Oscar Emmanuel Peterson was a Canadian jazz pianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing".
Earl Rudolph "Bud" Powell was an American jazz pianist and composer. A pioneer in the development of bebop and its associated contributions to jazz theory, Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis, Jr., Toshiko Akiyoshi, and Barry Harris.
Leopold Mordkhelovich Godowsky Sr. was a Lithuanian-born American virtuoso pianist, composer and teacher. He was one of the most highly regarded performers of his time, known for his theories concerning the application of relaxed weight and economy of motion within pianistic technique – principles later propagated by his pupils, such as Heinrich Neuhaus.
Jack DeJohnette is an American jazz drummer, pianist, and composer.
Alfred McCoy Tyner was an American jazz pianist and composer known for his work with the John Coltrane Quartet and his long solo career afterwards. He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential jazz pianists of all time.
Paul Bley, CM was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moog and ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as "deeply original and aesthetically aggressive". Bley's prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.
Janina Fialkowska, is a Canadian classical pianist. A specialist of the Classic and Romantic repertoires, for more than thirty years she has appeared regularly with professional orchestras around the world, often performing the music of Chopin, and also contemporary Polish composers including Lutosławski and Panufnik. In 1990, she gave the world premier performance of the recently discovered Franz Liszt Third Piano Concerto with the Chicago Symphony Orchestra.
Mulgrew Miller was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
Steve Kuhn is an American jazz pianist, composer, arranger, bandleader, and educator.
Bradford Alexander Mehldau is an American jazz pianist, composer, and arranger.
Bradley Joseph is an American composer, arranger, and producer of contemporary instrumental music. His compositions include works for orchestra, quartet and solo piano, while his musical style ranges from "quietly pensive mood music to a rich orchestration of classical depth and breadth".
Craig Marvin Taborn is an American pianist, organist, keyboardist and composer. He works solo and in bands, mostly playing various forms of jazz. He started playing piano and Moog synthesizer as an adolescent and was influenced at an early stage by a wide range of music, including by the freedom expressed in recordings of free jazz and contemporary classical music.
Donald Walbridge Shirley was an American classical and jazz pianist and composer. He recorded many albums for Cadence Records during the 1950s and 1960s, experimenting with jazz with a classical influence. He wrote organ symphonies, piano concerti, a cello concerto, three string quartets, a one-act opera, works for organ, piano and violin, a symphonic poem based on the 1939 novel Finnegans Wake by James Joyce, and a set of "Variations" on the 1858 opera Orpheus in the Underworld.
John William "Blind" Boone was an American pianist and composer of ragtime music.
James Walker is an American flutist and educator. He is the former Principal Flute of the Los Angeles Philharmonic, and the founder of the jazz quartet Free Flight. Since 1984, he has focused most of his attention on jazz performance and flute pedagogy.
Michael David Garson is an American pianist, who has worked with David Bowie, Nine Inch Nails, St. Vincent, Duran Duran, Free Flight, The Smashing Pumpkins, Melissa Auf der Maur and The Pretty Reckless.
Denver Oldham was an American concert pianist and recording artist. A Steinway Artist, he had to his credit twelve European concert tours, two South American concert tours, as well as numerous domestic performances. He recorded ten albums, paying special attention to the works of neglected American composers. He was born in Long Island, New York, to Scottish immigrants.
John Serry Jr. is an American jazz pianist and composer, as well as a composer of contemporary classical music works that feature percussion, on which he also doubles. He is a son of the accordionist and composer John Serry. His debut solo album was 'Exhibition', for which he received a Grammy Nomination for his composition, 'Sabotage'.
Paul David Harbour is an American bass guitar and guitar player, pianist and composer. He is recognised for his work with David T. Chastain, Michael Harris and Tony MacAlpine. He has played in the bands "Leather", "Chastain" and "King Diamond". He teaches bass guitar, guitar and piano.
Sidney Foster, born Sidney Earl Finkelstein, was an American virtuoso pianist and teacher. He studied with Isabelle Vengerova and David Saperton at the Curtis Institute of Music in Philadelphia, and in 1940 became the first winner of the Edgar M. Leventritt Award. He concertized over four decades in the United States and performed in Europe, the Soviet Union, Israel and Japan. He was Professor of Piano at Indiana University from 1952 to 1977. He was described as "a virtuoso and a great interpreter of great music," and affirmed as "everything the connoisseurs claim he is: an interesting, original pianist, the master of tonal shading and an artist."
