Career
Olfaction
He started to explore olfactory art in the 1980s. One of his early installations was shown at the Ars Electronica Festival in 1986. In 1996 he built the prototype of a mechanically-controlled scent organ, the Smeller 1.0. In the exhibition Werk'Zeuge at the OÖ Landesmuseum (State Museum of Upper Austria) he presented Smeller 1.0 which was able to play hundreds of scents for the audience – and by the audience.
In 2011 he started to work on the Smeller 2.0 , an electronically-controlled scent organ. In 2012 the completed Smeller 2.0 was presented in the exhibition "Sinnesrausch" at the Austrian Kulturquartier from June until October. [4] In 2013 Georgsdorf was honored for Smeller 2.0 with the Outstanding Artist Award. [5] In 2016, he initiated an entire festival in Berlin for the newly developed art form Osmodrama – Storytelling with Scents . The festival explored the possibilities of olfactory art in conjunction with various other time-based art forms. [6] In 2017 he received The Art and Olfaction Award by the L.A.-based Institute for Art and Olfaction.
In 2018 he presented a further development of Smeller 2.0 and Osmodrama at Martin Gropius Bau Berlin for the exhibition "Welt ohne Außen" (World with No Outside) by Berliner Festspiele curated by Tino Sehgal and Thomas Oberender. [7] In this exhibition with the subtitle "Immersive Spaces since the 1960s," alongside artists such as Doug Wheeler, Larry Bell, Lucio Fontana, Carsten Höller, Dominique Gonzalez-Foerster, Cyprien Gaillard, Tino Sehgal, Isabell Lewis, Nony de la Peña, Jeppe Hein, Georgsdorf premiered his Synosmy (an Osmodrama composition of scent sequences) "Quarter Autocomplete – Evolution in 12 Minutes". The piece was performed about 30 times per day over eight weeks. During that time he collaborated with scientists of the University Hospital Berlin Charité, University Hospital TU Dresden (Interdisciplinary Center for Smell and Taste), and a private Berlin clinic to conduct an evidence-based study on Osmodrama as a curative technology. [8]
Sign language
In 2000, after seven years of study on the topic, Georgsdorf published the first digital bi-directional dictionary for Austrian Sign Language MUDRA in nine dialects. [9] In the projects sinnlos and Deaf Dance, he dealt artistically with the subject, made video clips in sign language, organized clubbing events for the deaf and hearing and held scenic lectures on deaf culture. [10] [11]
In 2005 Georgsdorf was a speaker at Wikimania, the first Wikipedia world conference, where he presented his ideas on Hyperfilm and the introduction of sign languages to the Wikipedia platform considering that knowledge is not a domain of the literate world. [12]
Music
His musical works besides his early work with Die Post include compositions for the Berliner Ensemble production of Heiner Müller's Duell-Traktor-Fatzer, compositions for his giant forest xylophone, his work as a violinist and conductor of the Berlin Improvisers Orchestra [13] as well as collaborations with protagonists of new and improvised music such as Tristan Honsinger, Alexander von Schlippenbach, Stephen Crowe, Tom Jackson, Benedict Taylor, Miya, Niko Meinhold, Alison Blunt, Hui-Chun Lin, Anna Kaluza, and Manuel Miethe.
Media Art/Performance
From 1983 to 1986 he was am member of the group Minus Delta t and became a collaborator in the Bangkok Project, later The Project, which included the transportation of a 5.5-ton blue granite boulder from Stonehenge, England over land to India to be dropped into the Ganges River. The Project also included the immersion of a steel vault in the Indian Himalayas with a computer and keys distributed over Europe and Asia (The First Philosophical Databank in the Himalayas). [14]
Film
Since 1977 Georgsdorf has been creating avant-garde films and has been a member of the Austria Filmmakers Cooperative since 1980.
Other fine arts
His drawings, paintings, and sculptures are in private and public collections. As a sculptor he created the metal sculpture Kuppel, shown at the Austrian Museum of Modern Art from 1983 to 1996. It is now at the OÖ Landesmuseum in Linz. [15]
