Viva Caruso | ||||
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Studio album by | ||||
Released | February 23, 2002 | |||
Recorded | October 13, 2001; October 15, 2001 | |||
Genre | Jazz | |||
Length | 65:06 | |||
Label | Blue Note | |||
Producer | Joe Lovano | |||
Joe Lovano chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Tom Hull | B+ [2] |
The Penguin Guide to Jazz Recordings | [3] |
Viva Caruso is one of Joe Lovano's "most ambitious and enjoyable recordings". [4] Inspired by the legendary Italian tenor, Enrico Caruso, Lovano deftly, yet directly, applies orchestral melodies and figures in different manners to create a beautifully meditative collection of music. The album contains a variety of songs, each of which focuses on a distinctive jazz interpretation of classical music.
Joseph Salvatore Lovano is an American jazz multi-instrumentalist. Though best known as a tenor saxophonist, Lovano has also recorded on alto clarinet, flute and drums, amongst other instruments. He has earned a Grammy Award and several mentions in Down Beat magazine's critics' & readers' polls. His wife is singer Judi Silvano, with whom he records and performs. Lovano was a longtime member of the late drummer Paul Motian‘s trio alongside guitarist Bill Frisell.
A pit orchestra is a type of orchestra that accompanies performers in musicals, operas, ballets, and other shows involving music. The term was also used for orchestras accompanying silent movies when more than a piano was used. In performances of operas and ballets, the pit orchestra is typically similar in size to a symphony orchestra, though it may contain smaller string and brass sections, depending upon the piece. Such orchestras may vary in size from approximately 30 musicians to as many as 90–100 musicians. However, because of financial, spatial, and volume concerns, current musical theatre pit orchestras are considerably smaller.
James Dillon is a Scottish composer who is often regarded as belonging to the New Complexity school. Dillon studied art and design, linguistics, piano, acoustics, Indian rhythm, mathematics and computer music, but is self-taught in composition.
Grand traité d’instrumentation et d’orchestration modernes, abbreviated in English as the Treatise on Instrumentation is a technical study of Western musical instruments written by Hector Berlioz. It was first published in 1844 after being serialised in many parts prior to this date and had a chapter added by Berlioz on conducting in 1855.
Judi Silvano is a jazz singer and composer.
Miles Davis & Gil Evans: The Complete Columbia Studio Recordings is a box set of music by jazz musicians Miles Davis and Gil Evans originally released on CD in 1996 and remastered and re-released in 2004. It collects work from 1957 through 1968 at Columbia Records recording studios.
John Zorn's Cobra: Live at the Knitting Factory is an album of a performance of John Zorn's improvisational game piece, Cobra, performed at the Knitting Factory in 1992. The album resembles the missing link between John Zorn's work with Masada and Naked City. It also had a major impact on the electronic scene of New York.
One Shot Deal is an album by Frank Zappa, posthumously released in June 2008.
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
Streams of Expression is the 20th studio album by American jazz musician Joe Lovano to be released on the Blue Note label. It was released in 2006 and features a five-part "Streams of Expression Suite," three-part "Birth of the Cool Suite," and three other shorter works. The "Birth of the Cool Suite" was conducted by Gunther Schuller and utilizes melodic themes inspired by Miles Davis' work from his 1948 and 1950 nonet. The album also features George Garzone, Ralph Lalama, Gary Smulyan, and Tim Hagans.
Universal Language is an album by the American jazz saxophonist Joe Lovano recorded in 1992 and released on the Blue Note label.
Rush Hour is an album by the American jazz saxophonist Joe Lovano, featuring an orchestra arranged and conducted by Gunther Schuller, recorded in 1994 and released on the Blue Note label.
Flights of Fancy: Trio Fascination: Edition Two is an album by the American jazz saxophonist Joe Lovano recorded in 2000 and released on the Blue Note label. The album is a sequel to Lovano's Trio Fascination: Edition One (1998) but, unlike the earlier album which featured a conventional sax-bass-drums lineup, Edition Two finds Lovano shifting between four different and often eclectic trio configurations.
December is the fifth studio album by trumpet player Chris Botti. It was released by Columbia Records on October 22, 2002. Botti himself provided vocal on "Perfect Day".
Carmen is an album by guitarist Barney Kessel performing adaptations of pieces from Georges Bizet's opera Carmen recorded in late 1958 and released on the Contemporary label.
Bud and Bird is a live album by Gil Evans that won the Grammy Award for Best Large Jazz Ensemble Album in 1989. Evans conducted the orchestra, which included Hamiet Bluiett, Bill Evans, and Johnny Coles.
Celebrating Sinatra is a 1996 studio album by American jazz saxophonist Joe Lovano released by the Blue Note label. Lovano leads a fifteen-piece ensemble playing some of Sinatra's most famous songs.
Worlds is a live 1989 album by American jazz musician Joe Lovano. The album was recorded at the Amiens International Jazz Festival in France. The record was initially released in 1989 via Label Bleu in France and then re-released via Evidence Music in 1995 in the United States.
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