Villa Rides | |
---|---|
Directed by | Buzz Kulik |
Screenplay by | Robert Towne Sam Peckinpah |
Story by | William Douglas Lansford (Adaptation) |
Based on | Pancho Villa by William Douglas Lansford |
Produced by | Ted Richmond |
Starring | Yul Brynner Robert Mitchum Grazia Buccella Herbert Lom Robert Viharo Charles Bronson |
Cinematography | Jack Hildyard |
Edited by | David Bretherton |
Music by | Maurice Jarre |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 125 minutes |
Country | United States |
Language | English |
Box office | $1.2 million (US/Canada rentals) [1] |
Villa Rides is a 1968 American Technicolor Western war film in Panavision directed by Buzz Kulik and starring Yul Brynner as Mexican revolutionary Pancho Villa and Robert Mitchum as an American adventurer and pilot of fortune. The screenplay is based on the biography by William Douglas Lansford. The supporting cast includes Charles Bronson as Fierro, Herbert Lom as Huerta and Alexander Knox as Madero.
Lee Arnold has to unexpectedly land his biplane in Mexico due to technical difficulties and here he hears both the Mexican army and the local peasant view on Pancho Villa: one seeing him as an outlaw, the other as a hero.
A local family take him in and repair his plane and Arnold finds the daughter Fina attractive. Mexican soldiers arrive and beat the men and rape the daughter. The father is taken to the village square and is to be hanged alongside a handful of other men, allegedly for helping Villa. Captain Ramirez chastises the crowd as he kicks the supporting stools from beneath each man in turn. He is interrupted by the father humming La Cucaracha and the crowd joining in the refrain. But suddenly a Maxim gun starts firing from a rooftop into the soldiers - but the father is not rescued from death. It is Pancho Villa and his men.
Villa is puzzled by Arnold's presence. He discovers that he has been running guns to the soldiers and whips him with his money-belt. Arnold is placed with the "Colorados" the junior Mexican soldiers (the seniors have already been hung). They create a game where one of Villa's men Fierro (Bronson) tries to shoot them as they run in small groups to try to escape over a wall... all in the test are killed. Arnold tries to persuade Villa both to quit the game and make use of his plane. Villa lets one soldier escape and kills the rest.
At night the men taunt the daughter (Fina) and one gets shot and is told "where are your manners... go outside to die". Arnold explains she was raped earlier that day. Villa asks for a priest and marries her.
The next day Arnold is asked to give a flying demonstration and teach Villa how to fly. Despite being a two-seater Villa goes off alone and manages a few seconds in the air without killing himself and his men all cheer his success.
The next day Arnold takes Fierro up in the plane but he doesn't like it. They spot a troop train and the next day with the help of the plane they ambush the train.
In the evening Villa marries another girl and explains he does it just to please them as "women like to get married". He explains he has married 11 times. The daughter goes to Arnold for solace.
Villa is granted an audience with Don Luis the presidential leader of the revolution. They plan a major battle at Conejos. Villa leads a far larger group in an attack on a fortress there, fording a wide river. A barbed wire barrier halts them. Behind the lines Arnold and Fierro prepare the plane. As the rebels retreat the army launch a cavalry charge across the river (the barbed wire mysteriously disappears) armed with sabres. They are halted by Arnold in the plane and driven back to the barbed wire. The plane crashes in the river but the retreat of the army allows the revolutionaries to charge forward, and the barbed wire is wrecked by the army horses. Villa gains the outer perimeter of the town, but a steep slope must be climbed to reach the town walls. They use bombs to breach the wall. They reach the general and his aides but Ramirez escapes and hides down a well. They toss a bomb down in a bucket to kill him.
The town is captured but the leader of the revolutionary army, Gen Huerta, orders Villa's arrest. When Arnold goes to Gen Huerta to compensate him for the lost plane, he is also arrested, as Huerta has discovered the plane was stolen, and he wishes to maintain good relations with the United States. Villa and Arnold share a cell and debate their morals.
Villa is drummed out at dawn to be shot, but Villa demands Captain Fuentes that he be shot by his own men. After a delay he is again about to be shot but Huerta stops it as he has received a telegram ordering Villa to go to Mexico City. The telegram is part of a ruse set up by Fierro.
Meanwhile Arnold is being escorted to the border in a car with three officers. He persuades them to detour to say goodbye to Fina. He is more interested in stealing money stashed to fund the revolution. Fina is crest-fallen.
In El Paso in a barber shop, Arnold is told the revolutionary president Madero was assassinated and Huerta is now president. Villa has escaped from prison.
In the final scene Arnold is wining and dining a girl in a restaurant when Villa enters with Fierro and his aide. He is asked to rejoin the revolution. Villa plans to capture Mexico City. As they cross the border Arnold flies over too.
The epilogue pronounces Villa's successful capture of Mexico City six months later at the head of a revolutionary army of 50,000.
Sam Peckinpah wrote the original script and was set to direct, but Brynner disliked Peckinpah's harsh depiction of Villa and had Robert Towne rewrite the script, with Kulik brought on as director. Towne later said he did this as a favor for Robert Evans, head of Paramount, and hated the experience. [2]
This film marked the first of many appearances by Jill Ireland in films with her future husband Charles Bronson, though her part in Villa Rides is brief. [3]
Chicago Sun-Times film critic Roger Ebert gave the film a mixed review, writing, "You would think an interesting picture could be made about Pancho Villa and the Mexican Revolution, a subject most Americans know next to nothing about. But we learn nothing except that Pancho was a romantic fellow who had a mustache and liked to have people lined up three in a row and killed with one bullet. (That scene, incidentally, got a big laugh.) Frankly, this kind of movie is beginning to get to me. You can enjoy one, maybe, or two. Or you can enjoy a particularly well done shoot-em-up. But the Loop has been filled with one action-adventure after another for the last month, and if Villa Rides is not the worst, it is certainly not the best." [4]
Film critic A. H. Weiler wrote, "Yul Brynner, Robert Mitchum, cavalry, politicos and even the faint strains of "La Cucaracha" fail to disguise the fact that Villa Rides which dashed into the Forum Theater yesterday, is simply a sprawling Western and not history. As such it incessantly fills the screen with the din of pistols and rifles, and assorted warfare and wenching, shot in sharp color on rugged Spanish sites that strikingly simulate Mexico. Any resemblance to the 1912-1914 campaigns of the bandit-revolutionary in the cause of liberal President Madero and against General Huerta is purely coincidental." [5]
Francisco Ignacio Madero González was a Mexican businessman, revolutionary, writer and statesman, who served as the 37th president of Mexico from 1911 until he was deposed in a coup d'état in February 1913 and assassinated. He came to prominence as an advocate for democracy and as an opponent of President and de facto dictator Porfirio Díaz. After Díaz claimed to have won the fraudulent election of 1910 despite promising a return to democracy, Madero started the Mexican Revolution to oust Díaz. The Mexican revolution would continue until 1920, well after Madero and Díaz's deaths, with hundreds of thousands dead.
Francisco "Pancho" Villa was a Mexican revolutionary. A general in the Mexican Revolution, he was a key figure in the revolutionary movement that forced out President Porfirio Díaz and brought Francisco I. Madero to power in 1911. When Madero was ousted by a coup led by General Victoriano Huerta in February 1913, Villa joined the anti-Huerta forces in the Constitutionalist Army led by Venustiano Carranza. After the defeat and exile of Huerta in July 1914, Villa broke with Carranza. Villa dominated the meeting of revolutionary generals that excluded Carranza and helped create a coalition government. Emiliano Zapata and Villa became formal allies in this period. Like Zapata, Villa was strongly in favor of land reform, but did not implement it when he had power. At the height of his power and popularity in late 1914 and early 1915, the U.S. considered recognizing Villa as Mexico's legitimate authority.
The Mexican Revolution was an extended sequence of armed regional conflicts in Mexico from 20 November 1910 to 1 December 1920. It has been called "the defining event of modern Mexican history" and resulted in the destruction of the Federal Army, its replacement by a revolutionary army, and the transformation of Mexican culture and government. The northern Constitutionalist faction prevailed on the battlefield and drafted the present-day Constitution of Mexico, which aimed to create a strong central government. Revolutionary generals held power from 1920 to 1940. The revolutionary conflict was primarily a civil war, but foreign powers, having important economic and strategic interests in Mexico, figured in the outcome of Mexico's power struggles; the U.S. involvement was particularly high. The conflict led to the deaths of around one million people, mostly noncombatants.
José Victoriano Huerta Márquez was a general in the Mexican Federal Army and 39th President of Mexico, who came to power by coup against the democratically elected government of Francisco I. Madero with the aid of other Mexican generals and the U.S. Ambassador to Mexico. His violent seizure of power set off a new wave of armed conflict in the Mexican Revolution.
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The United States involvement in the Mexican Revolution was varied and seemingly contradictory, first supporting and then repudiating Mexican regimes during the period 1910–1920. For both economic and political reasons, the U.S. government generally supported those who occupied the seats of power, but could withhold official recognition. The U.S. supported the regime of Porfirio Díaz after initially withholding recognition since he came to power by coup. In 1909, Díaz and U.S. President Taft met in Ciudad Juárez, across the border from El Paso, Texas. Prior to Woodrow Wilson's inauguration on March 4, 1913, the U.S. Government focused on just warning the Mexican military that decisive action from the U.S. military would take place if lives and property of U.S. nationals living in the country were endangered. President William Howard Taft sent more troops to the US-Mexico border but did not allow them to intervene directly in the conflict, a move which Congress opposed. Twice during the Revolution, the U.S. sent troops into Mexico, to occupy Veracruz in 1914 and to northern Mexico in 1916 in a failed attempt to capture Pancho Villa. U.S. foreign policy toward Latin America was to assume the region was the sphere of influence of the U.S., articulated in the Monroe Doctrine. However the U.S. role in the Mexican Revolution has been exaggerated. It did not directly intervene in the Mexican Revolution in a sustained manner.
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