Willi Gundlach

Last updated
Willi Gundlach
Born (1929-05-15) 15 May 1929 (age 91)
Education
Occupation
  • Choral conductor
  • Music editor
  • Academic
Organization

Willi Gundlach (born 15 May 1929) is a German choral conductor and academic. He taught at the music department of the Technical University of Dortmund. He researched and edited works by Fanny Hensel-Mendelssohn. He founded and conducted a chamber choir at the university and recorded with them, including operas for the Kurt Weill Foundation. After his retirement from teaching, he cofounded and organised a concert series at St. Peter, Syburg, including organ concerts and vocal concerts with notable performers.

Contents

Career

Born in Oberhausen, Gundlach studied first to be an elementary teacher at the Pädagogische Hochschule (PH, School of education) in Braunschweig. He studied to be a teacher of higher education in Hanover, at both the Musikhochschule and the Technical University. He studied musicology in Kiel and at the Cologne University, promoted to Ph.D. in 1969. [1]

Gundlach first taught at the PH Flensburg, then from 1963 at the PH Dortmund. In 1980, he was appointed professor of music and its pedagogy ("Musik und ihre Didaktik") at the Technical University of Dortmund. [1] He published several books on his topics, including studies of Fanny Hensel-Mendelssohn. In 1977, he founded the chamber choir of the university (Kammerchor der Universität Dortmund) and conducted it until 2005, although he retired from teaching in 1994. He conducted the choir of the university from 1976 to 1995. In 1985, he founded an international week of music, Campus cantat (The campus sings), which he directed to 2001. [1]

Gundlach recorded choral music with the Kammerchor, including works by Hugo Distler und Fanny Hensel-Mendelssohn. [1] [2] He conducted a recording of Distler's Choralpassion, Op. 7, for soloists and five-part choir a cappella, with Peter Kooy as vox Christi, Wilfried Jochens as the Evangelist, and Gerrit Miehlke as Pilate. [3] He recorded in 1990 two operas by Kurt Weill for the Kurt Weill Foundation, [4] with soloists, the Kammerchor and orchestra, Der Jasager , written in 1930, [5] [6] and Down in the Valley , written in 1948. [7]

He initiated and cofounded a concert series of bimonthly concerts at the Romanesque church St. Peter in Syburg  [ de ], the Syburger Sonntagsmusiken. [8] [9] [10] The series began in 1998 with the inauguration of a new organ. Performers have included Heinz Wunderlich, a pupil of Karl Straube and a professor in Hamburg, the composer and organist Wolfgang Stockmeier, professor of organ and improvisation at the Musikhochschule Köln, and Hatto Ständer who taught organ at the Dortmund University. Among the vocal groups were, besides the Kammerchor, the Alsfelder Vokalensemble, conducted by Wolfgang Helbich, and the Kettwiger Bach-Ensemble, conducted by Wolfgang Kläsener. [8] The 100th concert was given in 2012. [11]

Gundlach organised an Offenes Kantatensingen (Open cantata singing) as part of the concert series, regularly on the Second Sunday in Advent, calling volunteer singers to an all-day rehearsal the day before, [9] [12] and a rehearsal with soloists and orchestra, mostly students of the university. He moderated the event in the candle-lit church, conducting all who gathered in singing Advent songs and rounds, and conducting the cantata with the prepared project group. [12] [13] After a start in 1998 with varied choral music for Christmas, the programming was more and more ambitious. In 1999, Dieterich Buxtehude's Magnificat was performed, among others. [12] In 2000 the first Bach cantata was tried, Nun komm, der Heiden Heiland, BWV 61, followed in 2001 by Herz und Mund und Tat und Leben, BWV 147, and in 2002 by Wachet auf, ruft uns die Stimme, BWV 140. [12] In 2003, the ensemble performed a Magnificat in G major by Georg Philipp Telemann, while in 2004, the prepared cantata was Part VI from Bach's Christmas Oratorio , Fallt mit Danken . [14] In 2005, Gundlach conducted the Oratorio de Noël by Camille Saint-Saëns. [14] The choice of 2006 was Part I from Handel's Messiah, covering Advent and Christmas. [14] In 2007 Gundlach selected Part III from the Christmas Oratorio, beginning "Herrscher des Himmels, erhöre das Lallen", in 2008 when the series celebrated its 10th anniversary, Part I, beginning "Jauchzet, frohlocket!". [12] Gundlach then passed the cantata series to younger musicians, but conducted one more Bach cantata in the 100th concert on 6 May 2012, the congratulatory cantata BWV 207, however with a new text written for the occasion by Martin Geck. [12]

Related Research Articles

Peter Schreier German tenor and conductor

Peter Schreier was a German tenor in opera, concert and lied, and a conductor. He was regarded as one of the leading lyric tenors of the 20th century.

Hugo Distler German organist, choral conductor, teacher and composer

Hugo Distler was a German organist, choral conductor, teacher and composer.

Kurt Thomas (composer) German composer

Kurt Georg Hugo Thomas was a German composer, conductor and music educator.

Wie schön leuchtet der Morgenstern chorale by Philipp Nicolai

"Wie schön leuchtet der Morgenstern" is a hymn by Philipp Nicolai written in 1597 and first published in 1599.

Hans-Joachim Rotzsch was a German choral conductor, conducting the Thomanerchor from 1972 until 1991 as the fifteenth Thomaskantor since Johann Sebastian Bach. He was also a tenor and an academic teacher.

Werner Güra is a German classical tenor in opera, concert and Lied, also an academic teacher in Zurich.

Wolfgang Schäfer is a German choral conductor and academic. He founded the Freiburger Vokalensemble, the BosArt Trio, and the Frankfurter Kammerchor.

Diethard Hellmann German cantor, concert organist and academic

Diethard Hellmann was a German Kantor and an academic in Leipzig, Mainz and Munich.

<i>Christen, ätzet diesen Tag</i>, BWV 63 church cantata by Johann Sebastian Bach composed for the first day of Christmas

Christen, ätzet diesen Tag, BWV 63, is a church cantata by Johann Sebastian Bach. He composed the Christmas cantata for the First Day of Christmas, possibly in 1713 for the Liebfrauenkirche in Halle. He performed it again for his first Christmas as Thomaskantor in Leipzig, on 25 December 1723.

Markus Flaig is a German bass-baritone.

A Christmas cantata or Nativity cantata is a cantata, music for voice or voices in several movements, for Christmas. The importance of the feast inspired many composers to write cantatas for the occasion, some designed to be performed in church services, others for concert or secular celebration. The Christmas story, telling of music of the angels and suggesting music of the shepherds and cradle song, invited musical treatment. The term is called Weihnachtskantate in German, Cantate de Noël in French. Christmas cantatas have been written on texts in several other languages, such as Czech, Italian, Romanian, and Spanish.

The Dresdner Kammerchor is a mixed chamber choir which was founded in 1985 by Hans-Christoph Rademann in Dresden and is still conducted by him. The semiprofessional ensemble of about 40 singers has appeared internationally.

Frieder Bernius Music conductor

Frieder Bernius is a German conductor, the founder and director of the chamber choir Kammerchor Stuttgart, founded in 1968. They became leaders for historically informed performances. He founded the Stuttgart festival of Baroque music, "Internationale Festtage Alter Musik", in 1987, and is a recipient of the Edison Award (1990), Diapason d'Or (1990) and the Order of Merit of the Federal Republic of Germany (1993).

Carolyn Sampson is an English soprano in opera and concert. Specialising in historically informed performance, she has sung in Masaaki Suzuki's recording project of Bach cantatas and has appeared at the English National Opera.

St. Peter, Syburg Church in Northrhine-Westphalia, Germany

St. Peter is a Romanesque church in Syburg, now a suburb of Dortmund, Germany. It is the active Protestant parish church of Syburg, officially named "Ev. Kirche St. Peter zu Dortmund-Syburg". It serves as a concert venue for the bimonthly Syburger Sonntagsmusiken.

Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz.

Johannes Hill Singer

Johannes Hill is a German baritone in concert and in oratorios, who has performed internationally. Singing in choirs from age 10, he has performed major roles in oratorios, such as both Jesus and Pilate in Bach's Passions, and Pope Francis in the premiere of Laudato si'. He has also performed in vocal ensembles such as Kammerchor Stuttgart and Collegium Vocale Gent.

Wolfgang Unger was a German conductor, especially a choral conductor, and an academic in Halle and Leipzig. He founded several choirs and focused on the music of Johann Sebastian Bach and his contemporaries. Like Bach, he directed the music at the University of Leipzig, called Leipziger Universitätsmusik.

Ernst Gerold Schramm was a German baritone in opera and concert, and an academic voice teacher. He was a member of the Staatstheater Hannover and Oper Frankfurt ensembles and performed internationally. He taught at the Musikhochschule Frankfurt and the Universität der Künste Berlin.

Ulrike Sonntag is a German operatic soprano and academic voice teacher at the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart. She was previously a member of the Staatstheater Stuttgart, Vienna State Opera, and other ensembles, and has performed in operas and concerts, and taught masterclasses, in several countries. Among her recordings are rarely performed oratorios by Fanny Hensel and Paul Hindemith.

References

  1. 1 2 3 4 "Univ.-Prof. (em.) Dr. phil. Willi Gundlach" (in German). Technical University of Dortmund . Retrieved 22 November 2017.
  2. "Willi Gundlach". AllMusic . Retrieved 22 November 2017.
  3. "Hugo Distler: Choralpassion op.7". Funkkolleg Golgotha (in German). ORF. 2014. Retrieved 7 December 2017.
  4. "Kammerchor der Universität Dortmund: Ensemble hat seit 20 Jahren einen guten Klang". Informationsdienst Wissenschaft (in German). 10 November 1998. Retrieved 7 December 2017.
  5. Godfrey, Paul Corfield (2015). "Kurt Weill (1900–1950) / Weill Edition". musicweb-international.com. Retrieved 7 December 2017.
  6. "Der Jasager (1930)". Kurt Weill Foundation. Retrieved 7 December 2017.
  7. "Down in the Valley (1948)". Kurt Weill Foundation. Retrieved 7 December 2017.
  8. 1 2 "Orgel der Ev. Kirche St.Peter, Syburg". orgelbau-sebastian.de (in German). Retrieved 29 November 2017.
  9. 1 2 "Sonntagsmusiken leben von der Begeisterung". WZ (in German). 18 April 2008. Retrieved 10 December 2017.
  10. "Syburger Sonntagsmusiken / ... eine Konzertreihe in der Ev. Kirche St. Peter zu Dortmund-Syburg / Archiv" (in German). syburger-sonntagsmusiken.de. 2013. Archived from the original on 17 February 2013. Retrieved 19 January 2013.
  11. Meier, Susanne (5 March 2012). "Sieben Leben für die Musik". derwesten.de (in German). Retrieved 29 November 2017.
  12. 1 2 3 4 5 6 100. Syburger Sonntagsmusik (in German). St. Peter, Syburg. 6 May 2012.
  13. Kortmann, Thilo (4 January 2011). "Musikalische Juwelen in St. Peter". derwesten.de (in German). Retrieved 10 December 2017.
  14. 1 2 3 10 Jahre Syburger Sonntagskonzerte / Jubiläumskonzert / Sonntag Kantate 2008 (in German). St. Peter, Syburg. 2008.