Wildlight was an Australian photo agency operating from the 1980s and specialising in imagery of that country.
The founders were partners Christina De Water [1] [2] and Phil Quirk, with Carolyn Johns [3] who met Quirk as they photographed for Rick Smolan's A Day in the Life of Australia project during 1981–2. [4] [5] De Water, Johns and Quirk, had discussions with these international photographers, many of whom were attached to photo agencies, as they passed through Sydney on their way to assignments, and realised an Australian agency could offer similar and better services to international magazines and publishers. In 1984 they met with Oliver Strewe [6] about forming such a cooperative, and in 1985 Wildlight Photo Agency opened at 165 Hastings Parade Bondi Beach, which was owned by George Carpenter a retired Sydney barrow man, where they stayed for 10 years. Subsequent offices were at 87 Gloucester Street, The Rocks, then finally Suite 14, 16 Charles St., Redfern. [7]
The Wildlight team comprised Christina De Water, Manager; Photo Editors Rachael Knefper, joined in 1986 by Annette Cruger; while photographers were Carolyn Johns, Oliver Strewe and Philip Quirk, [8] joined later in 1985 by photographer Grenville Turner. [9] Other photographers connected as its reputation spread, among them Mark Lang, [10] Jason Busch, [11] Peter Solness, [12] Lorrie Graham, [13] Milton Wordley, and Ben Bohane, [14] while David Moore's [15] and Rennie Ellis’ [16] colour archives were represented by Wildlight. Its offices welcomed visits from US photographers Gregory Heisler, Arnold Newman, Jay Maisel and UK magazine designer & art director, John Tennant.
An early promotional campaign pitched the agency as "the place for Real Australia in Pictures” and its business focused on promoting the character of the country. Over 1986/7 when global attention was being focused on Australia for its 1988 Bicentenary, Christina De Water traveled to show the photographers' portfolios to magazine editors in the UK, Germany, France, then the US, with an immediate response which boosted assignments for the agency's photographers. IBM commissioned a book [17] illustrated by the four original members and in conjunction with a film of the same name directed by Brian Morris. [9]
From 1990–2003 Quirk was Wildlight's managing director. As part of the agency's activities between 1997 - 2001 he managed and published Australian Faces & Places Diary, a showcase of Australian reportage & documentary photography of exclusively black-and-white imagery printed in warm duo-tone. [18]
The Agency's photographs were published in numerous books, newspapers [19] and magazines [9] including The Sunday Times Magazine , The Observer Magazine (UK), Stern , Der Spiegel , GEO , Time , Newsweek and National Geographic , and also appeared in Australian publications and on Australian postage stamps [20] [21] and first-day issues. [22] The Australian Tourist Commission used their imagery, [23] and in the mid-80s they provided the first photographic station identification imagery for the Australian Broadcasting Commission comprising 11 for each state & territory. Wildlight became an associate agency of Australian Associated Press (AAP), [24] [25] contributing to its extensive stock photography library. [26]
The agency, as a photographers' cooperative, was wound up on 13 December 2013, but the image collection is maintained by Andrew Stephenson. [27] [25] From 2000 when the digital age took hold, he had been picture editor and photographers' agent at Wildlight and responsible for managing the analogue collection and its amalgamation with a growing digital image library, selection for clients, electronic dispatch, and for shifting the business online. As manager of Exikon Pty. Ltd. in Redfern, in 2003 he took over the picture library from Wildlight, [28] which he now operates with Ikosol, a specialist firm in digital asset management. As of 2020, former Wildlight manager Phil Quirk is archiving its assets.[ citation needed ]
Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
Stock photography is the supply of photographs that are often licensed for specific uses. The stock photo industry, which began to gain hold in the 1920s, has established models including traditional macrostock photography, midstock photography, and microstock photography. Conventional stock agencies charge from several hundred to several thousand US dollars per image, while microstock photography may sell for around US$0.25 cents. Professional stock photographers traditionally place their images with one or more stock agencies on a contractual basis, while stock agencies may accept the high-quality photos of amateur photographers through online submission.
Rick Smolan is a former Time, Life, and National Geographic photographer best known as the co-creator of the Day in the Life book series. He is currently CEO of Against All Odds Productions, a cross-media organization.
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Photography Studies College, commonly abbreviated to PSC, is a privately owned independent tertiary photography college established in 1973, located in Melbourne, Victoria, Australia.
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Beth S. Green is an American photographer based in New York, NY. She is the owner of Beth Green Studios, Inc. After many years of experience in photojournalism, Green currently works as an instructor for the New York Institute of Photography, where she teaches and reviews the works of students. She is a licensed teacher with the NYIP. She was a photo editor for Newsweek prior to the establishment of her independent studio.
Reynolds Mark Ellis was an Australian social and social documentary photographer. He also worked, at various stages of his life, as an advertising copywriter, seaman, lecturer, television presenter and founder of Brummels Gallery of Photography, Australia's first dedicated photography gallery, where he established both a photographic studio and an agency dedicated to his work, published 17 photographic books, and held numerous exhibitions in Australia and overseas.
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Lawrence Fried was an American photo-journalist. He was born to first-generation Jewish Hungarian and Russian parents in New York, N. Y. Fried's work appeared in Newsweek, The Saturday Evening Post, The New York Times, Vogue, Collier's, and Parade Magazine.[1] with over 70 covers for Newsweek [2]. He was the recipient of the Photographer of the Year award by the Overseas Press Club, the Outstanding Service to ASMP award and the Benjamin Franklin Award [3].
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Arthur Lavine was an American mid-century photojournalist and magazine photographer who, among other achievements, produced significant documentation of New Caledonia during World War 2.
Robert Ashton (1950) is an Australian photographer and photojournalist.
Philip Quirk is an Australian photographer, photojournalist and educationist, known for his specialist imagery of landscape, geographic and documentary photography, and as a founding member of the Wildlight agency.
David Beal is a British-born Australian photojournalist and multimedia producer, active from 1956–1990s.
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