Zacharias Heyns | |
---|---|
Born | 1566 |
Died | 1630 (aged 63–64) |
Nationality | Dutch |
Zacharias Heyns (1566 – 1630) was a Netherlands printer and engraver from the Dutch Republic.
Heyns was born in Antwerp as the son of the schoolmaster Peeter Heyns, who was known for his French schoolbooks and translations from Dutch to French and back. The Heyns family moved to Frankfurt after the fall of Antwerp and when the elder Heyns moved to Stade in 1592, Zacharias became a publisher in Amsterdam near the Oude Kerk and married Anne Hureau. His first published works were a few Latin books by Eilhard Lubinus and schoolbooks by his father, and after his father's death he published maps of Holland with poetic comments under them in Den Nederlandtschen Landtspiegel in 1599. A copy of this book was found recently found by the Flevoland archives in a moving box originally from the Rijksdienst voor de Ijsselmeerpolders and won a contest for "archive piece of the year". [1] In Amsterdam he became one of the founding members of the chamber of rhetoric called Wit lavender for which he wrote two plays. He became friends with many Southern Netherlands refugees in Amsterdam and Haarlem, including Karel van Mander and others.
Heyns moved to Zwolle in 1606, where he opened a publishing company located behind what is now the Vrouwenhuis. It is there where he wrote an account of the 1609 international rhetoric contest in Haarlem for Trou moet Blycken. [2] In 1615 and 1616 he wrote poetry for the Schiedam chamber of rhetoric called "De Roode Rosen", and in 1625 he published his poetry in an emblem book which became popular. [3] He died in Zwolle.
Frans Hals the Elder was a Dutch Golden Age painter. He lived and worked in Haarlem, a city in which the local authority of the day frowned on religious painting in places of worship but citizens liked to decorate their homes with works of art. Hals was highly sought after by wealthy burgher commissioners of individual, married-couple, family, and institutional-group portraits. He also painted tronies for the general market.
Joost van den Vondel was a Dutch playwright, poet, literary translator and writer. He is generally regarded as the greatest writer in the Dutch language as well as an important figure in the history of Western literature. In his native country, Vondel is often called the "Prince of Poets" and the Dutch language is sometimes referred to as "the language of Vondel". His oeuvre consists of 33 plays, a large number of poems in different genres and forms, an epic poem and many translations of predominantly classical literature. Vondel lived in the Dutch Republic during the Eighty Years' War and became the leading literary figure of the Dutch Golden Age.
Adriaen Brouwer was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century. Brouwer was an important innovator of genre painting through his vivid depictions of peasants, soldiers and other "lower class" individuals engaged in drinking, smoking, card or dice playing, fighting, music making etc. in taverns or rural settings. Brouwer contributed to the development of the genre of tronies, i.e. head or facial studies, which investigate varieties of expression. In his final year he produced a few landscapes of a tragic intensity. Brouwer's work had an important influence on the next generation of Flemish and Dutch genre painters. Although Brouwer produced only a small body of work, Dutch masters Peter Paul Rubens and Rembrandt collected it.
Jacob de Wit was a Dutch artist and interior decorator who painted many religious scenes.
Chambers of rhetoric were dramatic societies in the Low Countries. Their members were called Rederijkers, from the French word 'rhétoricien', and during the 15th and 16th centuries were mainly interested in dramas and lyrics. These societies were closely connected with local civic leaders and their public plays were a form of early public relations for the city.
Flemish literature is literature from Flanders, historically a region comprising parts of present-day Belgium, France and the Netherlands. Until the early 19th century, this literature was regarded as an integral part of Dutch literature. After Belgium became independent from the Netherlands in 1830, the term Flemish literature acquired a narrower meaning and refers to the Dutch-language literature produced in Belgium. It remains a part of Dutch-language literature.
Godfried Jan Arnold Bomans was a Dutch author and television personality. Much of his work remains untranslated into English.
Dutch Renaissance and Golden Age literature is the literature written in the Dutch language between around 1550 and around 1700. This period saw great political and religious changes as the Reformation spread across Northern and Western Europe and the Netherlands fought for independence in the Eighty Years' War.
Adriaen van Nieulandt was a Dutch painter, draughtsman and engraver of Flemish descent. He is known for his history paintings with biblical and mythological subjects, often incorporating elegant nudes, portraits including schutterstukken, genre paintings and still lifes.
Sebastiaen Vrancx was a Flemish Baroque painter, draughtsman and designer of prints who is mainly known for his battle scenes, a genre that he pioneered in Netherlandish painting. He also created landscapes with mythological and allegorical scenes, scenes with robbers, village scenes and celebrations in cities. He was a gifted figure painter who was regularly invited to paint the staffage in compositions of fellow painters. As an active member of a local chamber of rhetoric, he wrote comedies and a number of poems. He was further captain of the Antwerp civil militia schutterij.
Theodoor Boeyermans, Theodor Boeyermans or Theodor Boeijermans was a Flemish painter active in Antwerp who painted Baroque history paintings and group portraits informed by the tradition of Peter Paul Rubens and Anthony van Dyck.
Guilliam or Willem van Nieulandt or van Nieuwelandt (1582/84–1635) was a Flemish painter, engraver, poet and playwright from Antwerp. He spent two thirds of his career in the Habsburg Netherlands and the remainder in Italy and the Dutch Republic. He is known for his Italianate landscape paintings and prints, often real views or capricci of landscapes and buildings from in or around Rome enlivened by contemporary figures or biblical or mythological scenes. He is regarded as the principal poet and playwright active in the Habsburg Netherlands in the first three decades of the 17th century.
Jan Baptist Xavery was a Flemish sculptor principally active in the Dutch Republic. He produced portrait busts, large scale statues for residences and gardens, church furniture, wall decorations, tomb monuments as well as small scale statuettes in boxwood, lime wood, ivory and terracotta. The latter were made for elite collectors who liked to admire such objects in the privacy of their homes. He worked on various projects for William IV of Orange-Nassau, the Prince of Orange who later became the Stadtholder. He is regarded as the leading sculptor active in the Dutch Republic in the first half if the 18th century.
Trou Moet Blycken is a historical chamber of rhetoric over 500 years old and currently a gentlemen's club located in the middle of a busy shopping area on the Grote Houtstraat in Haarlem, Netherlands.
The Violieren was a chamber of rhetoric that dates back to the 15th century in Antwerp, when it was a social drama society with close links to the Guild of Saint Luke. It was one of three drama guilds in the city, the other two being the Goudbloem and the Olyftack. In 1660 the Violieren merged with former rival Olyftack, and in 1762 the society was dissolved altogether.
Jan van de Velde the Elder, was a Dutch calligrapher, writing teacher, and engraver. He was the father of the engraver Jan van de Velde.
WillemOgier (1618–1689) was a Flemish schoolmaster, playwright and comedian.
Barbara Ogier was a Flemish playwright of De Olijftak, a chamber of rhetoric in Antwerp. Her motto was "Deugd voeght yder".
Willem van Haecht, sometimes also Willem van Haecht the elder to distinguish him from the painter Willem van Haecht was a Flemish poet writing in the Dutch language. He was also a cloth merchant, draughtsman, a bookseller and publisher. He was a member since 1552 and from 1558 a factor of the chamber of rhetoric De Violieren in Antwerp. In that role he played an important part in the transition of the development of theatre in Flanders from plays mainly dealing with epic, moralising or allegorising themes towards plays expressing the humanist ideas of the Renaissance. He published the Psalms of the Bible in Dutch verse and also wrote poems and songs.
Frans Jozef Peter van den Branden was a Belgian playwright, art historian, civil servant, educator and archivist. He wrote in the Dutch language. He is now known mainly for his art historical works, which mainly dealt with the history of the Antwerp school of artists and Antwerp poets and dramatists linked to the local chambers of rhetoric. He also co-authored the Biographisch woordenboek der Noord- en Zuidnederlandsche letterkunde with Johannes Godefridus Frederiks, a biographical dictionary of writers from the Netherlands and Belgium and their predecessor states.