Yard Movement | ||||
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Studio album by | ||||
Released | 1996 | |||
Recorded | 1995 | |||
Genre | Jazz, reggae | |||
Label | Island Jamaica Jazz | |||
Monty Alexander chronology | ||||
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Yard Movement is an album by the Jamaican American musician Monty Alexander, released in 1996. [1] [2] Alexander supported the album with a UK tour that included Ernest Ranglin; Alexander also undertook a North American tour. [3] [4] With Ranglin's Below the Baseline, Yard Movement was the first album from Island Records' Island Jamaica Jazz label. [5] The album peaked at No. 25 on the Official Jazz & Blues Albums Chart. [6] Alexander subsequently formed a band he named Yard Movement. [7]
Three songs were recorded at the 1995 Montreux Jazz Festival. [8] "Exodus" is a combination of the "Theme of Exodus" with Bob Marley's "Exodus". [8] Lennox "Boogsie" Sharpe played steelpan on "Crying". [9] "Regulator" was inspired by Nat Adderley's "Work Song". [9] Ernest Ranglin played lead guitar on Yard Movement. [10]
Review scores | |
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Source | Rating |
AllMusic | [8] |
The Guardian | [11] |
The Penguin Guide to Jazz on CD | [12] |
The St. Louis Post-Dispatch wrote that "a technical bravado and engaging emotionalism mark the eight compositions of Yard Movement, Alexander favoring ripening glissandos to achieve his notable effects." [13] The Guardian determined that Yard Movement "does capture much of the infectious appeal of his live shows, shows how effectively his improvising can avoid repetition when he's hot, and presents a crisp and energetic band." [11] The South Wales Evening Post noted that the album "demonstrates his early musical influences and social experiences." [14] The Houston Chronicle opined that Alexander "sounds like an herbally fortified cocktail pianist gone mad," and listed the album among the best of 1996. [15]
AllMusic wrote: "Essentially smooth bop laid in over heavy reggae basslines, the tracks on Yard Movement ... work surprisingly well, grooving and shifting directions with a deceptive ease, and Ranglin's bright, bubbly guitar is a continual delight throughout." [8]
No. | Title | Length |
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1. | "Exodus"
| |
2. | "Regulator" | |
3. | "Crying" | |
4. | "Moonlight City" | |
5. | "Love Notes" | |
6. | "Momento" | |
7. | "Strawberry Hill" | |
8. | "Sneaky Steppers" |
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles.
Exodus is the ninth studio album by Jamaican reggae band Bob Marley and the Wailers, first released in June 1977 through Island Records, following Rastaman Vibration (1976). The album's production has been characterized as laid-back with pulsating bass beats and an emphasis on piano, trumpet and guitar. Unlike previous albums from the band, Exodus thematically moves away from cryptic story-telling; instead it revolves around themes of change, religious politics, and sexuality. The album is split into two halves: the first half revolves around religious politics, while the second half is focused on themes of making love and keeping faith.
Ernest Ranglin is a Jamaican guitarist and composer who established his career while working as a session guitarist and music director for various Jamaican record labels including Studio One and Island Records. Ranglin played guitar on many early ska recordings and helped create the rhythmic guitar style that defined the form. Ranglin has worked with Theophilus Beckford, Jimmy Cliff, Monty Alexander, Prince Buster, the Skatalites, Bob Marley and the Eric Deans Orchestra. He is noted for a chordal and rhythmic approach that blends jazz, mento and reggae with percussive guitar solos incorporating rhythm 'n' blues and jazz inflections.
Gregory Anthony Isaacs OD was a Jamaican reggae musician. Milo Miles, writing in The New York Times, described Isaacs as "the most exquisite vocalist in reggae".
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery.
Montgomery Bernard "Monty" Alexander OJ CD is a Jamaican American jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Erroll Garner, Nat King Cole, Oscar Peterson, Ahmad Jamal, Les McCann, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. His recording career has covered many of the well-known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.
Heart of the Congos is a roots reggae album by the Congos, produced by Lee "Scratch" Perry at his Black Ark studio with a studio band including Boris Gardiner on bass and Ernest Ranglin on guitar. The album was released in 1977. It is noted as being one of Perry's masterpiece productions of the Black Ark era.
Jazz Jamaica is a British jazz/reggae music group founded by musician Gary Crosby in London in 1991.
Leroy Sibbles is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.
Ska jazz is a music genre derived by fusing the melodic content of jazz with the rhythmic and harmonic content of early Jamaican Music introduced by the "Fathers of Ska" in the late 1950s. The ska-jazz movement began during the 1990s in New York and London, where pioneering avant-garde jazz and reggae musicians pushed the boundaries of reggae music. They were combining traditions with modern tendencies, using the reggae beat along with high improvisation and jazz harmonies, primarily by horns and percussion.
Earl "Chinna" Smith, a.k.a. Earl Flute and Melchezidek the High Priest, is a Jamaican guitarist active since the late 1960s. He is most well known for his work with the Soul Syndicate band and as guitarist for Bob Marley & the Wailers, among others, and has recorded with many reggae artists, appearing on more than 500 albums.
The Skatalites are a ska band from Jamaica. They played initially between 1963 and 1965, and recorded many of their best known songs in the period, including "Guns of Navarone." They also played on records by Prince Buster and backed many other Jamaican artists who recorded during that period, including Bob Marley & The Wailers, on their first single "Simmer Down." They reformed in 1983 and have played together ever since.
Wayne Jobson, also known as Native Wayne, is a Jamaican record producer of European ancestry. He has worked with such artists as No Doubt, Gregory Isaacs and Toots & the Maytals. He hosts the weekly radio show "Alter Native" every Sunday afternoon on Indie 103.1. He previously hosted a similar radio show, "Reggae Revolution", at Indie's main competitor KROQ-FM. Jobson is also known as a musician. He recorded an album in 1977 produced by Lee 'Scratch' Perry at the Black Ark.
Dr. No is the film score for the 1962 film of the same name composed by Monty Norman.
Freddie McKay was a Jamaican singer, whose career spanned the rocksteady and reggae eras.
Val Bennett was a Jamaican tenor saxophonist and jazz and roots reggae musician who began his career in the 1940s. He made a number of releases on the Island Records and Crab Records labels.
Cecil "Sonny" Bradshaw CD, known as the "dean of Jamaican music", and the "musician's musician", was a Jamaican bandleader, trumpeter, broadcaster, and promoter who was a major figure in Jamaican music for more than sixty years.
The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
Ball of Fire is an album by the Jamaican band the Skatalites, released in 1998 in the United States. The band supported the album with a North American tour, including shows with several Hellcat bands.
In Search of the Lost Riddim is an album by the Jamaican musician Ernest Ranglin, released in 1998. It was among the first releases from Chris Blackwell's Palm Pictures label; Blackwell's Island Records had signed Ranglin in the 1950s. The album title refers to Ranglin's decades-long absence from making music in Africa.