Blixa Bargeld is a German musician who has been the lead singer of the band Einstürzende Neubauten since its formation in 1980. Bargeld was also a founding member of the Australian rock band Nick Cave and the Bad Seeds, serving as a member from 1983 until his departure in 2003.
David Tibet is an English poet, artist and musician. He is best known for the musical group Current 93, which he founded and is the only consistent member of, along with his contributions to the band Death in June.
Ryoji Ikeda is a Japanese visual and sound artist who currently lives and works in Paris, France. Ikeda's music is concerned primarily with sound in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of the range of human hearing. Rhythmically, Ikeda's music is highly imaginative, exploiting beat patterns and, at times, using a variety of discrete tones and noise to create the semblance of a drum machine. His work also encroaches on the world of ambient music and lowercase; many tracks on his albums are concerned with slowly evolving soundscapes, with little or no sense of pulse.
Carsten Nicolai is a German artist, musician and label owner. As a musician he is known under the pseudonym Alva Noto.
The Caretaker was a long-running project by English ambient musician, James Leyland Kirby. His work as the Caretaker is characterized as exploring memory and its gradual deterioration, nostalgia, and melancholia. The project was initially inspired by the haunted ballroom scene in the 1980 film The Shining, the 1978 TV show Pennies from Heaven, and the 1962 film Carnival of Souls. His first several releases comprised treated and manipulated samples of 1930s ballroom pop recordings. Most of his album covers were painted by one of his friends, Ivan Seal.
Ann Robie Bandes, better known as Little Annie, Annie Anxiety or Annie Anxiety Bandez, is an American singer, painter, poet, writer, performing and recording artist, pastor, and stage actor.
Raster-Noton was a German electronic music record label. It was established in 1999 in Chemnitz, Germany. By the mid 2010s, it had become known as "one of Europe’s most revered and reliable hubs for experimental electronic music, IDM and audio-visual art."
The Disintegration Loops is a series of four albums by the American avant-garde composer William Basinski, released in 2002 and 2003. The albums comprise tape loop recordings played for extended time, with noise and cracks increasing as the tape deteriorated. Basinski discovered the effect while attempting to transfer his earlier recordings to digital format.
Aether is the sixth album by Australian improvised music trio The Necks first released on the Fish of Milk label in 2001 and later on the ReR label internationally. The album features a single hour-long track, titled "Aether", performed by Chris Abrahams, Lloyd Swanton and Tony Buck.
The London Contemporary Orchestra (LCO), founded in 2008 by Hugh Brunt and Robert Ames, is an ensemble of young musicians whose stated aim is "to explore and promote new music to an increasingly wide audience". LCO staged its inaugural season at LSO St. Luke's and has since performed at venues and festivals both in the UK and internationally, including the Roundhouse, Latitude Festival, The Old Vic Tunnels, Snape Maltings, Southbank Centre, Barbican, Spitalfield's Music, Royal Opera House, Yota Space, and Unsound Festival. LCO has since provided its work on films including Theeb, Moonlight, Macbeth, Slow West,The Master, The Two Popes and American Animals.
Chuck Person's Eccojams Vol. 1 is a 2010 album of remixes by American electronic musician Daniel Lopatin under the pseudonym Chuck Person. Its tracks consist of chopped, looped samples of various songs—including popular songs from the 1980s and 1990s—processed with effects such as delay, reverb, and pitch shifting; the results highlight mournful or existential moments from the sources. It was used as an initial template for the vaporwave internet microgenre.
Univrs is the seventh studio album by German electronic artist Alva Noto. It was released on 10 October 2011 via Raster-Noton label.
A Shadow in Time is an album by American avant-garde composer William Basinski. It was released on January 20, 2017, by 2062 Records and Temporary Residence Limited.
Cascade is a studio album by William Basinski. It was released on 2062 Records on April 28, 2015. The release comes with a download code for The Deluge. It peaked at number 4 on Billboard's New Age Albums chart.
On Time Out of Time is a studio album by William Basinski. It was released on Temporary Residence Limited on March 8, 2019. It peaked at number 2 on Billboard's New Age Albums chart.
Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of dementia and others related. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.
We'll All Go Riding on a Rainbow is the third studio album by the Caretaker, an alias of musician Leyland Kirby. Released in 2003, it was the last of Kirby's "haunted ballroom trilogy", which spans his albums influenced by the film The Shining. It features distorted melodies from the 20th century to recreate the ambience of The Shining's ballroom. We'll All Go Riding on a Rainbow was met with positive reception from music critics, who praised its themes of the paranormal. Kirby's next album as the Caretaker, Theoretically Pure Anterograde Amnesia (2005) would abandon the haunted ballroom concept and install themes of memory loss.
Eager to Tear Apart the Stars is the second studio album by English electronic musician Leyland Kirby, released on 3 October 2011. Following his own name debut album Sadly, the Future Is No Longer What It Was, Kirby continued exploring a more personal side of his music, though one that differs from his work as the Caretaker. Kirby produced the songs without using any samples, mostly creating piano tracks from synthesisers. This style of sound drew comparisons to the work of composers Harold Budd and Roedelius, though the record's press release claimed Kirby has his own oeuvre.
Lucrecia Dalt is a Colombian experimental musician who currently resides in Berlin. While her earlier releases were rooted in electronic dance music, her work has evolved over time to become more overtly abstract and experimental.
Sparkle Division is an American electronic music group composed of composers William Basinski, Preston Wendel, and Gary Thomas Wright.
