Ambient music is a genre of music that emphasizes tone and atmosphere over traditional musical structure or rhythm. It may lack net composition, beat, or structured melody. It uses textural layers of sound that can reward both passive and active listening and encourage a sense of calm or contemplation. The genre is said to evoke an "atmospheric", "visual", or "unobtrusive" quality. Nature soundscapes may be included, and the sounds of acoustic instruments such as the piano, strings and flute may be emulated through a synthesizer.
Ambient 1: Music for Airports is the sixth studio album by Brian Eno, released in 1978 by Polydor Records. It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting". While not Eno's earliest entry in the style, it is credited with coining the term.
The Moon & Antarctica is the third studio album by American rock band Modest Mouse, released on June 13, 2000, by Epic Records. The album's title is taken from the opening scene of the 1982 film Blade Runner, where the main character reads a newspaper headlined "Farming the Oceans, the Moon and Antarctica".
Sung Tongs is the fifth studio album by American experimental pop band Animal Collective, released on May 3, 2004 by FatCat Records. The album, newly exploring freak folk, received high critical reception upon its release and was featured in best-of lists at the end of 2004 and the decade of the 2000s. Only two of the band's four members play on the album, Avey Tare and Panda Bear, a first since Spirit They're Gone, Spirit They've Vanished (2000), which was originally credited to the duo and only later retroactively classified as part of the band's discography.
William James Basinski is an American avant-garde composer based in Los Angeles, California. He is also a clarinetist, saxophonist, sound artist, and video artist.
The Caretaker was a long-running project by English ambient musician James Leyland Kirby. His work as the Caretaker is characterized as exploring memory and its gradual deterioration, nostalgia, and melancholia. The project was inspired by the haunted ballroom scene in the 1980 film The Shining. His first several releases comprised treated and manipulated samples of 1930s ballroom pop recordings. Most of his album covers were painted by one of his friends, Ivan Seal.
Pink is the tenth album by Japanese experimental music band Boris. It was originally released in 2005 through Diwphalanx Records in Japan and subsequently reissued in 2006 by American label Southern Lord Records.
Grouper is the solo project of musician, artist and producer Liz Harris. She has released material on her own label and other independent labels since 2005. Grouper released the critically acclaimed Dragging a Dead Deer Up a Hill in 2008, followed by five more records, including a two-part album, A I A, and the piano-led album Ruins. Her twelfth album, Shade, was released in 2021.
An Empty Bliss Beyond This World is the ninth studio album by the Caretaker, an ambient music project of English musician Leyland Kirby, released on 1 June 2011 through History Always Favours the Winners.
A Winged Victory for the Sullen is the eponymous debut studio album by the ambient music duo A Winged Victory for the Sullen. It was released on 8 September 2011 on Erased Tapes Records and Kranky. Recorded over a two-year period at six studios throughout Europe, A Winged Victory for the Sullen features extensive use of natural reverb and combines classical instrumentation with soundscapes and drones. In addition to members Dustin O'Halloran and Adam Wiltzie, the album features several prominent collaborators, including Hildur Guðnadóttir and Nils Frahm.
A Shadow in Time is an album by American avant-garde composer William Basinski. It was released on January 20, 2017, by 2062 Records and Temporary Residence Limited.
&&&&& is the debut mixtape by Venezuelan electronic producer Arca. It was released on 23 July 2013 through Hippos in Tanks on SoundCloud. Even though 14 tracks are listed, the entire mixtape is in sequence as a single track. A vinyl release of the mixtape with an alternative album cover was released in January 2014 and was limited to 500 copies. On 28 July 2020, Arca announced a re-release of &&&&& through PAN, making the mixtape available on mainstream streaming platforms for the first time on 18 September 2020.
Cascade is a studio album by William Basinski. It was released on 2062 Records on April 28, 2015. The release comes with a download code for The Deluge. It peaked at number 4 on Billboard's New Age Albums chart.
Phantom Brickworks is the eighth studio album by English producer Stephen Wilkinson, known by his stage name Bibio. Released on 3 November 2017, it's his sixth album for Warp Records and his first entirely ambient record. The album is a set of improvised compositions consisting of simple piano, synth, and guitar loops surrounded by tape hiss and field recordings. Making the songs based on the concept that "places can be haunted by meaning," Wilkinson mentally went into both real and fantasy places when producing the tracks. The album was well-received by reviewers, who called it Bibio's most accomplished record, and landed at number 11 on Time Out New York's list of the best albums of 2017.
Everywhere at the End of Time is the eleventh recording by the Caretaker, an alias of English electronic musician Leyland Kirby. Released between 2016 and 2019, its six studio albums use degrading loops of sampled ballroom music to portray the progression of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced Everywhere as his final major work under the alias. The albums were produced in Kraków and released over six-month periods to "give a sense of time passing", with abstract album covers by his friend Ivan Seal. The series drew comparisons to the works of composer William Basinski and electronic musician Burial, while the later stages were influenced by avant-gardist composer John Cage.
Sadly, the Future Is No Longer What It Was is the debut studio album by English musician Leyland Kirby, released on 1 September 2009. With his ongoing aliases at the time, Kirby produced a melancholic album that explored thoughts of the future. He produced Sadly at an agitated time, when he would not work but rather drink with various girls. The record was first issued as three full-length CDs and would later be repressed as six vinyls with artwork by Ivan Seal. The release received moderately positive reception from music critics. Some criticized its length, while others praised its emotional sound.
We'll All Go Riding on a Rainbow is the third studio album by the Caretaker, an alias of musician Leyland Kirby. Released in 2003, it was the last of Kirby's "haunted ballroom trilogy", which spans his albums influenced by the film The Shining. It features looped melodies and vinyl crackle to create the ambience of The Shining's ballroom, with its artwork emphasizing this style. We'll All Go Riding on a Rainbow was met with positive reception from music critics, who praised its haunted ballroom ambiance. However, other critics felt that the album's length was an issue. Kirby's next album as the Caretaker, Theoretically Pure Anterograde Amnesia (2005) would abandon the haunted ballroom concept and install themes of memory loss.
Persistent Repetition of Phrases is the seventh studio album by the Caretaker, an alias of musician Leyland Kirby. Released on 1 April 2008, it was his first record to cover themes of Alzheimer's disease. The album was also the first Caretaker release to present looping of short segments within tracks. It marked Kirby's change of record labels from V/Vm Test to History Always Favours the Winners, which he felt might have helped with the record's success.
Going Places is an album by the American experimental music band Yellow Swans, released on March 2, 2010, by Type Records. It is the final album by the band, released after the band's 2008 breakup. Following the decision to disband in late 2007, the duo decided that making the final album was a priority. Yellow Swans spent a total of 18 months working on the album, first recording 80–100 hours of material during the rehearsals for their final shows, and then progressively editing the recordings down to the album's final runtime.
Solar Bridge is a studio album by the American drone trio Emeralds. The album was released through Hanson Records on June 16, 2008. The album was completely improvised, and recorded digitally in July 2007 at a home studio in Westlake, Ohio. Critics have described the album's genres as drone, ambient, and kosmische. The album runs for 26 minutes and is split into two tracks which consist of "meditative" drones made of two synths and a guitar. Solar Bridge was the first Emeralds album to be released on vinyl and CD, and received positive reviews from AllMusic, Pitchfork, and Tiny Mix Tapes.
