Where You Been | ||||
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Studio album by | ||||
Released | February 9, 1993 | |||
Recorded | 1992 | |||
Genre | ||||
Length | 47:38 | |||
Label | Blanco y Negro/Sire | |||
Producer | J Mascis | |||
Dinosaur Jr. chronology | ||||
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Singles from Where You Been | ||||
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Where You Been is the fifth official studio album by Dinosaur Jr., released on February 9, 1993. [2]
The song "Start Choppin'" was their biggest hit, reaching number 3 on the Modern Rock Tracks chart in the U.S., and the Top 20 of the UK Singles Chart. This was drummer Murph's last recording with J Mascis until 2007's Beyond .
This was the only Dinosaur Jr. album between 1988's Bug and 2007's Beyond to be recorded entirely with a full band. During Dinosaur Jr.'s major label years, Mascis performed most of the instruments himself on record.
The album peaked with 263,000 units sold in the US. [3]
Where You Been was the first album recorded by Dinosaur Jr.'s new line-up, after the largely J Mascis-recorded Green Mind . This line-up consisted of Mascis, long-time drummer Murph, and new bassist Mike Johnson. Mascis explained on an interview with 120 Minutes , "It's the first time we've felt like a band for maybe six years, or something. [Johnson] adds a lot, just having someone that I can get along with musically and personally. It just makes the record better having all the people there contributing something, rather than the last one." [4]
Where You Been was Dinosaur Jr.'s greatest commercial success up to that point, reaching number 50 in the US and number 10 in the UK. Mascis reacted at the time, "We're just making records and, I mean, every one sold more than the last one. Whatever happens, we'll deal with it then." [4]
In a later interview, drummer Murph recalled the album positively, saying "Out of the records I played on, I think of Where You Been very fondly." [4] Hüsker Dü frontman Bob Mould spoke positively of the album, commenting, "I've heard Where You Been, their new album. It's brilliant, amazing — it's even got strings. They've stopped sounding the way they did on Bug , but they've built on the same basic premise and kept those very recognisable guitar sounds. I don't know if they make a conscious effort to change, but I suppose they'd be really bored by now if they always sounded the same." [5]
Review scores | |
---|---|
Source | Rating |
AllMusic | [6] |
Chicago Tribune | [7] |
Entertainment Weekly | B+ [8] |
Los Angeles Times | [9] |
Mojo | [10] |
Pitchfork | 7.8/10 [11] |
Q | [12] |
Rolling Stone | [13] |
Select | 4/5 [14] |
Uncut | 9/10 [15] |
The album was released to very positive reviews. AllMusic's Ned Raggett called the album "occasionally moody and dark but otherwise [...] more rough fun. [...] [I]t's a puréed blast of punk, classic rock, and more. It may be business as usual, but it's good business just the same, whether it's the gentle "Not the Same," on which Mascis does his best Neil Young impersonation, or the stuttering feedback snorts and rips on "Hide," on which he borrows a bit back from disciple Kevin Shields." The tracks "Out There", "Start Choppin", "Get Me" and "Goin Home" were chosen as highlights. [6] Michael Azerrad, writing for Rolling Stone , was similarly positive, writing that "their second major-label album [...] recall the shambling lope of Crazy Horse-era Young, as well as hints of minor Seventies icons from Blue Oyster Cult to Humble Pie. The majestic “Get Me” is “Layla” for the distressed-denim set (even the guitar squiggle at the end is pinched from Clapton’s “Let It Rain”)." He singled out the "riff-happy" songs "Start Choppin" and "I Ain't Sayin" as "excellent" (calling the latter "a two-minute gem") and praised Mascis' production choices ("he embellishes the band’s usual all-guitar palette with timpani, chimes and strings") as "a daring move in the sadly conformist world of alternative rock". "Like many of its peers," he concludes, "Dinosaur Jr is a musical cargo cult, turning the detritus of another culture into something that can be used — and maybe even worshiped. For one of the crowning glories of slacker culture, look no further." [13] Greg Kot wrote that what made the album "compelling is Mascis' growth as a songwriter and, apparently, as a person. On previous albums, the singer's relationship with the world outside seemed about as emotionally developed as a 13-year-old's. But on "Where You Been" his wan, dissipated voice conveys a deeper commitment and yearning. [...] All the while, Mascis' army of guitars is placed in service of his breaking heart, and the sound is majestic and moving." [7]
Robert Christgau was less positive, finding that "somehow his axe and his voice sing the same tune, momentarily transmuting his self-pity into simple sadness". He singled out the first two tracks as highlights and gave the album a two-star honorable mention in his '90s Consumer Guide book. [16]
Prefix magazine's Matthew Flander described it as "a classic record from the band, capturing just about every great ’90s song they had aside from “The Wagon” and “Feel the Pain”." He also called the album a possible "one-up" from Mascis to Sebadoh's Bubble & Scrape , writing: "if that was his goal, you can see [...] how he might have tried to beat Barlow at his own game. And maybe there was no clear winner between the two, but we sure lucked out. [17] Stevie Chick of BBC called it a "[l]aconic, guitar-heavy masterpiece from Dinosaur Jr.’s second-wind." "There was something unabashedly classic about Where You Been’s rock," she writes, "deriving not least from Mascis’s copious guitar heroics, layering multiple tracks of scree and howl so the entire album feels like one epic, sky-scraping solo. [...] With his fondness for extended guitar-play, his country-soaked rock crunch, his cracked and sweet vocals, Where You Been identified Mascis as hewn from the same stone as Neil Young before him." [18] The A.V. Club 's Noel Murray wrote that "Dinosaur Jr. wasn’t the most unlikely band to make the jump to a major label in the ’90s (the post-Nirvana era was a weird time), but few could’ve guessed that Mascis’ group would actually sell a respectable amount of records, without substantially altering its style. [...] Barlow-less Dinosaur Jr. came off a little less indie and a little more bombastic; yet the songs were still offbeat, personal, and far from radio-friendly." He wrote that the song "I Ain't Sayin", with "its canyon-filling bookending riff to its appealing shuffle and its heartwarming “rolling home to you” chorus [...] is a crowd-pleaser that could’ve been Dinosaur Jr.’s biggest hit if it’d been pushed a little harder—or at all." [19] Cam Lindsay of Exclaim! called it a "slower, slightly superior (in comparison to its predecessor) grunge-era classic." She called both the releases "cornerstones" to the aforementioned movement, writing however that "unless you're jonesin' for reliving that period again, it's fair to say in today's world they're not much else." [20] "In addition to succeeding in its bid to pluck up some post-‘Lithium' plaid-clad grunge fans," writes Josh Gray of Clash "'Where You Been?'s textbook construction of over-driven ear-worms would go on to strike chords with many later alt-90s guitar heroes. 'Goin' Home's gentle world-weariness sounds for all the world like it could be an Eels rip-off if it weren’t for the fact that E was still just a bespectacled teenager who was into birds at this point. Similarly the verbal spaghetti spilling over 'Hide' pre-dates Jeff Magnum's [sic] similar drawl on ‘In the Aeroplane Over The Sea’ by a fair few years. This album is basically a master-class for any songwriter struggling to write a single without compromising their sound." [21] Mascis himself would go on to rank it as his 3rd best effort, saying: "We were trying really hard and it was well realized for what we wanted to do." [22]
The Felled Trees Collective, consisting of members from Thrice, Samiam and No Motiv (also featuring appearances from Texas Is the Reason, Knapsack, Beat Union and numerous other bands), covered the album in its entirety on its 20th anniversary. The album was released on the 15th of October 2013 through the Siren Records webstore. [23]
The album received the following accolades:
Publication | Country | Accolade | Rank |
---|---|---|---|
Magnet | US | Albums of the Year | 20[ citation needed ] |
The Village Voice | US | The 1993 Pazz & Jop Critic's Poll | 40 [24] |
Melody Maker | UK | Melody Maker End Of Year Critic's List - 1993 | 7 [25] |
Select | UK | Albums of the Year | 28 [26] |
Vox | UK | Vox Albums of 1993 | 4 [27] |
Publication | Country | Accolade | Rank |
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LAS Magazine | US | 90 Albums of the 90s | 76[ citation needed ] |
Tom Moon | US | 1,000 Recordings to Hear Before You Die | - [28] |
Stereogum | US | Dinosaur Jr. Albums From Worst To Best | 4 [29] |
Select | UK | The 100 Best Albums of the 90s | 85 [30] |
All songs written by J Mascis.
No. | Title | Length |
---|---|---|
1. | "Out There" | 5:52 |
2. | "Start Choppin" | 5:39 |
3. | "What Else Is New" | 5:09 |
4. | "On the Way" | 3:27 |
5. | "Not the Same" | 6:00 |
6. | "Get Me" | 5:50 |
7. | "Drawerings" | 4:49 |
8. | "Hide" | 4:11 |
9. | "Goin Home" | 4:14 |
10. | "I Ain't Sayin" | 2:27 |
Total length: | 47:38 |
No. | Title | Length |
---|---|---|
11. | "Hide (Live - November 24, 1992 - John Peel Show, BBC Radio 1, Maida Vale 5)" (Bonus track on 2006 re-release) | 3:49 |
12. | "Keeblin'" (Bonus track on 2006 re-release) | 3:40 |
13. | "What Else Is New (Live - October 8, 1994 - BBC Radio, Brixton Academy)" (Bonus track on 2006 re-release) | 10:02 |
No. | Title | Length |
---|---|---|
14. | "Hot Burrito #2" (Bonus track on 2019 re-release, Disc 1) | |
15. | "Quest (acoustic)" (Bonus track on 2019 re-release, Disc 1) | |
16. | "Turnip Farm" (Bonus track on 2019 re-release, Disc 1) | |
17. | "Forget It" (Bonus track on 2019 re-release, Disc 1) | |
18. | "Keeblin" (Bonus track on 2019 re-release, Disc 1) | |
19. | "Missing Link" (Bonus track on 2019 re-release, Disc 1. With Del Tha Funky Homosapien) |
No. | Title | Length |
---|---|---|
20. | "Noon At Dawn" (BBC Peel Session, Bonus track on 2019 re-release Disc 2) | |
21. | "Hide" (BBC Peel Session, Bonus track on 2019 re-release Disc 2) | |
22. | "Get Me" (BBC Peel Session, Bonus track on 2019 re-release Disc 2) | |
23. | "Keeblin" (BBC Peel Session, Bonus track on 2019 re-release Disc 2) | |
24. | "Severed Lips" (BBC Evening Session, Bonus track on 2019 re-release Disc 2) | |
25. | "Thumb" (BBC Evening Session, Bonus track on 2019 re-release Disc 2) | |
26. | "Tarpit" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
27. | "Budge" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
28. | "Start Choppin" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
29. | "Drawerings" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
30. | "Raisins" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
31. | "Thumb" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
32. | "Out There" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) | |
33. | "Sludgefeast" (Bonus track on 2019 re-release, previously unreleased. Live from St. Paul Civic Center, June 29th, 1993.) |
Album - Billboard (North America)
Year | Chart | Position |
---|---|---|
1993 | The Billboard 200 | 50 |
Singles - Billboard (North America)
Year | Single | Chart | Position |
---|---|---|---|
1993 | "Start Choppin'" | Modern Rock Tracks | 3 |
Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984. Originally called Dinosaur, the band was forced to change their name due to legal issues.
The Lemonheads are an American alternative rock band formed in Boston in 1986 by Evan Dando, Ben Deily, and Jesse Peretz. Dando has remained the band's only constant member. After their initial punk-influenced releases and tours as an independent/college rock band in the late 1980s, the Lemonheads' popularity with a mass audience grew in 1992 with the major label album It's a Shame about Ray, which was produced, engineered, and mixed by The Robb Brothers. This was followed by a cover of Simon and Garfunkel's "Mrs. Robinson", which eventually became one of the band's most successful singles. The Lemonheads were active until 1997 before going on hiatus, but reformed with a new lineup in 2005 and released The Lemonheads the following year. The band released its latest album, Varshons 2, in February 2019.
Sebadoh is an American indie rock band formed in 1986 in Northampton, Massachusetts, by Eric Gaffney and Lou Barlow, with multi-instrumentalist Jason Loewenstein completing the line-up in 1989. Barlow co-created Sebadoh as an outlet for his songwriting when J. Mascis gradually took over creative control of Dinosaur Jr., in which Barlow plays bass guitar.
Louis Knox Barlow is an American alternative rock musician and songwriter. A founding member of the groups Dinosaur Jr., Sebadoh and The Folk Implosion, Barlow is credited with helping to pioneer the lo-fi style of rock music in the late 1980s and early 1990s. His first band, which was formed in Amherst, Massachusetts, was Deep Wound.
Joseph Donald Mascis Jr., better known as J Mascis, is an American musician who is the singer, guitarist and main songwriter for the alternative rock band Dinosaur Jr. He has also released several albums as a solo artist and played drums and guitar on other projects. He was ranked number 74 in a Rolling Stone list of the "100 Greatest Guitarists", and number 5 in a similar list for Spin magazine in 2012.
You're Living All Over Me is the second studio album by American alternative rock band Dinosaur Jr. It was released on December 14, 1987, through SST Records.
Green Mind is the fourth studio album by alternative rock band Dinosaur Jr., released in 1991. It was the band's first release after bassist Lou Barlow's departure, as well as the first released by a major label. The record is close to being a J Mascis solo album: he played most of the instruments, with founding drummer Murph only featuring on three tracks.
Without a Sound is the sixth studio album by alternative rock band Dinosaur Jr., released on August 23, 1994. It is the first Dinosaur Jr. album not to feature Murph on drums, who is replaced by vocalist and guitarist J Mascis. It is also their most commercially successful album, peaking at number 44 on the Billboard Top 200. "Feel the Pain" and "I Don't Think So" were released as singles, with "Feel the Pain" reaching number 4 on the Billboard Modern Rock Tracks chart, becoming one of their biggest hits. Mascis later admitted that his father's death affected his writing and performance on this album, and he took three years to deliver the next Dinosaur Jr. LP, 1997's Hand It Over.
Bug is the third studio album by American alternative rock band Dinosaur Jr., released in October 1988 through SST Records. Blast First and Au Go Go Records released the album in the United Kingdom and Australia, respectively. It was the last Dinosaur Jr. album with original bassist Lou Barlow until Beyond in 2007.
Emmett Jefferson Murphy III, professionally credited as both Patrick Murphy and Murph, is best known for being the drummer for the alternative rock band Dinosaur Jr. He was a member of the group from its founding in 1984 through 1993, and since the original lineup reformed in 2005.
Hand It Over is the seventh studio album by alternative rock band Dinosaur Jr., released on March 25, 1997, on Reprise Records. It peaked at #188 in the United States. According to a 2007 Magnet interview with band leader J Mascis, Hand It Over is his favorite album from the group's major label period of the 1990s.
"Start Choppin" is a song by Dinosaur Jr. written by J Mascis and taken from their fifth album Where You Been. Created after Mascis came up with the title phrase, the song was accompanied by a music video that aired on alternative rock music programs.
Beyond is the eighth studio album by the alternative rock band Dinosaur Jr. It was their first LP in a decade after 1997's Hand It Over, and the first album by the original lineup since 1988's Bug.
"Feel the Pain" is a single by alternative rock band Dinosaur Jr. from their 1994 album Without a Sound. It was released as the debut single from the album the same year, reaching number four on the Modern Rock charts in the US and number 25 in the UK. A music video for the song was also released, helping boost the song's popularity.
Farm is the ninth studio album by American alternative rock band Dinosaur Jr. It is the band's first release on the record label Jagjaguwar.
Whatever's Cool with Me is an EP by the American band Dinosaur Jr. It was released on Sire Records in 1991. It contains the "Whatever's Cool With Me" single and the European single of "The Wagon". The band supported the EP by touring with My Bloody Valentine. "Quicksand" is a cover of the David Bowie song.
"The Wagon" is a song by alternative rock band Dinosaur Jr., released on their 1991 album Green Mind. Featuring lyrics inspired by the band's use of station wagons for transportation in its early days, the song was written by J Mascis and was one of the three songs on Green Mind to include drummer Murph.
"Freak Scene" is a song by American alternative rock band Dinosaur Jr., the opening track on the group's third studio album Bug (1988). Written and produced by frontman J Mascis, the song was recorded at Fort Apache Studios by engineers Paul Q. Kolderie and Sean Slade. "Freak Scene" was released as a single on SST Records in the United States and was also Dinosaur Jr.'s first release on Blast First in the United Kingdom. The band also made a music video to promote the single.
Fossils is a compilation album by indie rock band Dinosaur Jr., released in August 1991 on SST Records. It contains three 7" singles the band had previously released on SST, including a version of the song 'Keep The Glove' which is different from the version on the reissue of Bug, as well as three covers. A deluxe 5"x7" edition, along with an accompanying book box set, was released on Record Store Day 2014.
"Out There" is a song by Dinosaur Jr. written by J Mascis and taken from their 1993 album Where You Been. Notable for its guitar solo and use of chimes, "Out There" was a moderate alternative radio success in the US. Released as a single in Europe, "Out There" charted at number 44 in the UK. The song has since been praised by critics as a highlight of Where You Been.