David Michael Wojnarowicz was an American painter, photographer, writer, filmmaker, performance artist, songwriter/recording artist, and AIDS activist prominent in the East Village art scene. He incorporated personal narratives influenced by his struggle with AIDS as well as his political activism in his art until his death from the disease in 1992.
The Federal Art Project (1935–1943) was a New Deal program to fund the visual arts in the United States. Under national director Holger Cahill, it was one of five Federal Project Number One projects sponsored by the Works Progress Administration (WPA), and the largest of the New Deal art projects. It was created not as a cultural activity, but as a relief measure to employ artists and artisans to create murals, easel paintings, sculpture, graphic art, posters, photography, theatre scenic design, and arts and crafts. The WPA Federal Art Project established more than 100 community art centers throughout the country, researched and documented American design, commissioned a significant body of public art without restriction to content or subject matter, and sustained some 10,000 artists and craft workers during the Great Depression. According to American Heritage, “Something like 400,000 easel paintings, murals, prints, posters, and renderings were produced by WPA artists during the eight years of the project’s existence, virtually free of government pressure to control subject matter, interpretation, or style.”
The Smithsonian American Art Museum is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, the Renwick Gallery, SAAM holds one of the world's largest and most inclusive collections of art, from the colonial period to the present, made in the United States. More than 7,000 artists are represented in the museum's collection. Most exhibitions are held in the museum's main building, the Old Patent Office Building, while craft-focused exhibitions are shown in the Renwick Gallery.
Vija Celmins is a Latvian American visual artist best known for photo-realistic paintings and drawings of natural environments and phenomena such as the ocean, spider webs, star fields, and rocks. Her earlier work included pop sculptures and monochromatic representational paintings. Based in New York City, she has been the subject of over forty solo exhibitions since 1965, and major retrospectives at the Museum of Modern Art, Whitney Museum of American Art, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Institute of Contemporary Arts, London and the Centre Pompidou, Paris.
William Andrew Christenberry Jr. was an American photographer, painter, sculptor, and teacher who drew inspiration from his childhood in Hale County, Alabama. Christenberry focused extensively on architecture, abandoned structures, nature, and extensively studied the psychology and effects of place and memory. He is best known for his haunting compositions of landscapes, signs, and abandoned buildings in his home state. Christenberry is also considered a pioneer of colored photography as an art form; he was especially encouraged in the medium by the likes of Walker Evans and William Eggleston.
Charles Sheeler was an American artist known for his Precisionist paintings, commercial photography, and the avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.
Peter Pezzati was an American portrait artist who was located in the Boston area. His art was rooted in the Renaissance tradition. His artwork included landscapes, pen and ink drawings, watercolors, pastel and oil portraits.
The Washington Color School, also known as the Washington, D.C., Color School, was an art movement starting during the 1950s–1970s in Washington, D.C., in the United States, built of abstract expressionist artists. The movement emerged during a time when society, the arts, and people were changing quickly. The founders of this movement are Morris Louis and Kenneth Noland, however four more artists were part of the initial art exhibition in 1965.
Leon Polk Smith (1906–1996) was an American painter. His geometrically oriented abstract paintings were influenced by Piet Mondrian and he is a follow er of the Hard-edge school. His best-known paintings constitute maximally reduced forms, characterized by just two colors on a canvas meeting in a sharply delineated edge, often on an unframed canvas of unusual shape. His work is represented in many museums in the United States, Europe, and South America. Thanks to a generous bequest from the artist, the Brooklyn Museum has 27 of his paintings on permanent display.
Alma Woodsey Thomas was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century. Thomas is best known for the "exuberant", colorful, abstract paintings that she created after her retirement from a 35-year career teaching art at Washington's Shaw Junior High School.
John M. Bennett is an American experimental text, sound, and visual poet.
Dorothy Block was an American artist known for her paintings and visual arts.
Renee Stout is an American sculptor and contemporary artist known for assemblage artworks dealing with her personal history and African-American heritage. Born in Kansas, raised in Pittsburgh, living in Washington, D.C., and connected through her art to New Orleans, her art reflects this interest in African diasporic culture throughout the United States. Stout was the first American artist to exhibit in the Smithsonian's National Museum of African Art.
Gail Tremblay was an American writer and artist from Washington State. She is known for weaving baskets from film footage that depicts Native American people, such as Western movies and anthropological documentaries. She received a Washington State Governor's Arts and Heritage Award in 2001.
The Archives of American Art is the largest collection of primary resources documenting the history of the visual arts in the United States. More than 20 million items of original material are housed in the Archives' research centers in Washington, D.C., and New York City.
Virginia Dwan was an American art collector, art patron, philanthropist, and founder of the Dwan Light Sanctuary in Montezuma, New Mexico. She was the former owner and executive director of Dwan Gallery, Los Angeles (1959–1967) and Dwan Gallery New York (1965–1971), a contemporary art gallery closely identified with the American movements of Minimalism, Conceptual Art, and Earthworks.
Paul J. Smith was an arts administrator, curator, and artist based in New York. Smith was professionally involved with the art, craft, and design fields since the early 1950s and was closely associated with the twentieth-century studio craft movement in the United States. He joined the staff of the American Craftsmen's Council in 1957, and in 1963 was appointed Director of the Museum of Contemporary Crafts, a position he held for the next 25 years. In September 1987, he assumed the title of director emeritus and continued to work as an independent curator and consultant for museums, arts organizations, and collectors.
Mary Beth Edelson was an American artist and pioneer of the feminist art movement, deemed one of the notable "first-generation feminist artists". Edelson was a printmaker, book artist, collage artist, painter, photographer, performance artist, and author. Her works have been shown at the Museum of Modern Art, the Smithsonian American Art Museum, and the Museum of Contemporary Art in Chicago.
Clarissa T. Sligh is an African-American book artist and photographer based in Asheville, North Carolina. At age 15, she was the lead plaintiff in a school desegregation case in Virginia. In 1988, she became a co-founder of Coast-to-Coast: A Women of Color National Artists' Project, which focused on promoting works completed by women of color.
Babe and Carla Hemlock are a Kahnawake Mohawk husband-and-wife artisan team from Kahnawake Mohawk Nation Territory near Montreal. Babe specializes in woodcarving, and Carla focuses on textile arts; however, they work in a range of different artistic media. Carla has been recognized for her award-winning quilt work, which has been purchased by the National Museum of the American Indian, part of the Smithsonian Institution in Washington, D.C.
