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Zion Train | |
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| Origin | United Kingdom |
| Genres | |
| Years active | 1988–present |
| Labels | Universal Egg |
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| Website | www |
Zion Train are a British dub ensemble that formed in Oxford, 1988. They have consistently released music and toured from 1992 to present day. Their mix of reggae and dance music was a notable innovation in the early 1990s. [1]
Co-founder Neil Perch is an autodidact, he taught himself music production and composition after completing a master's degree in biochemistry in the mid eighties. [2]
Initially formed in Oxford as a sound system in 1988 by Neil Perch and Ben Hamilton,[ citation needed ] Colin Cod and Dave Tench joined in 1990 upon relocation to London. The line-up was added to with vocalist Molara in 1992. [3] Their initial releases were the 7" singles "Power One" and "Power Two", which became hits on the dub scene in the early 1990s. In 1992, they released the groundbreaking "Follow Like Wolves" single, which fused dub and acid house styles and spawned their reputation as innovators. [3]
Their second album, Natural Wonders of the World in Dub, hit the UK indie charts in 1994 and was followed by several small-issue EPs. Additionally, they worked on remixes for The Shamen, Afro Celt Sound System, Loop Guru, Kava Kava and others. [3] They released both vinyl and CD material on their own label, Universal Egg, until 1995, when they signed with China Records. They returned to their own label in 1999. [3]
By 2001, internal disagreements within the band beginning led to Perch continuing the band with an almost new line-up. This line up consisted of long-term trumpeter Dave Hake, trombonist Bigga and an assortment of international session players and studio vocalists. In 2002, the Original Sounds of the Zion was released. Much of their back catalog was reissued in 2005.[ citation needed ] A year later saw the reissue of Siren. [1] In 2007, the group released the album Live As One with members Perch, David Fullwood, P Lush, Pier Paolo Polcari, Bigga and Vedran Meniga. [4] This album Zion Train won the 'Jamaican Reggae Grammy 2007' for 'Best Dub Recording'.[ citation needed ]
In 1998, Zion Train contributed to the album released by the Polish Never Again Association as a part of its "Music Against Racism" campaign. In 2021 the album was reissued as vinyl record 'One Race - Human Race. Music Against Racism: Part 2'. [5]
Perch said in 2016 interview that his influences were Jah Shaka, King Tubby, Ravi Shankar and Jimi Hendrix. [6]
Their early albums, such as A Passage To Indica, have been cited as primary influences on the minimal techno and minimal dub genres.[ citation needed ]
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style. Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section, and the occasional dubbing of vocal or instrumental snippets from the original version or other works.
Kava Kava is an English rock band/live dance act from Huddersfield, England featuring the vocals, production, and songwriting of Pat Fulgoni.
Jah Shaka, also known as the Zulu Warrior, was a Jamaican reggae/dub sound system operator who operated a South East London-based, roots reggae Jamaican sound system since the early 1970s. His name is an amalgamation of the Rastafarian term for God and that of the Zulu king Shaka Zulu.
Mad Professor is a Guyanese-born British dub music producer and engineer known for his original productions and remix work. He is considered one of the leading producers of dub music's second generation and was instrumental in transitioning dub into the digital age. He has collaborated with reggae artists such as Lee "Scratch" Perry, Sly and Robbie, Pato Banton, Jah Shaka and Horace Andy, as well as artists outside the realm of traditional reggae and dub, such as Sade, Massive Attack, The Orb, Gaudi, the Brazilian DJ Marcelinho da lua, Grace Jones, and Perry Farrell.
Marcus Garvey is the third album by reggae artist Burning Spear, released in 1975 on Fox Records in Jamaica and then internationally on Island Records later in the year. The album is named after the Jamaican National Hero and Rastafari movement prophet Marcus Garvey. A dub version of it was released four months later as Garvey's Ghost.
Vin Gordon is a Jamaican trombone player.
Miguel Steward, better known by his stage name Miguel Migs, is an American deep house DJ and producer and founder of Salted Music, an independent electronic dance music record label based in San Francisco, California.
Garvey's Ghost is the fourth album by the reggae artist Burning Spear, released in 1976 on Island Records, ILPS 9382. Each track is a dub version of its correspondent song on his third album, Marcus Garvey.
Justin Boland, also known as J Boogie is a DJ, music producer, radio host, music director and music curator from San Francisco with over 25 years of experience in the music industry.
Winston Riley was a Jamaican singer, songwriter and record producer. The Jamaica Gleaner notes he was one of the most successful reggae producers.
Dry & Heavy is the fifth studio album of the reggae artist Burning Spear, released in 1977 as the third Island album.
Glenmore Lloyd Brown, also known as "God Son" and "The Rhythm Master", was a Jamaican singer, musician, and record producer, working primarily in the genres of reggae and dub.
Vibronics are a reggae collective, based in Leicester, England, starting in 1995. Centered on Steve Vibronics and Richi Rootz, they initially gained exposure via the Egg Experience '97 shows, leading to a deal with Zion Train's Universal Egg label. Mainly working in digital dub, Vibronics' early releases such as "Universal Love" and "Jah Light, Jah Love" found favour with sound systems such as Jah Shaka's, Iration Steppas, and Aba Shanti-I. With Jah Free, Vibronics performed on a series of dub conferences in several European countries, leading to the release of the album Outernational Dub Conference Volume One in 1998.
Alberto D'Ascola, better known by his stage name Alborosie, is an Italian reggae artist. He is sometimes called the "Italian Reggae Ambassador".
Rebelution is a reggae rock music band formed in Isla Vista, California. The current members of Rebelution are Eric Rachmany, Rory Carey, Marley D. Williams, and Wesley Finley. Each member attended and completed school at the University of California, Santa Barbara.
Daniele Gaudi, better known simply as Gaudi, is an Anglo-Italian musician, solo artist and record producer based in London, who specialises in dub music, electronica, reggae and worldbeat. His distinctive production sound appears in a number of albums nominated for Awards and prizes such as Grammy Award 2019 -Best Reggae Album Of The Year- for Mass Manipulation by Steel Pulse and BBC Radio 3 Awards for World Music 2008 for the album Dub Qawwali by Gaudi & Nusrat Fateh Ali Khan. His music works and contributions have topped international charts such as: Billboard Reggae Chart no.1 with the album Heavy Rain by Lee "Scratch" Perry, Billboard Reggae Chart no.1 with the album Mass Manipulation by Steel Pulse, Billboard Reggae Chart no.1 with the album Vessel of Love by Hollie Cook, Billboard Reggae Chart no.2 with "Rainford" by Lee "Scratch" Perry, UK Dance Chart no.1 with of "Jus' Come ".
Devon Russell was a Jamaican rocksteady and reggae singer and record producer who recorded between the 1960s and the 1990s, both as a solo artist and as a member of The Tartans and Cultural Roots.
The Bush Chemists are a British dub reggae group.
Roy Livingstone Plummer, better known as King Sounds, is a Jamaican reggae musician who released several albums from late 1970s onwards.
A New Chapter of Dub is an album by English reggae band Aswad, released by Island Records in April 1982. The record is a dub version of Aswad's previous album New Chapter (1981), and was produced by the group with Michael "Reuben" Campbell. Having felt New Chapter under-performed commercially because it was too intricate for mainstream reggae audiences, the group conceived the dub remix album as a way of appealing to core reggae audiences. The record emphasises dub techniques like delay, echo and drop-out and was among the first British dub albums to use tape and digitally-manipulated echo on a horn section. Although not a commercial success, A New Chapter of Dub received critical acclaim and has since been cited by some writers as one of the greatest dub albums of all time.
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