Zubin Kanga (born 1982) is an Australian-born pianist, composer, and musicologist based in London. He specialises in contemporary and experimental music.
The son of Rustom Kanga and Marlene Kanga who are both engineers, Kanga was born in Sydney and attended Sydney Grammar School until 2000. He graduated from the University of Sydney in 2006 before moving to London in 2007, where he is still resident. [1] Kanga studied under Rolf Hind and attended the Royal Academy of Music, receiving an MMus in 2009 and a PhD in 2014. [2]
Kanga has been an active chamber musician since joining Australian contemporary music group Ensemble Offspring in 2005 at the age of 22, of which he remains a member. [3] [4] He played with the Marsyas Trio between 2017 and 2018, during which time they recorded In the Theatre of Air, an album of music by women composers for piano, flute, and cello. [5] It reached #7 in the Specialist Classical Charts and was named on Sequenza21's "Best Chamber Music CDs of 2018". [6] [7]
Notable solo performances of Kanga's include Beat Furrer's concerto for two pianos Nuun with Rolf Hind and the London Sinfonietta at the Queen Elizabeth Hall in January 2011 and Thomas Adès's Concerto Conciso at the Elisabeth Murdoch Hall in 2013, when he also appeared alongside the composer in a two-piano arrangement of Conlon Nancarrow's Studies Nos. 6 and 7. [8] [9] [10] Kanga frequently commissions pieces that combine the piano with electronics and interactive media, including Patrick Nunn's Morphosis for piano, motion sensors and live electronics (premiered at Cheltenham Music Festival), Laura Bowler's SHOW(ti)ME for speaking pianist, MiMU gloves, live video and live electronics (premiered at Huddersfield Contemporary Music Festival) and Luke Nickel's hhiiddeenn vvoorrttiicceess for piano, five Soundbrenner haptic metronomes, video and electronics (premiered at Submerge Festival, Manchester). [11] [12] [13] His own compositional output has included Dead Leaves, which he premiered on ABC Classic radio in 2017, and was selected to represent Australia at the 2018 International Rostrum of Composers. [14] [15]
Kanga appeared at Huddersfield Contemporary Music Festival in 2018 with his programme Wikipiano, named after a commissioned piece by Alexander Schubert, WIKI-PIANO.NET. The score is derived from a web page which members of the public can edit by adding text, directions, notation, images, and YouTube videos. [16] [17] In the same year, Kanga premiered Brett Dean's Rooms of Elsinore at the Extended Play new music marathon alongside his own composition Spider Web Castle. [18] Kanga has performed several times at London Contemporary Music Festival, premiering Michael Finnissy's Hammerklavier – Part 1 and Alwynne Pritchard's Heart of Glass, as well as performing his realisation of Julius Eastman's Gay Guerrilla at London Contemporary Music Festival alongside Hind, Siwan Rhys, and Eliza McCarthy, which was later featured (uncredited) in video installation The Third Part of the Third Measure. [19] [20] [21] [22] [23]
Kanga has received international critical acclaim since being awarded "Best Newcomer" in the 2010 ABC Limelight Awards. His Melbourne Festival performance of John Cage's Sonatas and Interludes was described in The Age as "a blaze of retrospective creative brilliance", while his 2019 Australian tour Piano Ex Machina was described by Limelight magazine as "a rewarding experience, rich in possibility, infused with curiosity and playfulness, and not afraid to explore conceptual and expressive horizons well beyond the boundaries of a traditional piano recital". [24] [25] He premiered a major new piano and multimedia work by Philip Venables, Answer Machine Tape, 1987 in 2022, exploring the life of New York artist David Wojnarowicz using a KeyScanner by the Augmented Instruments Laboratory to allow the piano to type text live onto the screen. [26] He toured it to Time of Music Festival, November Music, and Huddersfield Contemporary Music Festival. [27] [28] [29] [30] [31]
He appears as an extra alongside Ben Whishaw in Mark Bradshaw's short film O Holy Ghost (2019). [32]
Kanga's research concerns the collaborative process between composer and performer, as well as technological interactions in new music. From 2014 to 2015, he was a postdoctoral researcher at The University of Nice Sophia Antipolis as part of the GEMME (Music and Gesture) project in partnership with IRCAM. [33] He was made an Honorary Research Fellow of the Royal Academy of Music in 2014, an Institute of Musical Research Early Career Associate from 2014 to 2015, and an Honorary Research Associate of Sydney Conservatorium of Music, University of Sydney in 2017. [34] [35] [36] He is currently a research fellow at Royal Holloway, University of London, being awarded a Leverhulme Research Fellowship in 2017 [37] and a UK Research and Innovation Future Leaders Fellowship in 2020.
The Australian Independent Record Awards (commonly known informally as AIR Awards) is an annual awards night to recognise, promote and celebrate the success of Australia's Independent Music sector.
Year | Nominee / work | Award | Result |
---|---|---|---|
2015 [38] [39] | Piano Inside Out | Best Independent Classical Album | Nominated |
Kanga, Zubin. "Through the Screen: The Collaborative Creation of Works for Piano and Video", Contemporary Music Review, Vol 35, No. 4, 2016: 423–449.
Kanga, Zubin and Alexander Schubert. "Gesture, Technology and the New Discipline: Conversations with Alexander Schubert", Contemporary Music Review, Vol 35, No. 4, 2016: 375–378.
Kanga, Zubin. '"Building an instrument" in the collaborative composition and performance of works for piano and live electronics', in Perspectives on Artistic Research, ed. Robert Burke and Andrys Osman (Washington DC: Lexington, 2016).
Gorton, David and Zubin Kanga. "Risky Business: negotiating virtuosity in the collaborative creation of Orfordness for solo piano" in Music and/as Process, ed. Lauren Redhead and Vanessa Hawes (Cambridge:Cambridge Scholars, 2016).
Callis, Sarah, Neil Heyde, Zubin Kanga and Olivia Sham. "Creative Resistance as a Performative Tool", Music and Practice, vol. 2, 2015.
Kanga, Zubin. "Not Music Yet: Graphic Notation as a Catalyst for Collaborative Metamorphosis", Eras Journal, vol. 16, no.1, 2014: 37–58.
Ratcliffe, Robert, Jon Weinel and Zubin Kanga: "Mutations (megamix): Exploring Notions of the 'DJ set', 'Mashup' and 'Remix' through Live Piano-based Performance", eContact!, Canadian Electroacoustic Community, 2011.
Thomas Joseph Edmund Adès is a British composer, pianist and conductor. Five compositions by Adès received votes in the 2017 Classic Voice poll of the greatest works of art music since 2000: The Tempest (2004), Violin Concerto (2005), Tevot (2007), In Seven Days (2008), and Polaris (2010).
Éliane Radigue is a French electronic music composer. She began working in the 1950s and her first compositions were presented in the late 1960s. Until 2000 her work was almost exclusively created with the ARP 2500 modular synthesizer and tape. Since 2001 she has composed mainly for acoustic instruments.
Nicolas Hodges is a pianist living in Germany.
Jonathan Dean Harvey was a British composer. He held teaching positions at universities and music conservatories in Europe and the United States.
Roderick Watkins, DL is a composer and the Vice Chancellor at Anglia Ruskin University, England. He was appointed to the University in 2014 and served briefly as Pro-Vice Chancellor and Dean of the Faculty of Arts, Law and Social Sciences. He was appointed as Deputy Vice Chancellor for Research and Innovation at Anglia Ruskin in 2015 before becoming Vice Chancellor in 2019. He was previously Professor of Composition and Contemporary Music at Canterbury Christ Church University, Kent, England from 2005 to July 2014, where he was Programme Director for undergraduate Music and taught composition and contemporary music.
Stephen Beville is an English composer and pianist of classical music.
Dai Fujikura is a Japanese-born composer of contemporary classical music.
Simon Emmerson is an electroacoustic music composer working mostly with live electronics. He was born in Wolverhampton, UK, on 15 September 1950.
Friedrich Heinrich Kern is a German composer, pianist, and glass harmonica player.
Laura Chislett is an Australian flute player. She performs contemporary repertoires including Brian Ferneyhough's Unity Capsule, James Dillon's Sgothan, Michael Finnissy's Sikangnuqa, Reza Vali's Song flute solo and Maurice Weddington's Deovolente. Her repertoire also includes neglected 20th-century works by Lili Boulanger, Willem Pijper, Augusta Holmès, and Jean Binet. Laura has performed as a guest soloist with orchestra/ensemble at major festivals, including the Huddersfield Contemporary Music Festival, the Sydney Spring Festival, Insel Musik Berlin, the Pittsburgh International Music Festival and the Australian Chamber Orchestra performing Michael Smetanin's flute concerto Shakhmat/Supremat.
Shai Cohen is an Israeli music educator and composer of contemporary classical music.
Daniel Rojas is a Chilean-born Australian pianist and composer. Rojas' work as a composer and improviser draws upon indigenous, folk, popular and classical Latin American traditions.
The Australian World Orchestra (AWO) is a symphony orchestra based in Australia.
Martin Suckling is a British composer. He is also a violinist and teacher.
Gordon Kerry is an Australian composer, music administrator, music writer and music critic.
Juliet Fraser is a British soprano, based in London and specialising in contemporary classical music. She has commissioned more than 20 solo vocal works and premiered several hundred new works, many written for her. Fraser is the artistic director of eavesdropping, an experimental music festival in East London, and co-director of all that dust, the record label she founded in 2018 with Mark Knoop and Newton Armstrong. She was awarded an Honorary Doctorate of Music by the University of Southampton in 2023.
Bryn Harrison is a British experimental composer. His works have been widely performed by international ensembles and he was a recipient of the 2013 Paul Hamlyn Foundation Award for Composers. He is currently Reader in Composition at the University of Huddersfield.
Alexander Schubert is a German composer. Much of his music is experimental, involving multimedia, improvisatory, and interactive elements. He draws upon free jazz, techno, and pop styles.
Ensemble Offspring is an Australian music ensemble. The group is led by artistic director Claire Edwardes, and features some of Australia's most innovative performers. The group has toured to locations such as Hong Kong, London and Warsaw, are regularly featured at MONA FOMA, Sydney and Melbourne Festivals, and have a cult following at their Sizzle series at Petersham Bowling Club. Ensemble Offspring has premiered over 200 works in its 23-year history. The ensemble was previously known as Spring Ensemble.
Brenda Gifford is a Yuin classical composer, saxophonist and pianist. She was a member of the Australian rock band Mixed Relations and is an archivist in the Indigenous Collection Branch of the National Film and Sound Archive of Australia (NFSA).
for the last two years, the winners of the Sydney University Medal in Music have been Old Sydneians ... Chris may and Zubin Kanga (shared in 2006).
Zubin Kanga has been playing with Ensemble Offspring since 2005.
Kanga's interpretation was engrossing, the work's mutable rhythmic steadiness and continuous juxtaposition of pointillism with colour-washes accomplished splendidly, the performance reaching a serenely illuminating climax across the last two sonatas, where the gentle clangour generated by this gifted pianist invested the festival with a blaze of retrospective creative brilliance.
Zubin Kanga, Post-doctorant au laboratoire CTEL