Clemens Wenzeslaus Brentano was a German poet and novelist, and a major figure of German Romanticism. He was the uncle, via his brother Christian, of Franz and Lujo Brentano.
Des Knaben Wunderhorn: Alte deutsche Lieder is a collection of German folk poems and songs edited by Achim von Arnim and Clemens Brentano. The book was published in three volumes, the first in 1806, followed by two more in 1808.
Lieder eines fahrenden Gesellen is a song cycle by Gustav Mahler on his own texts. The cycle of four lieder for medium voice was written around 1884–85 in the wake of Mahler's unhappy love for soprano Johanna Richter, whom he met as the conductor of the opera house in Kassel, Germany, and orchestrated and revised in the 1890s.
Carl Joachim Friedrich Ludwig von Arnim, better known as Achim von Arnim, was a German poet, novelist, and together with Clemens Brentano and Joseph von Eichendorff, a leading figure of German Romanticism.
"Die Gedanken sind frei" is a German song about freedom of thought. The original lyricist and the composer are unknown, though the most popular version was rendered by Hoffmann von Fallersleben in 1842.
Des Knaben Wunderhorn is a series of songs with music by Gustav Mahler, set either for voice and piano, or for voice and orchestra, based on texts of German folk poems chosen from a collection of the same name assembled by Achim von Arnim and Clemens Brentano and published by them, in heavily redacted form, between 1805 and 1808.
"The Faithful Hussar" is a German song based on a folk song known in various versions since the 19th century. In its current standard form, it is a song from the Cologne Carnival since the 1920s.
Mahler Songs is a 40-minute studio album on which Gustav Mahler's Lieder eines fahrenden Gesellen, his Rückert-Lieder and two of the songs from his Lieder aus "Des Knaben Wunderhorn" are performed by Frederica von Stade and the London Philharmonic Orchestra under the direction of Andrew Davis. It was released in 1979.
Volkslied is a genre of popular songs in German which are traditionally sung. While many of them were first passed orally, several collections were published from the late 18th century. Later, some popular songs were also included in this classification.
"Schlafe, mein Prinzchen, schlaf ein" is a German lullaby dating from the 18th century.
The Jüngeres Hildebrandslied or Das Lied von dem alten Hildebrand is an anonymous Early New High German heroic ballad, first attested in the fifteenth century. A late attestation of Germanic heroic legend, the ballad features the same basic story as the much older Hildebrandslied, but was composed without knowledge of that text. Rather, it reworks the oral legend of the warrior Hildebrand and his fight against his son in accordance with late medieval and early modern taste. It is highly sentimentalized and focuses on Hildebrand's return home rather than the tragic conflict of the older tradition.
"Der Ritter und die Magd" is a traditional German folk song. It was included by Clemens Brentano and Achim von Arnim in their 1806 collection of German folk songs and poems, Des Knaben Wunderhorn. As its possible source, both editors used a German broadside printed before 1790. Another version of the song, published in Die deutschen Volkslieder mit ihren Singweisen (1843) was recorded from an oral source near Cottbus.
"Schlaf, Kindlein, schlaf" is a German lullaby.
"Wiegenlied", Op. 49, No. 4, is a lied for voice and piano by Johannes Brahms which was first published in 1868. It is one of the composer's most famous pieces.
Casimir von Pászthory was an Austrian composer. His music, which is stylistically rooted in the Wagner-Strauss tradition, without renouncing elements of his own style, has largely fallen into oblivion today. It experienced at least a partial renaissance in 2004 with a revival of the opera Tilman Riemenschneider on the occasion of the 1300th anniversary of the city of Würzburg.
"An einen Boten" is a short German folk song.
"Wenn ich ein Vöglein wär" is a German and Swiss folk song from the song book Des Knaben Wunderhorn.
"Es kam ein Herr zum Schlößi" is a cradle song from German and Swiss folklore.
"Das Todaustreiben" or "Das Winteraustreiben" is an old German song associated with the folk custom of Todaustragen, which celebrated the death of winter and the rebirth of spring. In the 16th century a version of the song was rewritten as a Protestant attack on the Pope.
"Liebesprobe" is an old German folk song. Already before the 17th century the song appeared in some records in the form of a distich. A number of its versions are found in many later folklore collections, such as Des Knaben Wunderhorn (1806), Deutscher Liederhort (1893).
