoting the careers of bands including Porcupine Tree, Ozric Tentacles, Kava Kava, Mandragora, Sons of Selina and Moom and for starting the Freak Emporium and Molten Records.
"White Unicorn" is a song by Australian hard rock band Wolfmother. Written by band members Andrew Stockdale, Chris Ross and Myles Heskett, it was produced by Dave Sardy for the group's self-titled debut album in 2005. The song was also released as the second single from the album in Australia on 26 February 2006. The track reached number 33 on the Australian Singles Chart and number 29 on the US Billboard Mainstream Rock chart.
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques.
Psychedelic music is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as 5-MeO-DMT, DMT, LSD, mescaline, and psilocybin mushrooms, to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy.
Psychedelic pop is pop music that contains musical characteristics associated with psychedelic music. Developing in the mid-to-late 1960s, elements included "trippy" features such as fuzz guitars, tape manipulation, backwards recording, sitars, and Beach Boys-style harmonies, wedded to melodic songs with tight song structures. The style lasted into the early 1970s. It has seen revivals in subsequent decades by neo-psychedelic artists.
Brian Davison, was a British musician. He is best known for playing drums with The Mark Leeman Five, The Nice, Brian Davison's Every Which Way and Refugee.
Tully (1968–1978) was an Australian progressive rock group of the late 1960s and 1970s which had a close association with the Sydney-based film/lightshow collective Ubu and with psychedelic light show artist Roger Foley aka Ellis D Fogg.
The Alan Bown Set later known as The Alan Bown! or just Alan Bown, were a British band of the 1960s and 1970s whose music evolved from jazz and blues through soul and rhythm and blues and ended up as psychedelia and progressive rock. The band achieved limited chart success and is best known for the role it played in developing the careers of numerous musicians including Mel Collins, John Helliwell, Robert Palmer, Jess Roden and Dougie Thomson.
The discography of Girlschool, a British all-female heavy metal band, spans over 30 years of a career and consists of thirteen studio albums, six EPs and a large number of compilations. The band was formed in 1978 by Kim McAuliffe, Enid Williams, Kelly Johnson and Denise Dufort. Their first release was the single "Take It All Away" for the small British rock/punk label City Records. The song did not chart, but came to the ear of Lemmy Kilmister and of Motörhead manager Doug Smith, who made Girlschool the supporting band on the Overkill tour and managed to get them a contract with the wealthy label Bronze Records.
Teddy and His Patches were an American garage rock band formed in San Jose, California in 1964. The group, for the greater duration of its existence, was rather straightforward in their musical style; however, their best-known recording, "Suzy Creamcheese", exemplifies some of the odder aspects of psychedelia. The song was a regional hit and has since achieved favor among psychedelic music enthusiasts, who rediscovered the composition through several compilation albums.
New England Teen Scene: Unreleased! 1965-1968 is a compilation album, which features previously unreleased material by American garage rock bands from the New England region. The album was released in 1996, and is the third and final compilation issued on Arf! Arf! Records related to the New England garage scene. The featured artists on New England Teen Scene: Unreleased 1965-1968 were sorted after 15 years of research to uncover their obscured recordings. For the most part, the bands never had the opportunity to release any official material, with five of the tracks being completely uncredited, having been discovered in undocumented tapes. Perhaps the most prominent group on the album is Underground Cinema, the pre-band that manifested into the psychedelic rock band Ultimate Spinach. Speaking on the album, music historian Richie Unterberger wrote "New England bands in general seemed to favor melodic pop and Zombie-ish keyboards more than groups from other regions, and that's reflected in many of the selections on the disc".
