Josiah Spode was an English potter and the founder of the English Spode pottery works which became famous for the high quality of its wares. He is often credited with the establishment of blue underglaze transfer printing in Staffordshire in 1781–84, and with the definition and introduction in c. 1789–91 of the improved formula for bone china which thereafter remained the standard for all English wares of this kind.
Chinoiserie is the European interpretation and imitation of Chinese and other East Asian artistic traditions, especially in the decorative arts, garden design, architecture, literature, theatre, and music. The aesthetic of chinoiserie has been expressed in different ways depending on the region. It is related to the broader current of Orientalism, which studied Far East cultures from a historical, philological, anthropological, philosophical, and religious point of view. First appearing in the 17th century, this trend was popularized in the 18th century due to the rise in trade with China and the rest of East Asia.
Spode is an English brand of pottery and homewares produced in Stoke-on-Trent, England. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two important techniques that were crucial to the worldwide success of the English pottery industry in the 19th century: transfer printing on earthenware, and the formula for fine bone china.
Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th and the 20th century. Whether wares made for non-Western markets are covered by the term depends on context. Chinese ceramics made mainly for export go back to the Tang dynasty if not earlier, though initially they may not be regarded as porcelain.
"Blue and white pottery" covers a wide range of white pottery and porcelain decorated under the glaze with a blue pigment, generally cobalt oxide. The decoration is commonly applied by hand, originally by brush painting, but nowadays by stencilling or by transfer-printing, though other methods of application have also been used. The cobalt pigment is one of the very few that can withstand the highest firing temperatures that are required, in particular for porcelain, which partly accounts for its long-lasting popularity. Historically, many other colours required overglaze decoration and then a second firing at a lower temperature to fix that.
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. Pottery decorated using this technique is known as transferware or transfer ware.
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus. After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and Elector of Saxony. The production of porcelain in the royal factory at Meissen, near Dresden, started in 1710 and attracted artists and artisans to establish, arguably, the most famous porcelain manufacturer known throughout the world. Its signature logo, the crossed swords, was introduced in 1720 to protect its production; the mark of the swords is reportedly one of the oldest trademarks in existence.
Royal Worcester is a porcelain brand based in Worcester, England. It was established in 1751 and is believed to be the oldest or second oldest remaining English porcelain brand still in existence today, although this is disputed by Royal Crown Derby, which claims 1750 as its year of establishment. Part of the Portmeirion Group since 2009, Royal Worcester remains in the luxury tableware and giftware market, although production in Worcester itself has ended.
Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.
The Chinese House is a garden pavilion in Sanssouci Park in Potsdam, Germany. Frederick the Great had it built, about seven hundred metres southwest of the Sanssouci Summer Palace, to adorn his flower and vegetable garden. The garden architect was Johann Gottfried Büring, who between 1755 and 1764 designed the pavilion in the then-popular style of Chinoiserie, a mixture of ornamental rococo elements and parts of Chinese architecture.
Mintons was a major company in Staffordshire pottery, "Europe's leading ceramic factory during the Victorian era", an independent business from 1793 to 1968. It was a leader in ceramic design, working in a number of different ceramic bodies, decorative techniques, and "a glorious pot-pourri of styles - Rococo shapes with Oriental motifs, Classical shapes with Medieval designs and Art Nouveau borders were among the many wonderful concoctions". As well as pottery vessels and sculptures, the firm was a leading manufacturer of tiles and other architectural ceramics, producing work for both the Houses of Parliament and United States Capitol.
The Willow Pattern is a one-act comic opera with a libretto by Basil Hood and music by Cecil Cook. It was first produced by William Greet at the Savoy Theatre on 14 November 1901, running for a total of 110 performances until 29 March 1902. It toured thereafter.
William Taylor Copeland, MP, Alderman was a British businessman and politician who served as Lord Mayor of London and a Member of Parliament.
Victorian majolica properly refers to two types of majolica made in the second half of the 19th century in Europe and America.
Ironstone china, ironstone ware or most commonly just ironstone, is a type of vitreous pottery first made in the United Kingdom in the early 19th century. It is often classed as earthenware although in appearance and properties it is similar to fine stoneware. It was developed in the 19th century by potters in Staffordshire, England, as a cheaper, mass-produced alternative for porcelain.
Coalport, Shropshire, England was a centre of porcelain and pottery production between about 1795 and 1926, with the Coalport porcelain brand continuing to be used up to the present. The opening in 1792 of the Coalport Canal, which joins the River Severn at Coalport, had increased the attractiveness of the site, and from 1800 until a merger in 1814 there were two factories operating, one on each side of the canal, making rather similar wares which are now often difficult to tell apart.
China painting, or porcelain painting, is the decoration of glazed porcelain objects such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain, developed in China in the 7th or 8th century, or soft-paste porcelain, developed in 18th-century Europe. The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
Thomas Turner was an English potter. He was the lessee of the celebrated Salopian porcelain company, or Caughley manufactory, during the later decades of the 18th century. He is not to be confused with the potter John Turner (1737-1787) and his family, of Lane End, Staffordshire, who were active in the same period.
H & R Daniel is a little known manufactory of porcelain and earthenware. During the 24 years the pottery was in operation it was considered of equal stature with Spode, Minton and their contemporaries. The pottery was situated in Stoke on Trent, Staffordshire, England.
The Yellow Drawing Room is a room in Buckingham Palace. It is noted for its Chinoiserie decorative scheme and has been the setting for many portraits of members of the British royal family.
