Grace Melzia Bumbry, an American opera singer, is considered one of the leading mezzo-sopranos of her generation, as well as a major soprano earlier in her career. She is a member of a pioneering generation of African-American opera and classical singers who followed Marian Anderson in the world of opera and classical music paving the way for future African-American opera and concert singers. Bumbry's voice was rich and dynamic, possessing a wide range, and was capable of producing a very distinctive plangent tone.
Lorraine Hunt Lieberson was an American mezzo-soprano. She was noted for her performances of both Baroque era and contemporary works. Her career path to becoming a singer was unconventional – formerly a professional violist, Lieberson did not shift her full-time focus to singing until she was in her thirties.
Nell Rankin was an American operatic mezzo-soprano. Though a successful opera singer internationally, she spent most of her career at the Metropolitan Opera, where she worked from 1951 to 1976. She was particularly admired for her portrayals of Amneris in Verdi's Aida and the title role in Bizet's Carmen. Opera News said, "Her full, generous tone and bold phrasing, especially in the Italian repertory, were unique among American mezzos of her generation.
Stephanie Blythe is an American mezzo-soprano who has had an active international career in operas and concerts since the early 1990s. She is particularly associated with the Metropolitan Opera in New York City, with whom she has performed annually since her debut with the company in 1995. In 2014 she starred as Gertrude Stein in the world premiere of 27, an opera composed by Ricky Ian Gordon with libretto by Royce Vavrek, and commissioned for her by the Opera Theatre of Saint Louis.
Regina Resnik was an American opera singer who had an active international career that spanned five decades. She began her career as a soprano in 1942 and soon after began a lengthy and fruitful relationship with the Metropolitan Opera that spanned from 1944 until 1983. Under the advice of conductor Clemens Krauss, she began retraining her voice in the mezzo-soprano repertoire in 1953 and by 1956 had completely removed soprano literature from her performance repertoire.
Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which lasted 22 years. Opera News stated, "An ambitious beauty with a velvety, even-grained dramatic mezzo, Thebom was a natural for opera: she commanded the stage with the elegantly disciplined hauteur of an old-school diva, relishing the opportunity to play femmes du monde such as Marina in Boris Godunov, Herodias and Dalila."
Viorica Cortez is a noted Romanian-born mezzo-soprano, later French by naturalisation. Starting her operatic and concert career in the mid-1960s, she went on to become one of the most prominent female performers of the '70s and '80s. An example of professional longevity, she is present on some of the most prestigious European opera scenes.
Huguette Tourangeau, was a French-Canadian operatic mezzo-soprano, particularly associated with the French and Italian repertories.
Nedda Casei was an American operatic mezzo-soprano.
Joan Boyd Wall is a retired American operatic mezzo-soprano, voice teacher, and author on the art of singing. In 1957 she was a finalist in the Metropolitan Opera National Council Auditions. She was a principal performer at the Metropolitan Opera, and the Deutsche Oper Berlin, and in Amsterdam, Boston, Philadelphia, Fort Worth and other US cities. Wall was the coordinator of vocal studies at Texas Woman's University for many years. She was appointed Professor Emerita in 2008 following a teaching career of 44 years at TWU.
Ruxandra Donose is a Romanian operatic mezzo-soprano.
Elena Cernei was a Romanian operatic mezzo-soprano, musicologist, and voice teacher. During her 25-year career as an opera singer, she sang in leading opera houses in both Europe and North America. In 1963, she was made Artistă Emerită of the Republic of Romania and in 1999 received the degree of Doctor Honoris Causa from the National University of Music Bucharest for her contributions to the field of musicology.
Kay Griffel is an American operatic spinto soprano.
Christine Weidinger is an American operatic soprano who has had an active international career in operas and concerts since the early 1970s. Her career started at the Metropolitan Opera, after which she was active as a resident artist with opera houses in Germany during the late 1970s and 1980s. From the 1970s through the 1990s she worked as a guest artist with many leading opera houses throughout Europe, South America, and the United States.
Elizabeth Fischer Monastero is an American operatic mezzo-soprano and voice teacher.
Anita Rachvelishvili is a Georgian operatic mezzo-soprano. She is especially known for singing Verdi; conductor Riccardo Muti said in 2018: "She is without doubt the best Verdi mezzo-soprano today on the planet. Without. Doubt." She is also well known for singing Bizet's Carmen. Opera News magazine has stated that "Rachvelishvili is a unique dramatic presence. Her dark, smoldering eyes and cascading black curls are striking, but what is unusual is the juxtaposition of fiery surface and an inward-focused quality, seeming to draw power from some secret space."
Jennifer Holloway is an American operatic mezzo-soprano and soprano who has made an international career performing at leading opera houses and festivals. She began as a mezzo-soprano singing roles such as Adalgisa in Bellini's Norma, and moved to soprano roles such as Salome and Grete Graumann in Schreker's Der ferne Klang.
Hongni Wu is a Chinese mezzo-soprano operatic singer.
Magdalena Wór is a Polish opera singer (mezzo-soprano).
Elizabeth Bishop is an American mezzo-soprano and voice teacher. She has sung at the Metropolitan Opera more than 60 times, and is generally known for playing prominent supporting roles in major operas.
