Witchcraft Destroys Minds & Reaps Souls

Last updated
Witchcraft Destroys Minds & Reaps Souls
Coven-Witchcraft Destroys Minds.jpg
Studio album by
ReleasedJune 15, 1969
RecordedFebruary 1969
Genre
Length45:55
Label Mercury
Producer Bill Traut
Coven chronology
Witchcraft Destroys Minds & Reaps Souls
(1969)
Coven
(1972)
Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar empty.svgStar empty.svgStar empty.svg [2]

Witchcraft Destroys Minds & Reaps Souls (also known simply as Witchcraft) is the first album by the American rock band Coven. The album's overtly occult and satanic themes prompted removal from the market soon after its release in 1969. That summer coincided with public hysteria surrounding the Manson family and rampant media speculation about occult influences on the era's counterculture. The album's lyrical themes and visual design were influential on the occult rock and heavy metal genres.

Contents

Background

One of the songwriters, James Vincent, appears with the name "Jim Donlinger" on the album. Born James Vincent Dondelinger, he was not a member of the band (prior to this he was in the band Aorta), but was asked by Bill Traut, Coven's producer (and founder of Dunwich Records, whose logo also appears on the album), to write, arrange and co-produce the album together with Traut. Vincent describes the event in negative terms, as a "bizarre album project":

"Bill brought me a large box full of books about witchcraft and related subjects. He told me to read them and start writing some songs ... Sometime before the sun came up, I had completely written all the material requested of me for the entire album ... Coven also contributed four songs to the project." [3]

Reception and influence

At the time of its brief initial release, the album was panned by contemporary music critics and publications. Retrospectively, the album is regarded by some [ who? ] to be a classic of its genre, and in some ways set groundbreaking trends for later rock bands. The album marked the first appearance in music of the sign of the horns, inverted crosses, and the phrase "Hail Satan". Today, these are characteristics of the heavy metal genres. [4] According to rock journalist Lester Bangs, "in England lie unskilled laborers like Black Sabbath, which was hyped as a rockin' ritual celebration of the Satanic mass, something like England's answer to Coven". [5] As a further coincidence, Coven's bass guitarist and co-writer (Michael Gregory Osborne) is credited as "Oz Osborne", and the opening track is "Black Sabbath".

Kurt Cobain and Nirvana would play the album while driving between shows of their 1990 tour. [6]

Track listing

No.TitleWriter(s)Length
1."Black Sabbath"Donlinger3:32
2."White Witch of Rose Hall"Donlinger3:08
3."Coven in Charing Cross"Donlinger4:04
4."For Unlawful Carnal Knowledge"Dawson, Ross, Wilkerson, Osborne4:41
5."Pact with Lucifer"Donlinger, Wilkerson3:32
6."Choke, Thirst, Die"Donlinger3:32
7."Wicked Woman"Dawson, Ross, Wilkerson, Osborne3:01
8."Dignitaries of Hell"Donlinger4:09
9."Portrait"Dawson, Ross, Osborne2:37
10."Satanic Mass"Traut13:19
Total length:45:55

Personnel

Production

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References

  1. 1 2 3 4 5 Rivadavia, Eduardo. "Coven | Biography & History". AllMusic . Retrieved October 22, 2018.
  2. Viglione, Joe. "Witchcraft Destroys Minds & Reaps Souls - Coven | Songs, Reviews, Credits". AllMusic . Retrieved September 17, 2021.
  3. Vincent, James, Space Traveler, A Musician's Odyssey, 2003, p 43.
  4. "How Coven Pioneered Occult Rock with Witchcraft Destroy Minds & Reaps Souls". NPR . October 25, 2017. Retrieved February 5, 2019.
  5. Lester Bangs, in a 17 September 1970 review in Rolling Stone Magazine
  6. "Live Nirvana | Interview Archive | 1990 | February 14, 1990 - San Francisco, CA, US".