| We Can Make A Difference | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | January 5, 1990 | |||
| Recorded | 1989–1990 | |||
| Genre | Gospel music | |||
| Label | PolyGram | |||
| Producer | Michael Brooks | |||
| Witness chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
We Can Make a Difference is the third studio album by Witness.
| No. | Title | Length |
|---|---|---|
| 1. | "Old Landmark" | 4:04 |
| 2. | "Learning to Love You" | 4:12 |
| 3. | "Telling You Once Again" | 4:08 |
| 4. | "Why Not" | 4:09 |
| 5. | "Go Right Ahead" | 3:59 |
| 6. | "You Haven't Lived" | 3:42 |
| 7. | "We Can Make a Difference" | 4:29 |
| 8. | "He'll Be There" | 4:36 |
| 9. | "All God's Promises" | 3:49 |
| 10. | "Without You in My Life" | 4:02 |
| Chart (1990) | Peak position |
|---|---|
| US Top Gospel Albums (Billboard) [2] | 30 |
System of a Down is an American heavy metal band formed in Glendale, California, in 1994. Since 1997, the band has consisted of founding members Serj Tankian ; Daron Malakian ; Shavo Odadjian ; along with John Dolmayan (drums), who replaced original drummer Andy Khachaturian in 1997.
In law, a witness is someone who, either voluntarily or under compulsion, provides testimonial evidence, either oral or written, of what they know or claim to know.
Incubus is an American rock band from Calabasas, California. The band was formed in 1991 by vocalist Brandon Boyd, lead guitarist Mike Einziger, and drummer José Pasillas while enrolled in Calabasas High School and later expanded to include bassist Alex "Dirk Lance" Katunich, and Gavin "DJ Lyfe" Koppel; the latter two were eventually replaced by bassist Ben Kenney and DJ Kilmore, respectively. Nicole Row replaced Kenney in 2024.
Testimony is a solemn attestation as to the truth of a matter.
Textual criticism is a branch of textual scholarship, philology, and literary criticism that is concerned with the identification of textual variants, or different versions, of either manuscripts (mss) or of printed books. Such texts may range in dates from the earliest writing in cuneiform, impressed on clay, for example, to multiple unpublished versions of a 21st-century author's work. Historically, scribes who were paid to copy documents may have been literate, but many were simply copyists, mimicking the shapes of letters without necessarily understanding what they meant. This means that unintentional alterations were common when copying manuscripts by hand. Intentional alterations may have been made as well, for example, the censoring of printed work for political, religious or cultural reasons.
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As a general term in theological use, assurance refers to a believer's confidence in God, God's response to prayer, and the hope of eternal salvation. In Protestant Christian doctrine, the term "assurance", also known as the Witness of the Spirit, affirms that the inner witness of the Holy Spirit allows the Christian disciple to know that they are justified. Based on the writings of St. Augustine of Hippo, assurance was historically an important doctrine in Lutheranism and Calvinism, and remains a distinguishing doctrine of Methodism and Quakerism, although there are differences among these Christian traditions. Hymns that celebrate the witness of the Holy Spirit, such as Fanny Crosby's "Blessed Assurance", are sung in Christian liturgies to celebrate the belief in assurance.
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"Countdown" is a song by Rush from their 1982 album Signals. Its lyrics are about the first launch of the Space Shuttle Columbia the previous year. The song incorporates audio from voice communications between astronauts John Young and Robert Crippen and ground control, specifically Ascent CAPCOM Daniel C. Brandenstein and with commentary from Hugh Harris, Kennedy Space Center Public Affairs Officer, leading up to the launch through to LOS just after Press to Rota.
We met our liaison man, who conducted us safely into the "V.I.P." zone in the pre-dawn hours. We were due to play that night in Dallas, so we couldn't wait much longer. Finally they announced that the launch would be scrubbed for that day. Well, we ran for the car, and our daring driver sped off, around the traffic jams, down the median of the highway, and got us to the airport barely in time.
The next night we had a show in San Antonio, after which we drove off immediately, clambered into a hired jet, and flew straight back to Florida. This time the launch took place on schedule, and it was SOMETHING!!
I remember thinking to myself as we flew back to Fort Worth after a couple days without sleep: "We've got to write a song about this!" It was an incredible thing to witness, truly a once-in-a-lifetime experience. I can only hope that the song comes even close to capturing the excitement and awe that we felt that morning.
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