Małgorzata Szczerbowska
{{Interlanguage link|Anna Zubrzycka|lt=|pl|Anna Zubrzycka}}
{{Interlanguage link|Dorota Łukasiewicz-Kwietniewska|lt=|pl|Dorota Łukasiewicz-Kwietniewska}}
{{Interlanguage link|RafałKwietniewski|lt=|pl|RafałKwietniewski}}"},"cinematography":{"wt":"Przemysław Brynkiewicz"},"editing":{"wt":"Anna Garncarczyk"},"music":{"wt":"{{Interlanguage link|Teoniki Rożynek|lt=|pl|Teoniki Rożynek}}"},"studio":{"wt":"''Indeks'' Studio"},"distributor":{"wt":"{{Interlanguage link|Against Gravity|lt=|pl|Against Gravity}}"},"released":{"wt":"{{Film date|2018|03|23|Poland}}"},"runtime":{"wt":"106 minutes"},"country":{"wt":"[[Poland]]"},"language":{"wt":"[[Polish language|Polish]]"},"budget":{"wt":"2.3 million PLN"}},"i":0}}]}" id="mwBA">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}.mw-parser-output .infobox .navbar{font-size:100%}body.skin-minerva .mw-parser-output .infobox-header,body.skin-minerva .mw-parser-output .infobox-subheader,body.skin-minerva .mw-parser-output .infobox-above,body.skin-minerva .mw-parser-output .infobox-title,body.skin-minerva .mw-parser-output .infobox-image,body.skin-minerva .mw-parser-output .infobox-full-data,body.skin-minerva .mw-parser-output .infobox-below{text-align:center}html.skin-theme-clientpref-night .mw-parser-output .infobox-full-data:not(.notheme)>div:not(.notheme)[style]{background:#1f1f23!important;color:#f8f9fa}@media(prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .infobox-full-data:not(.notheme) div:not(.notheme){background:#1f1f23!important;color:#f8f9fa}}@media(min-width:640px){body.skin--responsive .mw-parser-output .infobox-table{display:table!important}body.skin--responsive .mw-parser-output .infobox-table>caption{display:table-caption!important}body.skin--responsive .mw-parser-output .infobox-table>tbody{display:table-row-group}body.skin--responsive .mw-parser-output .infobox-table tr{display:table-row!important}body.skin--responsive .mw-parser-output .infobox-table th,body.skin--responsive .mw-parser-output .infobox-table td{padding-left:inherit;padding-right:inherit}}
Wieża. Jasny dzień | |
---|---|
Directed by | Jagoda Szelc |
Written by | Jagoda Szelc |
Produced by | Marcin Malatyński |
Starring | Anna Krotoska Małgorzata Szczerbowska Anna Zubrzycka Dorota Łukasiewicz-Kwietniewska Rafał Kwietniewski |
Cinematography | Przemysław Brynkiewicz |
Edited by | Anna Garncarczyk |
Music by | Teoniki Rożynek |
Production company | Indeks Studio |
Distributed by | Against Gravity |
Release date |
|
Running time | 106 minutes |
Country | Poland |
Language | Polish |
Budget | 2.3 million PLN |
Wieża. Jasny dzień (English: Tower. A Bright Day) is a Polish drama film from 2017, directed by Jagoda Szelc , based on her original screenplay.
The film revolves around the clash between the traditionalist Mula and her sister Kaja, who compete for the right to raise Nina, Kaja's biological daughter. Szelc received awards for her directorial debut and screenplay at the Gdynia Film Festival and was honored with the Polityka Passport. Reviewers of the film repeatedly emphasized its references to the tradition of Polish Romanticism and the work of European filmmakers such as Lars von Trier and Yorgos Lanthimos.
On the occasion of Nina's First Communion, her parents, Mula and Michał, invite their family to their home in the Kłodzko Valley. Soon, Mula's siblings join them – her sister Kaja and brother Andrzej with his wife Anna and children. It turns out that Kaja is Nina's biological mother, who disappeared for several years after giving birth to the child, and Nina was raised by Mula, who also takes care of their sick mother. Mula, who is busy with various responsibilities, harbors resentment towards her sister and fears that her presence might disrupt her relationship with Nina. Upon the arrival of the guests, a series of irrational events unfolds – the sisters' mother regains her health, and Nina refuses to participate in her communion. [1]
The production of the film was managed by the Indeks Studio, established by the then rector of the Łódź Film School, Mariusz Grzegorzek . The creation of the studio aimed to assist future graduates of the school in making non-commercial, original debuts. One of the students of the Łódź Film School who benefited from this initiative was Jagoda Szelc . [3] When creating her feature debut, Szelc intended Wieża. Jasny dzień to be a protest song against the destructive ambitions of humanity:
On a micro scale, it tells the story of a family crisis, but on a macro scale, it's a story about the obsession with control: the daily pursuit, perceiving ambition as a positive value, and the belief that love can be owned. This set of features is something that stands in direct opposition to our nature; it's like a denial of the primal attitude of 'let it go'. [3]
For the film, Szelc planned to adopt a naturalistic style, so she decided to forgo professional actors: I wanted them to be people who were somewhat unknown but very credible. [4] Therefore, in the lead roles, non-professional actors Anna Krotoska and Małgorzata Szczerbowska were cast, attracted by Szelc's working method. Krotoska described her participation in the film as the most beautiful work I've done so far. [5]
The cinematography for Wieża. Jasny dzień was handled by Przemysław Brynkiewicz. The shooting period began on 23 May 2016, in the Kłodzko Valley. [2] The total budget of the film was around 2.3 million PLN, with almost 1.5 million PLN covered by the Polish Film Institute. [6] The film was completed in 2017 after editing by Anna Garncarczyk [2] and was then entered into festival circulation. It was first presented at the Gdynia Film Festival on 19 September 2017. [7] The theatrical premiere of Wieża. Jasny dzień took place on 23 March 2018. [2]
Domestic cinemas reported low audience attendance at screenings of the film. According to estimates by the Polish Film Institute, it was seen by just over 23,000 viewers. [8]
The film was generally well received by critics. Jakub Popielecki from the Filmweb portal argued that Szelc embarks on a tale about the human condition. The horror here is primarily the horror of existence, the tragedy of an uncomfortable sprawl in which humanity finds itself. [9] Popielecki drew comparisons between Wieża. Jasny dzień and Lars von Trier's Antichrist as well as the cinema of Mariusz Grzegorzek . [9] Łukasz Maciejewski claimed that Szelc's film would appeal to Maria Janion thanks to its constant references to Polish Romanticism, [10] although he also noticed allusions to films by Yorgos Lanthimos and the ancient Greek myth of Medea. [10] Grzegorz Fortuna Jr. in Kino magazine elaborated on a romantic interpretation, stating that Jagoda Szelc reaches into the vast closet of Slavic folklore and brings back the forgotten figure of the 'szeptucha', who is not a negative and hostile character, but an ambivalent and fleeting one. [11] Fortuna also argued that in Wieża. Jasny dzień the apocalypse is not associated [...] with a revolt of machines, nuclear explosions, and ubiquitous radioactive dust, but with a return to shamanism; to something primitive, mysterious, pushed out of collective consciousness. [11]
Piotr Mirski in his review for Dwutygodnik considered Jagoda Szelc's film to be the antithesis of Krzysztof Skonieczny's Hardkor Disko : While 'Hardkor Disko' is merely a collage of bombastic slogans, clichés, and flashy gimmicks, 'Wieża. Jasny dzień' can serve as a model of young, radical artistic cinema. [12] Jarosław Kowal from the Film.org.pl portal appreciated the maturity of Szelc's debut and argued that Wieża. Jasny dzień is a film on the border of many genres: Szelc transcends genres, on the border between the real world and metaphysics, but instead of fueling conflict, she simply observes their existence, and certainly does not anoint one as better than the other. [13]
Łukasz Adamski from wPolityce.pl pointed out the problematic message of Wieża. Jasny dzień: Not only stylistically is this cinema intended for a narrow audience, but its message is also very disturbing. [14] In his opinion, the film suggests that contemporary, secularized Poles, faced with the absence of God, are left with dense forests and paying homage to another deity. [14] According to Adrian Luzar from the Interia portal, Jagoda Szelc's film is characterized by a disordered, somewhat crippled style, colliding overly zealous, documentary realism with scenes reminiscent of Xavier Dolan's films. [15]
Wieża. Jasny dzień also caught the attention of foreign critics. Sarah Ward from the British magazine Screen selected Jagoda Szelc's film as one of the ten female-directed works to watch in 2018. [16] However, Neil Young from Hollywood Reporter gave a negative assessment of Wieża. Jasny dzień, stating that although there are glimmers of talent on various fronts in the film, ultimately it is a hollow rehash of well-worn stylistic tropes. [17] Ben Sachs from Chicago Reader compared Szelc's debut to other female-directed works such as Lucrecia Martel's La Ciénaga (2001) and Alice Rohrwacher's The Wonders (2014), but noted that with Jagoda Szelc, there is a lack of humor and compassion that characterizes other films. Szelc's perspective is so pessimistic and dark that one often feels like it's a horror film, and the overwhelmingly eerie music and sound effects reinforce this association. [18]
Year | Festival/organizer | Award | Recipient | Result |
---|---|---|---|---|
2017 | Gdynia Film Festival | Award for directorial debut or second film | Jagoda Szelc | Winner [19] |
Screenplay award | Jagoda Szelc | Winner [19] | ||
Onet's "Discovery of the Festival" award | Jagoda Szelc | Winner [19] | ||
Tadeusz Szymków Film Acting Festival | Golden Puppy for supporting female actor | Małgorzata Szczerbowska | Winner [20] | |
2018 | Polityka magazine | Polityka's Passport | Jagoda Szelc | Winner [21] |
International Festival of Independent Cinema Off Camera | Kraków Film Award in the Main Competition "Making Way" | Winner [22] | ||
Polish Film Festival FilmPoland in Berlin | Jury Award | Winner [23] | ||
Koszalin Film Debut Festival The Young and Film | Screenplay award | Jagoda Szelc | Winner [2] | |
Mammoth Lakes Film Festival | Main Award | Winner [2] | ||
Festival KinoPolska in Paris | Special Mention | Winner [2] | ||
2019 | Polish Film Academy | Eagle for discovery of the year | Jagoda Szelc | Nomination [2] |
Łódź Film School | Andrzej Munk Award | Jagoda Szelc | Winner [2] |
Małgorzata Braunek was a Polish film and stage actress.
Start International Polska is a Polish dubbing and voice-over translation studio based in Warsaw.
39 and a Half is a Polish-language comedy-drama television series aired on TVN from 4 March 2008 to 1 December 2009. It was directed by Mitja Okorn, Łukasz Palkowski, and Łukasz Jaworski, written by Doman Nowakowski, Dorota Mierzejewska, and Tomasz Cichoń, and produced by Justyna Pawlak. It has 3 seasons, with 39 episodes in total, each with a running time of 45 minutes.
Letters to Santa, alternatively known as Letters to St. Nicholas, is a 2011 Polish-language romantic comedy film, directed by Mitja Okorn. The action takes place during one single Christmas Eve, when a few adults find the loves of their lives. The film's plot refers to the 2003 romantic comedy Love Actually, though events of the movie differ from the ones in the 2003 film. It was shot in Warsaw, Poland from 27 January to March 2011. The movie has 4 sequels, Letters to Santa 2 released in 2015, Letters to Santa 3 in 2017, Letters to Santa 4 in 2021, and Letters to Santa 5 in 2022.
Jewish Motifs International Film Festival is a major Jewish-themed film festival held annually in Warsaw, Poland. The festival has been held every year since 2004.
The Polish Film Academy is a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures.
Chain Reaction is a 2017 Polish Drama film directed by Jakub Pączek. The release date is September 20, 2017. The film is dedicated to deceased film director Krzysztof Szot. The movie was shot in Warsaw, Poland.
Wild Roses is a 2017 Polish drama and thriller film directed by Anna Jadowska. The film is set in Oleśnica, Poland.
Anna Danuta Wendzikowska is a Polish actress, journalist and television presenter. She was a correspondent of Dzień Dobry TVN from 2007–2022.
High School is a Polish para-documentary television series first shown on TVN from 1 September 2014.
Weekend is a 2010 Polish crime comedy film directed by Cezary Pazura, his directorial debut.
Papusza is 2013 Polish feature film directed by Joanna Kos-Krauze and Krzysztof Krauze, starring Jowita Budnik as lead actress.
Łukasz Jan Szumowski is a Polish cardiologist who served as Minister of Health from 2018 to 2020. He is also a member of the IX Sejm, representing the Płock constituency, elected from the lists of Law and Justice.
Letters to Santa 3 is a 2017 Polish-language romantic comedy film, directed by Tomasz Konecki, and written by Marcin Baczyński and Mariusz Kuczewski. It premiered on 10 November 2017.
Kowalscy kontra Kowalscy is a Polish-language comedy drama television series written and directed by Okil Khamidov, and produced by Khamidov, Krzysztof Hansz, and Tamara Aagten-Margol. The series was produced in Poland by Tako Media Polska for Polsat. It has 2 seasons, consisting of a total of 44 episodes, each lasting 22 minutes. The first episode aired on 6 March 2021, and the final episode, on 28 May 2022. It was based on a 2017 Russian-language television series titled The Ivanovs vs. The Ivanovs.
I pół is a 2009 Polish-language comedy-drama television film directed by Maciej Szwabe, written by Doman Nowakowski, and produced by Justyna Pawlak. It was the continuation of the television series 39 and a Half, aired from 2008 to 2009. The film was aired on 1 December 2009, on the TVN television channel, on the same day as the last episode of the series.
Absolute Beginners is a Polish teen drama television series. It was released on Netflix on 25 October 2023.
1670 is a Polish mockumentary satirical comedy television series. The first season was released on Netflix on 13 December 2023. The series has been renewed for a second season set to premiere in 2025.
The In-Laws is a 2021 Polish comedy film directed by Jakub Michalczuk in his feature film directorial debut. In 2023, it was followed by a sequel, The In-Laws 2.
The In-Laws 2 is a 2023 Polish comedy film directed by Kalina Alabrudzińska. It is a sequel to the 2021 film The In-Laws.