Voyage to the Planet of Prehistoric Women | |
---|---|
Directed by | Pavel Klushantsev (original Planeta Bur footage) Peter Bogdanovich (as Derek Thomas) |
Written by | Henry Ney |
Produced by | Norman D. Wells Roger Corman |
Starring | Mamie Van Doren Mary Marr Paige Lee Irene Orton |
Narrated by | Peter Bogdanovich |
Cinematography | Flemming Olsen |
Edited by | Bob Collins |
Music by | Keith Benjamin |
Production company | |
Distributed by | AIP-TV |
Release date |
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Running time | 78 minutes |
Country | United States |
Language | English |
Voyage to the Planet of Prehistoric Women is a 1968 American science fiction film, one of two films whose footage was taken from the 1962 Soviet SF film Planeta Bur (Planet of Storms) for producer Roger Corman. The original film was scripted by Alexander Kazantsev from his novel and directed by Pavel Klushantsev. This adaptation, made by Peter Bogdanovich, who chose not to have his name credited on the film, included new scenes added that starred Mamie Van Doren. The film apparently had at least a limited U.S. release through American International Pictures, but became better known via subsequent cable TV showings and home video sales. The film contains no footage from Planeta Bur that was not used in the earlier Voyage to the Prehistoric Planet (1965).[ clarification needed ]
Astronauts landing on Venus kill a flying creature that resembles a pterosaur, which is worshiped as a god by the local blond Venusian women. They attempt to kill the astronauts by means of their superhuman powers, but ultimately fail. The astronauts eventually escape from Venus, and their abandoned robot, damaged in a flow of volcanic mud and ultimately shut down by the humans for their survival, becomes, in a surprise plot twist ending, the women's new god.
The film was known at one stage as Gill Men.
It was the last film made by the Filmgroup company. [1]
Of the production, Bogdanovich has stated:
[Planeta Bur] was a Russian science-fiction film that Roger [Corman] had called Storm Clouds of Venus that he had dubbed into English. And he came to me and said, "Would you shoot some footage with some girls? AIP won't buy it unless we stick some girls in it". So I figured out a way to work some girls in it and shot for five days, and we cut it in. I narrated it, because nobody could make heads or tails of it. Roger wouldn't let me add any sound. It was just a little cheap thing we did, and people think I directed it when I really only directed 10 minutes of it. [2]
Bogdanovich said he had to paint out the red star on the spaceship, "in every frame. We painted in some obscure symbol that might pass for the National Aeronautics and Space Administration". [3]
Bogdanovich hired Mamie Van Doren and several other blondes to play Venusians "because I thought everyone should be blonde on Venus. I dressed them up in rubber suits, bottoms only and put shells over their breasts. I had them traipsing around Leo Carrillo Beach for a while shooting inserts that might relate to Venus". [3] Bogdanovich says he gave the female characters "South Sea movie names" because "it seemed right". [3]
One of the actresses was afraid of sharks and when she was in the water they threw her a rubber fish; she got hysterical, grabbed the fish and bit its head off. He said that people did not understand the film and its new sequences when first cut together, so he added narration. He decided one of the astronauts, "the best looking one", should narrate the film. Bogdanovich wrote the narration and provided the voice, and it was the one credit he took on the film. [3]
Bogdanovich also stated he did not claim credit as director, because "such a small piece of it is mine", [4] although in fact his adaptation of the Planeta Bur material had much more original material in it than the previous version, made by Curtis Harrington. His then-wife Polly Platt worked on the film as a production designer.
In a retrospective on Soviet science fiction film, British director Alex Cox compared this version to the earlier Voyage to the Prehistoric Planet and called Voyage to the Planet of Prehistoric Women "equally classic". [5]
Although the film review website FilmFanatic.org describes it as "a jarring mish-mosh of scenes" and "frightfully sub-par," it also claims "the storyline moves along at a quick enough pace that you’ll likely never be bored". [6] Nigel Honeybone of HorrorNews.Net wrote that the film's scenes with Mamie Van Doren represented "Peter Bogdanovich’s stag film", and that producer Roger Corman had "made the Russian footage crappier, fulfilling his patriotic duty as an American". [7]
Filmink magazine wrote, "This and Voyage to the Prehistoric Planet... use much of the same footage but Bogdanich’s film is far superior: it’s simply better made." [8]
Peter Bogdanovich was an American director, writer, actor, producer, critic, and film historian. He started his career as a film critic for Film Culture and Esquire before becoming a prominent filmmaker as part of the New Hollywood movement. He received accolades including a BAFTA Award and Grammy Award, as well as nominations for two Academy Awards and two Golden Globe Awards.
Roger William Corman was an American film director, producer, and actor. Known under various monikers such as "The Pope of Pop Cinema", "The Spiritual Godfather of the New Hollywood", and "The King of Cult", he was known as a trailblazer in the world of independent film.
American International Pictures LLC is an American film production company owned by Amazon MGM Studios. In its original operating period, AIP was an independent film production and distribution company known for producing and releasing films from 1955 until 1980, a year after its acquisition by Filmways in 1979.
Mamie Van Doren is an American actress, singer, model, and sex symbol who rose to prominence in the 1950s and 1960s. A blonde bombshell, she is one of the "Three M's" along with Marilyn Monroe and Jayne Mansfield, who were friends and contemporaries. In 1953, Van Doren, then named Joan Lucille Olander, signed a seven-year contract with Universal, which hoped that she would be their version of Marilyn Monroe. During her time at Universal, she starred in teen dramas, exploitation films, musical, and comedy films among other genres. She has married five times, and had intimate affairs with many other Hollywood actors. She was one of the leading sex symbols in the 1950s.
It Conquered the World is an independently made 1956 American science fiction film produced and directed by Roger Corman, and starring Peter Graves, Lee Van Cleef, Beverly Garland, and Sally Fraser. Shot in black-and-white, It Conquered the World was released theatrically by American International Pictures (AIP) as a double feature with The She-Creature.
The planet Venus has been used as a setting in fiction since before the 19th century. Its opaque cloud cover gave science fiction writers free rein to speculate on conditions at its surface—a "cosmic Rorschach test", in the words of science fiction author Stephen L. Gillett. The planet was often depicted as warmer than Earth but still habitable by humans. Depictions of Venus as a lush, verdant paradise, an oceanic planet, or fetid swampland, often inhabited by dinosaur-like beasts or other monsters, became common in early pulp science fiction, particularly between the 1930s and 1950s. Some other stories portrayed it as a desert, or invented more exotic settings. The absence of a common vision resulted in Venus not developing a coherent fictional mythology, in contrast to the image of Mars in fiction.
The Cat's Meow is a 2001 historical drama film directed by Peter Bogdanovich, and starring Kirsten Dunst, Eddie Izzard, Edward Herrmann, Cary Elwes, Joanna Lumley, Jennifer Tilly, and Ronan Vibert. The screenplay by Steven Peros is based on his 1997 play of the same title, which was inspired by the mysterious death of film mogul Thomas H. Ince that occurred on William Randolph Hearst's yacht during a weekend cruise celebrating Ince's birthday in November 1924. Among those in attendance were Hearst's longtime companion and film actress Marion Davies, fellow actor Charlie Chaplin, writer Elinor Glyn, columnist Louella Parsons, and actress Margaret Livingston. The film provides a speculative assessment on the unclear manner of Ince's death.
Queen of Outer Space is a 1958 American science fiction film shot in DeLuxe Color and CinemaScope. Produced by Ben Schwalb and directed by Edward Bernds, it stars Zsa Zsa Gabor, Eric Fleming, and Laurie Mitchell. The screenplay by Charles Beaumont, about a revolt against a cruel Venusian queen, is based on an idea supplied by Ben Hecht and originally titled Queen of the Universe. Upon its release, the film was promoted by Allied Artists and distributed to some locations as a double feature with Frankenstein 1970 starring Boris Karloff.
Pavel Vladimirovich Klushantsev was a Russian cameraman of higher category (1939), film director, producer, screenwriter and author who worked during the Soviet Era. He was a Meritorious Artist of Russia (1970).
Queen of Blood is a 1966 American science fiction horror film produced by George Edwards and Samuel Z. Arkoff, directed by Curtis Harrington, that stars John Saxon, Basil Rathbone, Dennis Hopper, and Judi Meredith. The film is based on the screenplay for the earlier Soviet feature film Mechte Navstrechu. Director Harrington also reused special effects footage from that film, as well as footage from the Soviet science fiction film Nebo Zovyot.
Voyage to the Prehistoric Planet is a 1965 science fiction film, one of two versions adapted for Roger Corman from the Soviet science fiction film Planeta Bur, scripted by Aleksandr Kazantsev and directed by Pavel Klushantsev. Curtis Harrington oversaw the editing and dubbing of principal portions of the source film, and directed new principal scenes featuring Basil Rathbone and Faith Domergue. The resulting new film was syndicated directly to television by American International Television.
Milcząca Gwiazda, literal English translation The Silent Star, is a 1960 East German/Polish color science fiction film based on the 1951 science fiction novel The Astronauts by Polish science fiction writer Stanisław Lem. It was directed by Kurt Maetzig, and stars Günther Simon, Julius Ongewe and Yoko Tani. The film was first released by Progress Film in East Germany, running 93 min. Variously dubbed and cut versions were also released in English under other titles: First Spaceship on Venus, Planet of the Dead, and Spaceship Venus Does Not Reply.
Doomsday Machine, also known as Escape from Planet Earth, is an American science fiction film mostly filmed in 1967 but completed without the original cast or sets in 1972.
A Time for Killing is a 1967 Western film directed originally by Roger Corman but finished by Phil Karlson. Filmed in Panavision and Pathécolor, it stars Glenn Ford, George Hamilton, Inger Stevens, and Harrison Ford in his first credited film role.
Planeta Bur is a 1962 Sovcolor Soviet science fiction adventure film scripted by Alexander Kazantsev from his novel, and co-scripted and directed by Pavel Klushantsev.
The Navy vs. the Night Monsters is a 1966 independently made American science fiction-monster film drama produced by Jack Broder, written and directed by Michael A. Hoey, that stars Mamie Van Doren, Anthony Eisley, Billy Gray, Bobby Van and Pamela Mason. The film was distributed by Realart Pictures Inc.
The Filmgroup was a production and distribution company founded by filmmakers Roger Corman and Gene Corman in 1959. Corman used it to make and distribute his own movies, as opposed to ones he was making for American International Pictures. The company ultimately folded, however, lessons from running the company helped Corman make a success later of New World Pictures. Filmgroup also produced early feature work of Francis Ford Coppola, Peter Bogdanovich, Charles B. Griffith, Curtis Harrington, Jack Hill, Monte Hellman, Robert Towne and Jack Nicholson.
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Nebo Zovyot is a 1959 Soviet science fiction adventure film directed by Aleksandr Kozyr and Mikhail Karyukov. It was filmed at Dovzhenko Film Studios in 1959 and premiered September 12, 1959.
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