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Zigeunerweisen (Gypsy Airs, Spanish: Aires gitanos), Op. 20, is a musical composition for violin and orchestra written in 1878 by the Spanish composer Pablo de Sarasate. It was premiered the same year in Leipzig, Germany. Like his contemporaries, Sarasate misidentified Hungarian folk music with the "gypsy music" of the Romani people, and the themes in the piece are not of Romani origin, but were all actually adapted from Hungarian music pieces: for instance, the third section borrows a melody by Hungarian composer Elemér Szentirmay (1836–1908), and the last section uses a theme from Franz Liszt's Hungarian Rhapsody No. 13, in the rhythm of the csárdás. [1]
As one of Sarasate's most popular compositions and a favorite among violin virtuosos, [2] the work has remained a staple on records at least since Sarasate himself recorded it in 1904, in collaboration with fellow composer Juan Manén as the accompanying pianist in the aforementioned recording, although the 3rd movement was omitted due to time constraints of records. Sarasate's voice is briefly heard in the middle of the record. Before the thunderous 4th movement, the following sentence can be heard: "Abajo el pedal de la sordina". It has been recorded by a large number of violinists.
Zigeunerweisen is scored for solo violin and an orchestra consisting of two flutes, two oboes, two clarinets in B-flat, two bassoons, two horns in F, two trumpets in F, timpani (in G–C and then E–A), triangle, and strings.
Sarasate also made an arrangement for piano and violin.
Zigeunerweisen is in one movement but can be divided into four sections, the first three in the key of C minor and the last in A minor, based on the tempi:
It provided the title and much of the soundtrack for Seijun Suzuki's 1980 film Zigeunerweisen . Double bassist Edgar Meyer recorded a version with Mike Marshall on the 1997 album Uncommon Ritual . Stephen Chow featured it in the cartoon-inspired chase scene in his 2004 film Kung Fu Hustle , and it is in the Pixar short film One Man Band . It was used in Yuzuru Hanyu's 2010-11 free skate program.
Romani music is the music of the Romani people who have their origins in northern India but today live mostly in Europe.
Pablo Martín Melitón de Sarasate y Navascués, commonly known as Pablo de Sarasate, was a Spanish (Navarrese) violinist, composer and conductor of the Romantic period. His best known works include Zigeunerweisen, the Spanish Dances, and the Carmen Fantasy.
Verbunkos, other spellings being Verbounko, Verbunko, Verbunkas, Werbunkos, Werbunkosch, Verbunkoche; sometimes known simply as the hongroise or ungarischer Tanz is an 18th-century Hungarian dance and music genre.
The Carmen Fantasy, Op. 25, by Pablo de Sarasate is a fantasy on themes from Bizet's Carmen for violin and piano or orchestra, composed in 1881. A version with piano accompaniment was published in 1882. It was dedicated to Joseph Hellmesberger.
János Bihari was an influential Hungarian Romani violinist. He is one of the founders of Romani academic music and the musical genre verbunkos.
Tzigane is a rhapsodic composition by the French composer Maurice Ravel. The original instrumentation was for violin and piano. The first performance took place in London on 26 April 1924 with the dedicatee, Hungarian violinist Jelly d'Arányi, on the violin and Henri Gil-Marchex at the piano. In his biographical sketch of 1928 Ravel spoke of it as "a virtuoso piece in the style of a Hungarian rhapsody". It consists of "a string of successive variations juxtaposed without development".
Violin Concerto No. 2 in D minor, Op. 22, by the Polish violin virtuoso, Henryk Wieniawski, may have been started in 1856, but the first performance did not take place until November 27, 1862, when he played it in St. Petersburg with Anton Rubinstein conducting. It was published in 1879, inscribed to his dear friend Pablo de Sarasate.
Scheherazade, also commonly Sheherazade, Op. 35, is a symphonic suite composed by Nikolai Rimsky-Korsakov in 1888 and based on One Thousand and One Nights.
The Introduction and Rondo Capriccioso in A minor, Op. 28, is a composition for violin and orchestra written in 1863 by Camille Saint-Saëns. It was dedicated to the virtuoso violinist Pablo de Sarasate, who performed the solo violin part at the premiere in April 1867.
Rudolf Koelman is a Dutch violinist and is professor for violin at the Zürcher Hochschule der Künste (ZHdK) in Switzerland.
"Csárdás" is a rhapsodical concert piece by the Italian composer Vittorio Monti. Written in 1904, the folkloric piece is based on a Hungarian csárdás. It was originally composed for violin, mandolin, or piano. There are arrangements for orchestra and for a number of solo instruments. "Csárdás" is about four-and-a-half minutes in duration.
The term Romani style refers to the way Eastern European music is played in coffeehouses and restaurants, at parties, and sometimes on-stage in European cities. Music played in this style differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community.
Rhapsody No. 1, Sz. 86, 87, and 88, BB 94 is the first of two virtuoso works for violin and piano, written by Béla Bartók in 1928 and subsequently arranged in 1929 for violin and orchestra, as well as for cello and piano. It is dedicated to Hungarian virtuoso violinist Joseph Szigeti, a close friend of Bartók, who gave the first performance of the orchestra version in Königsberg on 1 November 1929, with Hermann Scherchen conducting the orchestra.
Benjamin Britten's Piano Concerto, Op. 13, is the composer's sole piano concerto.
Hungarian-Slovak Roma or Balshade immigrated to the United States in the late 19th century, many from Košice, Slovakia. They settled in the cities of Braddock, Homestead, Johnstown, and Uniontown, Pennsylvania; Cleveland and Youngstown, Ohio; Detroit and Delray, Michigan; Gary, Indiana; Chicago, and New York City and Las Vegas. The Hungarian-Slovak Roma were a community of settled Roma, and in the United States were well known for playing music for the Central European immigrant communities in which they settled. These Roma were known for playing in cafes and restaurants, the name associating these Romani as Bashaldé was made up in late 20th century, and in Hungary they are called Romungro Romani; portions of them were also known as Romungre. In the early 1900s the Roma in Braddock, Pennsylvania, purchased an entire block of homes, making them the largest population of settled Roma in the United States.
The Concerto Grosso No. 1 was the first of six concerti grossi by Soviet composer Alfred Schnittke. It was written in 1976–1977 at the request of Gidon Kremer and Tatiana Grindenko who were also the violin soloists at its premiere on 21 March 1977 in Leningrad together with Yuri Smirnov on keyboard instruments and the Leningrad Chamber Orchestra under Eri Klas. It is one of the best-known of Schnittke's polystylistic compositions and marked his break-through in the West.
The String Quartet in D major is the only string quartet composed by César Franck. The work was written from 1889 to 1890.
Concerto for Piano with Orchestra is a piano concerto by the Mexican composer Carlos Chávez, written between 1938 and 1940.
The Spanish Dances are a collection of eight pieces for violin and piano composed by Pablo de Sarasate between 1877 and 1882 and published in four books, each book combining two dances contrasting in rhythm and character. They are among Sarasate's best known works.
The Piano Trio No. 1 in F major, Op. 18 is a piano trio by French composer Camille Saint-Saëns. Written in 1864 during a trip to the Pyrenees and Auvergne, the trio is dedicated to Alfred Lamarche, a family friend who cared for Saint-Saëns's mother during his absences. The work, scored for piano, violin, and violoncello, was premiered in 1865 at Salle Pleyel in Paris and published in 1867. The trio consists of four movements: Allegro vivace, Andante, Scherzo (Presto), and Allegro.