Verity Films was a British documentary film production company, founded by Sydney Box and Jay Gardner Lewis in March or May 1940. [1] [2]
The company's initial purpose was to make short propaganda films for the wartime government. [1] Lewis directed Verity's first five films, but fell out with Box over finances and left the company. [3]
Box's former employer Publicity Films helped pay off the £2,000 debt and the company was refloated in 1941. [4] With Lewis gone, Box ran the company alone and found quick success. Turnover during 1942 was £75,000, and after paying salaries of £5,000 to Box and others, Verity still made a £2,000 profit. [4] A January 1943 report in Kinematograph Weekly called Verity "by far the largest documentary film organisation in Great Britain". [4]
By 1944, Verity had absorbed several other documentary producers and had eight to ten production units in the field. [4] It advertised itself in a trade publication as "the largest short film production organisation in Europe, incorporating the Greenpark Unit, Technique Unit and Donald Taylor's new Gryphon Unit". [4] In August 1944, Verity Films became a founding member of the Film Producers' Guild, based at Guild House in Upper St Martin's Lane, which brought together several film production companies. [4] During the war, Verity produced more than 100 films, most of them at the small and badly soundproofed Merton Park Studios in South London, although for some productions, Verity rented Riverside Studios in Hammersmith. [4] Already, by this point, Box had begun to broaden the management of Verity Films. An item in the edition of 7 December 1944 of Kinematograph Weekly noted that A. T. Burlinson had taken over as managing director while Box worked on The Seventh Veil (1945).
Director Gerry O'Hara landed a job as a runner at Verity in 1941 at the age of 17, as he told Wheeler Winston Dixon:
O'Hara: I got a job there at 3 pounds 7/6 a week. I started as a trainee in the script department, because theoretically I was a journalist. But I was just running errands for the script department, carrying film cans and stuff like that. Then Ken Annakin, who became quite famous later on, was a young assistant director there; he sort of took me under his wing, and I switched to being a runner and errand boy in the assistant director's department.
Dixon: So basically you were working on documentaries as an assistant director?
O'Hara: Yes. How to put out a firebomb, and stuff like that. It was a lot of wartime work, of course, and most of it was civil defense stuff, films for hire.
Dixon: Did you work on any films for the GPO, for the General Post Office?
O'Hara: Yes, the Ministry of Information. We did a sort of copy of Carol Reed's [sic] The Next of Kin , called Jigsaw, which was a naval version of how to keep secrets and so forth.
I think at that time I seemed to waver between first and second assistant, which happened a lot. I was still very young then, only about 18 or 19. But it was a great apprenticeship; it was incredible. [5]
Among Box's other wartime hires (in 1944) was a 16-year-old Eric Marquis, who became one of Verity's longest serving employees, and was by the 1960s the company's director. [6]
After the end of the Second World War, Sydney Box moved on to Gainsborough Studios, joining the board in May 1946 and becoming managing director on 1 August 1946. [7] Betty Box also moved to Gainsborough. Despite the departure of the Boxes, Verity Films continued producing documentaries, with directors such as Ken Annakin. [8]
In later years, the documentary director Seafield Head worked for Verity Films.
This filmography is a partial list of films produced or co-produced by Verity Films.
Year | Title | Director | Notes |
---|---|---|---|
1940 [9] | Herring | Jay Lewis | Produced for the Ministry of Food in December 1940. |
Oatmeal Porridge | |||
Potatoes | |||
Steaming | |||
Casserole Cooking | |||
1941 [9] | A-tish-oo | ||
Breast Feeding | |||
Canteen on Wheels | Jay Lewis | A longer, non-theatrical version was produced as Mobile Canteen for the Ministry of Information and Empire Tea Bureau. [9] [10] | |
Dai Jones | Daniel Birt | Produced for the Ministry of Information. [10] | |
The English Inn | Muriel Box | ||
Everybody's Business | |||
Food Advice Centre | |||
HM Mine Layer | |||
Roots of Victory | |||
Salvage Sense | |||
Shunter Black's Night Off | Max Munden | [11] | |
The Sixteen Tasks of Maintaining Motorised Vehicles | |||
The Soldier's Food | unknown | ||
Switchover | |||
Tea is Served | |||
Telefootlers | John Paddy Carstairs | ||
Ten Tips for Tackling Tanks | |||
UXB | About unexploded bombs. [12] | ||
Women at War | |||
1942 [9] | Action | ||
Ask CAB | |||
Cookers in the Field | |||
Cooks | |||
House | |||
HMS George V | |||
Jane Brown Changes Her Job | Harold Cooper | Co-production with Verity-Technique for the Ministry of Labour. [13] | |
The Job that Fits | Co-production with the Auxiliary Territorial Service | ||
We Serve | Carol Reed | Recruiting film for the Auxiliary Territorial Service. [14] Ken Annakin was assistant director. [8] | |
WVS | Louise Birt | Produced for the Ministry of Information. [10] | |
1943 | Jigsaw | Henry Cass | Produced for the Admiralty. [15] |
London 1942 | Ken Annakin | Produced by Greenpark Productions in association with Verity Films. View the digitised film on the TIME/IMAGE site. | |
1944 | Men of Rochdale | Compton Bennett | Produced for the Co-operative Wholesale Society. [16] |
Other Men's Lives | Henry Cass | Intended for munitions workers. [15] | |
You Too Can Catch Malaria | Produced for the army. [13] | ||
1946 | English Criminal Justice | Ken Annakin | "I was lucky, in that I got a picture called English Criminal Justice, which really explained the British system of law and gave me a wonderful break." [8] |
1968 | Time Out of Mind | Eric Marquis | Produced for Roche Products. [17] |
Miranda is a 1948 black and white British comedy film, directed by Ken Annakin and written by Peter Blackmore, who also wrote the play of the same name from which the film was adapted. The film stars Glynis Johns, Googie Withers, Griffith Jones, Margaret Rutherford, John McCallum and David Tomlinson. Denis Waldock provided additional dialogue. Music for the film was played by the London Symphony Orchestra, conducted by Muir Mathieson. The sound director was B. C. Sewell.
Violette Muriel Box, Baroness Gardiner, was an English screenwriter and director, Britain's most prolific female director, having directed 12 feature films and one featurette. Her screenplay for The Seventh Veil won an Academy Award for Best Original Screenplay.
Frank Sydney Box was a British film producer and screenwriter, and brother of British film producer Betty Box. In 1940, he founded the documentary film company Verity Films with Jay Lewis.
Kenneth Cooper Annakin, OBE was an English film director.
Betty Evelyn Box, was a prolific British film producer, usually credited as Betty E. Box.
Roy Ward Baker was an English film director. His best known film is A Night to Remember (1958) which won a Golden Globe for Best English-Language Foreign Film in 1959. His later career included many horror films and television shows.
Andrew Victor McLaglen was a British-born American film and television director, known for Westerns and adventure films, often starring John Wayne or James Stewart.
Theirs Is the Glory, is a 1946 British war film about the British 1st Airborne Division's involvement in the Battle of Arnhem during Operation Market Garden in the Second World War. It was the first film to be made about this battle, and the biggest grossing UK war film for nearly a decade. The later film A Bridge Too Far depicts the operation as a whole and includes the British, Polish and American Airborne forces, while Theirs Is the Glory focuses solely on the British forces, and their fight at Oosterbeek and Arnhem.
Madonna of the Seven Moons is a 1945 British drama film directed by Arthur Crabtree for Gainsborough Pictures and starring Phyllis Calvert, Stewart Granger and Patricia Roc. The film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas.
Trio is a 1950 British anthology film based on three short stories by W. Somerset Maugham: "The Verger", "Mr Know-All" and "Sanatorium". Ken Annakin directed "The Verger" and "Mr Know-All", while Harold French was responsible for "Sanatorium".
Fanny by Gaslight is a 1944 British drama film, directed by Anthony Asquith and produced by Gainsborough Pictures, set in the 1870s and adapted from a 1940 novel by Michael Sadleir.
Caravan is a 1946 British black-and-white drama film directed by Arthur Crabtree. It was one of the Gainsborough melodramas and is based on the 1942 novel Caravan by Eleanor Smith.
Harold French was an English film director, screenwriter and actor.
Holiday Camp is a 1947 British comedy drama film directed by Ken Annakin, starring Flora Robson, Jack Warner, Dennis Price, and Hazel Court, and also features Kathleen Harrison and Jimmy Hanley. It is set at one of the then-popular holiday camps. It resonated with post-war audiences and was very successful. It was the first film to feature the Huggett family, who went on to star in "The Huggetts" film series.
Broken Journey is a 1948 British drama film directed by Ken Annakin and featuring Phyllis Calvert, James Donald, Margot Grahame, Raymond Huntley and Guy Rolfe. Broken Journey deals with people struggling to survive after their airliner crashes on top of a mountain, and is based on a true-life accident in the Swiss Alps.
Love Story is a 1944 British black-and-white romance film directed by Leslie Arliss and starring Margaret Lockwood, Stewart Granger, and Patricia Roc. Based on a short story by J. W. Drawbell, the film is about a concert pianist who, after learning that she is dying of heart failure, decides to spend her last days in Cornwall. While there, she meets a former RAF pilot who is going blind, and soon a romantic attraction forms. Released in the United States as A Lady Surrenders, this wartime melodrama produced by Gainsborough Pictures was filmed on location at the Minack Theatre in Porthcurno in Cornwall, England.
Stephen B. Grimes was an English production designer and art director. He won an Oscar and was nominated for two more in the category Best Art Direction.
My Brother's Keeper is a 1948 British crime film in the form of a convicts-on-the-run chase thriller, directed by Alfred Roome for Gainsborough Pictures. It was the first of only two films directed by Roome during a long career as a film editor. The film stars Jack Warner and George Cole and was produced by Sydney Box.
Greenpark Productions Ltd is a British documentary film production company, founded by Walter Greenwood in Polperro, Cornwall in 1938. The company relocated to London in 1939. After the war it expanded into making upmarket corporate films. Amongst its roster of directors were Ken Annakin, Ralph Keene and Humphrey Swingler, brother of the poet Randall Swingler.
Ray Elton was a British cinematographer. Elton was employed by Sydney Box's documentary unit Verity Films during the Second World War. He later worked on several Gainsborough Pictures films, once Box took over the running of the studio.