Fine-art photography

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Alfred Stieglitz's photograph The Steerage (1907) was an early work of artistic modernism, and considered by many historians to be the most important photograph ever made. Stieglitz was notable for introducing fine art photography into museum collections. Alfred Stieglitz - The Steerage - Google Art Project.jpg
Alfred Stieglitz's photograph The Steerage (1907) was an early work of artistic modernism, and considered by many historians to be the most important photograph ever made. Stieglitz was notable for introducing fine art photography into museum collections.

Fine-art photography is photography created in line with the vision of the photographer as artist, using photography as a medium for creative expression. The goal of fine-art photography is to express an idea, a message, or an emotion. This stands in contrast to representational photography, such as photojournalism, which provides a documentary visual account of specific subjects and events, literally representing objective reality rather than the subjective intent of the photographer; and commercial photography, the primary focus of which is to advertise products or services.

Contents

History

Depiction of nudity has been one of the dominating themes in fine-art photography. Nude composition 19 from 1988 by Jaan Kunnap. Aktikompositsioon 19 (J. Kunnap).jpg
Depiction of nudity has been one of the dominating themes in fine-art photography. Nude composition 19 from 1988 by Jaan Künnap.

Invention through 1940s

One photography historian claimed that "the earliest exponent of 'Fine Art' or composition photography was John Edwin Mayall", who exhibited daguerreotypes illustrating the Lord's Prayer in 1851. [2] Successful attempts to make fine art photography can be traced to Victorian era practitioners such as Julia Margaret Cameron, Charles Lutwidge Dodgson, and Oscar Gustave Rejlander and others. In the U.S. F. Holland Day, Alfred Stieglitz and Edward Steichen were instrumental in making photography a fine art, and Stieglitz was especially notable in introducing it into museum collections.

In the UK as recently as 1960, photography was not really recognised as a fine art. S. D. Jouhar said, when he formed the Photographic Fine Art Association at that time: "At the moment, photography is not generally recognized as anything more than a craft. In the USA photography has been openly accepted as Fine Art in certain official quarters. It is shown in galleries and exhibitions as an Art. There is not corresponding recognition in this country. The London Salon shows pictorial photography, but it is not generally understood as an art. Whether a work shows aesthetic qualities or not it is designated 'Pictorial Photography' which is a very ambiguous term. The photographer himself must have confidence in his work and in its dignity and aesthetic value, to force recognition as an Art rather than a Craft".[ This quote needs a citation ]

Until the late 1970s several genres predominated, such as nudes, portraits, and natural landscapes (exemplified by Ansel Adams). Breakthrough 'star' artists in the 1970s and 80s, such as Sally Mann, Robert Mapplethorpe, Robert Farber and Cindy Sherman, still relied heavily on such genres, although seeing them with fresh eyes. Others investigated a snapshot aesthetic approach.

Josef H. Neumann: Chemogram Gustav I 1976 Josef H Neumann- Gustav I (1976).jpg
Josef H. Neumann: Chemogram Gustav I 1976

In the mid-1970s Josef H. Neumann developed chemograms, [3] which are products of both photographic processing and painting on photographic paper. Before the spread of computers and the use of image processing software the process of creating chemograms can be considered an early form of analog post-production, in which the original image is altered after the enlarging process. Unlike works of digital post-production each chemogram is a unique piece. [4] [5] [6] [7]

American organizations, such as the Aperture Foundation and the Museum of Modern Art(MoMA), have done much to keep photography at the forefront of the fine arts. MoMA's establishment of a department of photography in 1940 and appointment of Beaumont Newhall as its first curator are often cited as institutional confirmation of photography's status as an art. [8]

1950s to present day

Andreas Gursky, Shanghai, 2000, C-print mounted to plexiglass, 119 x 81 inches Gursky Shanghai.jpg
Andreas Gursky, Shanghai, 2000, C-print mounted to plexiglass, 119 x 81 inches

There is now[ as of? ] a trend toward a careful staging and lighting of the picture, rather than hoping to "discover" it ready-made. Photographers such as Gregory Crewdson, and Jeff Wall are noted for the quality of their staged pictures. Additionally, new technological trends in digital photography have opened a new direction in full spectrum photography, where careful filtering choices across the ultraviolet, visible and infrared lead to new artistic visions.

Vasiliy Ryabchenko, Still life (1970s) Vasiliy Ryabchenko. "Still life", photo, 1970s.jpg
Vasiliy Ryabchenko, Still life (1970s)

As printing technologies have improved since around 1980, a photographer's art prints reproduced in a finely-printed limited-edition book have now become an area of strong interest to collectors. This is because books usually have high production values, a short print run, and their limited market means they are almost never reprinted. The collector's market in photography books by individual photographers is developing rapidly.

According to Art Market Trends 2004 7,000 photographs were sold in auction rooms in 2004, and photographs averaged a 7.6 percent annual price rise from 1994 and 2004. [9] [ failed verification ] Around 80 percent were sold in the United States, although auction sales only record a fraction of total private sales. There is now a thriving collectors' market for which the most sought-after art photographers will produce high quality archival prints in strictly limited editions. Attempts by online art retailers to sell fine photography to the general public alongside prints of paintings have had mixed results, with strong sales coming only from the traditional major photographers such as Ansel Adams.

In addition to the "digital movement" towards manipulation, filtering, or resolution changes, some fine artists deliberately seek a "naturalistic", including "natural lighting" as a value in itself. Sometimes the art work as in the case of Gerhard Richter consists of a photographic image that has been subsequently painted over with oil paints and/or contains some political or historical significance beyond the image itself. The existence of "photographically-projected painting" now blurs the line between painting and photography which traditionally was absolute.

Framing and print size

Until the mid-1950s it was widely considered vulgar and pretentious to frame a photograph for a gallery exhibition. Prints were usually simply pasted onto blockboard or plywood, or given a white border in the darkroom and then pinned at the corners onto display boards. Prints were thus shown without any glass reflections obscuring them. Steichen's famous The Family of Man exhibition was unframed, the pictures pasted to panels. Even as late as 1966 Bill Brandt's MoMA show was unframed, with simple prints pasted to thin plywood. From the mid-1950s to about 2000 most gallery exhibitions had prints behind glass. Since about 2000 there has been a noticeable move toward once again showing contemporary gallery prints on boards and without glass. In addition, throughout the twentieth century, there was a noticeable increase in the size of prints.

Politics

Ansel Adams' The Tetons and the Snake River (1942) Adams The Tetons and the Snake River.jpg
Ansel Adams' The Tetons and the Snake River (1942)

Fine art photography is created primarily as an expression of the artist's vision, but as a byproduct it has also been important in advancing certain causes. The work of Ansel Adams in Yosemite and Yellowstone provides an example. Adams is one of the most widely recognized fine art photographers of the 20th century, and was an avid promoter of conservation. While his primary focus was on photography as art, some of his work raised public awareness of the beauty of the Sierra Nevada and helped to build political support for their protection.

Such photography has also had effects in the area of censorship law and free expression, due to its concern with the nude body.

Overlap with other genres

Although fine art photography may overlap with many other genres of photography, the overlaps with fashion photography and photojournalism merit special attention.

In 1996 it was stated that there had been a "recent blurring of lines between commercial illustrative photography and fine art photography," especially in the area of fashion. [10] Evidence for the overlap of fine art photography and fashion photography includes lectures, [11] exhibitions, [12] [13] [14] trade fairs such as Art Basel Miami Beach, [15] and books. [10] [16]

Photojournalism and fine art photography overlapped beginning in the "late 1960s and 1970s, when... news photographers struck up liaisons with art photography and painting". [17] In 1974 the International Center of Photography opened, with emphases on both "humanitarian photojournalism" and "art photography". [17] By 1987, "pictures that were taken on assignments for magazines and newspapers now regularly reappear[ed] – in frames – on the walls of museums and galleries". [18]

Smartphone apps such as Snapchat sometimes are used for fine-art photography. [19]

Attitudes of artists in other fields

Martin Vorel, Birches (2021) Birches fine art photography.jpg
Martin Vorel, Birches (2021)

The reactions of artists and writers have contributed significantly to perceptions of photography as fine art. Prominent painters have asserted their interest in the medium:

I have always been very interested in photography. I have looked at far more photographs than I have paintings. Because their reality is stronger than reality itself.

Francis Bacon[ This quote needs a citation ]

Noted authors, similarly, have responded to the artistic potential of photography:

...it does seem to me that Capa has proved beyond all doubt that the camera need not be a cold mechanical device. Like the pen, it is as good as the man who uses it. It can be the extension of mind and heart...

List of definitions

Here is a list of definitions of the related terms "art photography", "artistic photography", and "fine art photography".

In reference books

Among the definitions that can be found in reference books are:

In scholarly articles

Among the definitions that can be found in scholarly articles are:

On the World Wide Web

Among the definitions that can be found on the World Wide Web are:

See also

Related Research Articles

<span class="mw-page-title-main">Photography</span> Art and practice of creating images by recording light

Photography is the art, application, and practice of creating images by recording light, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film. It is employed in many fields of science, manufacturing, and business, as well as its more direct uses for art, film and video production, recreational purposes, hobby, and mass communication.

<span class="mw-page-title-main">Photographer</span> Person who makes photographs

A photographer is a person who uses photography makes photographs.

<span class="mw-page-title-main">Pictorialism</span> Photography movement

Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it. Typically, a pictorial photograph appears to lack a sharp focus, is printed in one or more colors other than black-and-white and may have visible brush strokes or other manipulation of the surface. For the pictorialist, a photograph, like a painting, drawing or engraving, was a way of projecting an emotional intent into the viewer's realm of imagination.

<span class="mw-page-title-main">Photojournalism</span> Using images to tell a news story

Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.

<span class="mw-page-title-main">Alfred Stieglitz</span> American photographer (1864–1946)

Alfred Stieglitz was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European artists to the U.S. He was married to painter Georgia O'Keeffe.

<span class="mw-page-title-main">Edward Steichen</span> American photographer, artist, and curator

Edward Jean Steichen was a Luxembourgish American photographer, painter, and curator, renowned as one of the most prolific and influential figures in the history of photography.

<span class="mw-page-title-main">Alexander Rodchenko</span> Russian artist and designer (1891–1956)

Aleksander Mikhailovich Rodchenko was a Russian and Soviet artist, sculptor, photographer, and graphic designer. He was one of the founders of constructivism and Russian design; he was married to the artist Varvara Stepanova.

<span class="mw-page-title-main">International Center of Photography</span> Photography museum in Manhattan, New York

The International Center of Photography (ICP), at 79 Essex Street on the Lower East Side of Manhattan, New York City, consists of a museum for photography and visual culture and a school offering an array of educational courses and programming. ICP's photographic collection, reading room, and archives are at Mana Contemporary in Jersey City, New Jersey. The organization was founded by Cornell Capa in 1974.

<span class="mw-page-title-main">Fashion photography</span> Genre of photography

Fashion photography is a genre of photography that portrays clothing and other fashion items. This sometimes includes haute couture garments. It typically consists of a fashion photographer taking pictures of a dressed model in a photographic studio or an outside setting. It originated from the clothing and fashion industries, and while some fashion photography has been elevated as art, it is still primarily used commercially for clothing, perfumes and beauty products.

The term vernacular photography is used in several related senses. Each is in one way or another meant to contrast with received notions of fine-art photography. Vernacular photography is also distinct from both found photography and amateur photography. The term originated among academics and curators, but has moved into wider usage.

The following outline is provided as an overview of and topical guide to photography:

<span class="mw-page-title-main">Anne Brigman</span> American photographer (1869–1950)

Anne Wardrope Brigman was an American photographer and one of the original members of the Photo-Secession movement in America.

The term found photography can be used as a synonym for found photos: photographs, usually anonymous, that were not originally intended as art but have been given fresh aesthetic meaning by an artist’s eye.

<span class="mw-page-title-main">Nude photography</span> Photography of the naked human body.

Nude photography is the creation of any photograph which contains an image of a nude or semi-nude person, or an image suggestive of nudity. Nude photography is undertaken for a variety of purposes, including educational uses, commercial applications and artistic creations.

<span class="mw-page-title-main">Sonya Noskowiak</span> American photographer (1900–1975)

Sonya Noskowiak was a 20th-century German-American photographer and member of the San Francisco photography collective Group f/64 that included Ansel Adams and Edward Weston. She is considered an important figure in one of the great photographic movements of the twentieth century. Throughout her career, Noskowiak photographed landscapes, still lifes, and portraits. Her most well-known, though unacknowledged, portraits are of the author John Steinbeck. In 1936, Noskowiak was awarded a prize at the annual exhibition of the San Francisco Society of Women Artists. She was also represented in the San Francisco Museum of Art’s “Scenes from San Francisco” exhibit in 1939. Ten years before her death, Noskowiak's work was included in a WPA exhibition at the Oakland Museum in Oakland, California.

<span class="mw-page-title-main">Eva Watson-Schütze</span> American photographer (1867–1935)

Eva Watson-Schütze was an American photographer who was one of the founding members of the Photo-Secession.

<span class="mw-page-title-main">Nude photography (art)</span> Artistic photography of the naked human body

Fine art nude photography is a genre of fine-art photography which depicts the nude human body with an emphasis on form, composition, emotional content, and other aesthetic qualities. The nude has been a prominent subject of photography since its invention, and played an important role in establishing photography as a fine art medium. The distinction between fine art photography and other subgenres is not absolute, but there are certain defining characteristics.

<span class="mw-page-title-main">Abstract photography</span> Photography genre

Abstract photography, sometimes called non-objective, experimental or conceptual photography, is a means of depicting a visual image that does not have an immediate association with the object world and that has been created through the use of photographic equipment, processes or materials. An abstract photograph may isolate a fragment of a natural scene to remove its inherent context from the viewer, it may be purposely staged to create a seemingly unreal appearance from real objects, or it may involve the use of color, light, shadow, texture, shape and/or form to convey a feeling, sensation or impression. The image may be produced using traditional photographic equipment like a camera, darkroom or computer, or it may be created without using a camera by directly manipulating film, paper or other photographic media, including digital presentations.

<span class="mw-page-title-main">Thomas Dodd (artist)</span>

Thomas Dodd is a digital artist and photographer based in Atlanta, Georgia. His art images result from digitally transforming his photographs to make them look painterly, subtly blurring the lines between photography and classical art. He often creates moving surreal images inspired by religious and mythological themes, using styles comparable to those of renowned modern painters like Gustav Klimt, John William Waterhouse and René Magritte. Dodd's art-work has been frequently cited and revised by many of his peers and specialized art websites. His work has been exhibited in many cities in the US and around the world, and made its way to inhabit important permanent public collections

<span class="mw-page-title-main">Chemogram</span>

A chemogram is an experimental art where a photographic image is partly or fully enlarged and processed onto photographic paper in the darkroom and afterwards selectively painted over in full light with chemicals used in photographic processing. Due to the production process chemograms can be considered works of abstract photography.

References

Notes

  1. Winters, Dan (2014). Road to Seeing. New Riders. pp. 563–564. ISBN   978-0-13-315420-7.
  2. Gernsheim, Helmut. Creative photography: aesthetic trends 1839–1960. New York: Dover, 1991, p. 73. ISBN   0-486-26750-4
  3. Ramos Molina 2018, pp. 293–297.
  4. Hannes Schmidt: "Bemerkungen zu den Chemogrammen von Josef Neumann. Ausstellung in der Fotografik Studio Galerie von Prof. Pan Walther". in: Photo-Presse, no. 22, 1976, p. 6.
  5. Gabriele Richter: "Joseph H. Neumann. Chemogramme". in: Color Foto, no. 12, 1976, p. 24.
  6. Harald Mante, Josef H. Neumann: Filme kreativ nutzen. Photographie Verlag, Schaffhausen 1987, pp. 94–95.
  7. "Die Hochglanzwelt des Josef H. Neumann" on YouTube, Thema 3 (Stadtjournal) Westdeutscher Rundfunk (in German)
  8. Phillips, Christopher (Autumn 1982). "The Judgment Seat of Photography". October. 22: 27–63. doi:10.2307/778362. JSTOR   778362.
  9. Art Market Trends 2004
  10. 1 2 Bryant, Eric. Review of Fashion: Photography in the Nineties. Library Journal, February 15, 1997, p.131.
  11. Catherine Atherton: The fine art of fashion photography. From a talk given at the Museum of Modern Art by the senior lecturer in art, publishing and music at Oxford Brookes University. The Independent, June 12, 2001. Retrieved October 21, 2008.
  12. Fashioning fiction in photography since 1990. Museum of Modern Art, April 16 – June 28, 2004. Retrieved August 6, 2008.
  13. Naves, Mario (April 23, 2004). "Striking poses: is fashion photography art?". Slate. Retrieved August 6, 2008.
  14. Click chic: the fine art of fashion photography. Archived 2012-02-24 at the Wayback Machine School of Visual Arts, September 6, 2007 – October 6, 2007. Retrieved August 6, 2008.
  15. Trebay, Guy (December 6, 2007). "Work with me, baby". The New York Times. Retrieved August 6, 2008.
  16. The idealizing vision: the art of fashion photography. New York: Aperture Foundation. 1991. ISBN   0-89381-462-8.
  17. 1 2 Goldberg, Vicki. Picture this - magazine photography, in just a few decades, has changed the way life itself is regarded. Life magazine, April 15, 1999.
  18. Grundberg, Andy (April 12, 1987). "Art; photojournalism lays claim to the realm of esthetics". The New York Times. Retrieved August 6, 2008.
  19. "While I Watch My Father Die: Photography Exhibition on Snapchat Explores Memory, Emotional Vanishing | Fine Art Photography, Commissions, NYC Teaching Tutorials Steve Giovinco". stevegiovinco.com. 28 October 2015. Retrieved 2017-01-10.
  20. McDarrah, Gloria S., et al. The photography encyclopedia. New York: Schirmer, 1999. ISBN   0-02-865025-5
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  22. Lynch-Johnt, Barbara, and Michelle Perkins. Illustrated dictionary of photography: the professional's guide to terms and techniques. Buffalo, NY: Amherst Media, 2008. ISBN   978-1-58428-222-8
  23. 1 2 Engh, Rohn. Sell & re-sell your photos, 5th ed. Cincinnati, Ohio: Writer's Digest Books, 2003. ISBN   1-58297-176-5
  24. Jones, Bernard E. Cassell's cyclopaedia of photography. New York: Arno, 1973. ISBN   0-405-04922-6
  25. Jouhar, Sultan (October 1964). "The Work of Dr. Jouhar". The Royal Photographic Society Journal. 104 (10): 261.
  26. Christopherson, Richard W. Making Art With Machines: Photography's Institutional Inadequacies. Urban Life and Culture, Vol. 3, No. 1, April 1974, pages 3–34.
  27. Christopherson, Richard W. From Folk Art To Fine Art: A Transformation in the Meaning of Photographic Work. Urban Life and Culture, Vol. 3, No. 2, July 1974, pages 123–157.
  28. 1 2 Schwartz, Dona. Camera clubs and fine art photography: the social construction of an elite code. Originally published in Urban Life, vol. 15, no. 2 (July 1986), pp.165–195.
  29. Library of Congress. Authority headings search. Retrieved August 6, 2008.
  30. Getty Research Institute. Art photography. Art & Architecture Thesaurus Online. Retrieved August 6, 2008.
  31. Beck, Stephen G. What Is Fine Art Photography? Archived 2016-03-04 at the Wayback Machine Retrieved August 6, 2008.
  32. Steinman, Jan. Bytesmiths Editions Newsletter December 2000. Archived 2016-11-25 at the Wayback Machine Retrieved August 6, 2008.
  33. "What is an artwork? – Art Photo Limited – Photography – Artwork". Art Photo Limited. Archived from the original on 2019-04-19. Retrieved 2019-04-19.

Sources

Further reading