Vincent W.J. van Gerven Oei (born 1983 in The Hague) is a Dutch publisher, translator, curator, journalist, and philologist. He received an MA in general linguistics from Leiden University, an MMus from the ArtScience department at the Royal Academy of Art, The Hague, [1] a PhD from the division Philosophy, Art & Critical Thought at the European Graduate School, [2] and a PhD from the Centre for Modern Thought at the University of Aberdeen. Van Gerven Oei is currently director/CFO of open access press punctum books [3] and director/CEO of open metadata platform Thoth Open Metadata. [4]
In 2007, Van Gerven Oei started his art career as a part of an artist duo with artist Jonas Staal, exploring the relationship between art, morality and society. [5] They completed art residencies in Chicago, Beijing, Johannesburg, and Tokyo. In his review of their installation “Forty Years of Boredom 1968–2008,” writer Thomas van Aalten referred to Staal and Van Gerven Oei as “new ascetics.” [6] Since 2012 he has been involved in Staal's New World Summit and New World Academy projects as advisor and editor. [7] [8] He also appears in his work 94 Million Years of Collectivism, Video Study as “proletgeologist” and narrator. [9]
In 2011, he established the Department of Eagles foundation in Tirana, as an “independent project bureau for artists and thinkers in and beyond Albania.” [10] With the Department of Eagles, Van Gerven Oei started his curatorial work, including Kukafshehti (2013), [11] developed through his engagement with the LGBT community in Albania, [12] with whom he also organized the first “Gay Ride” in 2012. [13] In 2015, he organized the exhibition Workers Leaving the Studio. Looking Away from Socialist Realism. at the National Museum of Fine Arts in Tirana and raised the alarm about the deplorable state of the museum's holdings. [14] The exhibition Teatri i Gjelbërimit (The Theater of Greenery) (2016), [15] provided an overview of two decades of art in Albanian public space. [16] Other projects included the Albanian Lapidar Survey, the first survey of socialist monumentality in Albania, which Van Gerven Oei conducted with multimedia artist Marco Mazzi in 2014. Their findings were published in the 3-volume publication Lapidari in 2015. [17] From 2021 to 2024 he was editorial board member of Stedelijk Studies, the open access journal of Stedelijk Museum Amsterdam. Since 2022, Van Gerven Oei is a member of the art collective Manifesto.
As an art writer, he has engaged with the work of Armando Lulaj, [18] Bruce Nauman, [19] Edi Rama, [20] Anri Sala, [21] Martin Wong, [22] and the rebranding of Kunstinstituut Melly. [23]
After moving to Albania in 2010, Van Gerven Oei started writing regularly about the architecture, culture, and politics of the country, first for the blog of open access scholarly journal continent. and subsequently for literary magazine Berfrois. [24] In 2015, he started the independent online media platform Exit Albania together with Neritan Sejamini and Carloalberto Rossi, [25] for which he continued to write regularly until 2021. A selection from his writings from this period was published in Albanian under the title Rënia e së ardhmes: Arti, korrupsioni dhe fundi i tranzicionit shqiptar (The Collapse of the Future: Art, Corruption and the End of the Albanian Transition) in 2023. His recent writings on Albania have appeared on the blog The Albanian Mechanism. [26]
In 2011, Van Gerven Oei started publishing house Uitgeverij, focusing on poetry and theory. In 2015, he joined open access publishing house punctum books as director. Van Gerven Oei is a prominent voice for open access in academic publishing. [27] [28] In 2020, he was elected to the board of the Open Access Scholarly Publishing Association, [29] and in 2021 he became the founding chairperson of the ScholarLed foundation. [30] In 2022, he was one of the initiators of the development of FLOSS open metadata platform Thoth. [31]
As a philologist, Van Gerven Oei is one of the foremost experts of the Old Nubian language. In 2021, he published ‘’A Reference Grammar of Old Nubian,’’ considered a seminal work in the field. [32] He has further published various editiones principes of Old Nubian texts from Old Dongola, [33] [34] Askut, [35] Akasha West, [36] Faras, [37] and Gebel Adda, [38] as well as numerous articles on aspects of Old Nubian grammar. He is co-founder of the Union for Nubian Studies and the open access journal Dotawo: A Journal of Nubian Studies.
Old Nubian is an extinct Nubian language, attested in writing from the 8th to the 15th century AD. It is ancestral to modern-day Nobiin and closely related to Dongolawi and Kenzi. It was used throughout the kingdom of Makuria, including the eparchy of Nobatia. The language is preserved in more than a hundred pages of documents and inscriptions, both of a religious nature, and related to the state and private life, written using adaptation of the Coptic alphabet.
Old Dongola is a deserted Nubian town in what is now Northern State, Sudan, located on the east bank of the Nile opposite the Wadi Howar. An important city in medieval Nubia, and the departure point for caravans west to Darfur and Kordofan, from the fourth to the fourteenth century Old Dongola was the capital of the Makurian state. A Polish archaeological team has been excavating the town since 1964.
Memaliaj is a town and a municipality in Gjirokastër County, southern Albania. It was formed at the 2015 local government reform by the merger of the former municipalities Buz, Krahës, Luftinjë, Memaliaj, Memaliaj Fshat and Qesarat, that became municipal units. The seat of the municipality is the town Memaliaj. The total population is 10,657, in a total area of 372.30 square kilometres (143.75 sq mi). The population of the former municipality at the 2011 census was 2,647. It is entirely populated by Albanians, both Muslim Bektashis and Eastern Orthodox Christians. The dialect of Albanian spoken in the region is Tosk.
Dotawo was a Christian kingdom in Lower Nubia in the Middle Ages. It is attested in Old Nubian documents from the 12th to the 15th centuries. It is one of the last attested Christian states to survive in the region.
Marco Mazzi is an Italian multimedia artist, living and working in Tokyo, Florence, and Tirana. He worked as an editor in the publication of books of contemporary Japanese poetry, such as The Other Voice, the first Italian translation of Yoshimasu Gozo's poetry.
Jonas Staal is a Dutch visual artist. His work deals with the relationship between art, democracy, and propaganda and has often generated public debate.
Dick Raaijmakers, also known as Dick Raaymakers or Kid Baltan, was a Dutch composer, theater maker and theorist. He is considered a pioneer in the field of electronic music and tape music, but has also produced numerous musical theater pieces and theoretical publications.
Continent is an online open access scholarly journal founded in 2010 that publishes a range of subjects including philosophy, literature, and arts. The journal is listed in the Directory of Open Access Journals and has received a seal of approval from SPARC Europe. The Editors are supported by Contributing Editors Ben Segal, Feliz Lucia Molina, Sherrin Frances, Fintan Neylan, Frederick Arias, Rosemary Lee, Isaac Linder, John Gallic, Matt Bernico and Sophie Wagner.
The Hill Nubian languages, also called Kordofan Nubian, are a dialect continuum of Nubian languages spoken by the Hill Nubians in the northern Nuba Mountains of Sudan.
Punctum Books, stylized as punctum books, is an open-access and print-on-demand independent, scholar-led publisher based in Santa Barbara, California, United States.
Catherine E. Karkov is professor of History of Art and head of the School of Fine Art, History of Art and Cultural Studies at the University of Leeds. Her research centres on early medieval art, especially Anglo-Saxon art, and she has published three monographs. Her first concerns Anglo-Saxon art; the second one on the relation between text and image in Anglo-Saxon literature; and the third on how Anglo-Saxon writers imagined England as a place, how Anglo-Saxon England is understood by modern audiences, and the "fraught history of 'Anglo-Saxon' studies".
Procedia is an open access journal series published by Elsevier.
Gerald Michael Browne was professor emeritus of classics at the University of Illinois. He was a founding editor, in 1988, of the Journal of Coptic Studies. The principal biographical study of his life is an article by Vincent W.J. van Gerven Oei.
The Bible was translated into Old Nubian during the period when Christianity was dominant in Nubia. Throughout the Middle Ages, Nubia was divided into separate kingdoms: Nobadia, Makuria and Alodia. Old Nubian was the standard written form in all three kingdoms. Of the living Nubian languages, it is modern Nobiin which is the closest to Old Nubian and probably its direct descendant.
A lunary, also called a selenodromion or moonbook, is a book of prognostication based on the position of the moon at any given time. It is an astrological genre with parallels as far back as Akkadian literature. From the 2nd century AD, it is common in the Greco-Roman world. There are examples in Greek, Latin, Coptic, Middle English and Old Nubian. Pagan, Jewish and Christian examples are known. The lunary was "by far the most popular and widely circulated prognostic genre" during the Middle Ages.
The Copim community is an international group of researchers, universities, librarians, open access book publishers and infrastructure providers. It is building community-owned, open systems and infrastructures to enable open-access book publishing to flourish. The collaboration is being funded by Research England and Arcadia Fund, via two consecutive projects between November 2019 and April 2026.
The 1957 United States Air Force incursion into Albanian airspace, was a Cold War incident.
Ismail Strazimiri was an Albanian revolutionary, military and educational activist from Upper Reka.
Jonida Gashi is an Albanian cultural theorist and senior researcher at the Centre for Art Studies at the Academy of Sciences of Albania.
Manifesto is an art collective and intellectual movement composed of artists, filmmakers, curators, writers, art theorists, historians, architects, and publishers, from various countries, engaged in Albanian contemporary art. In collaboration with the DebatikCenter of Contemporary Art and ZETA Center for Contemporary Art, the Manifesto art collective has developed a series of projects, Manifesto Hijacking (2022), Manifesto Desertion (2023), and Manifesto Great Wave (2024), which offer a deconstruction of the Albanian art scene and the way it is enmeshed with the power of the Albanian oligarchy.
This article needs additional or more specific categories .(October 2024) |