Imagination

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Olin Levi Warner, Imagination (1896). Library of Congress Thomas Jefferson Building, Washington, D.C. Imagination-Warner-Highsmith.jpeg
Olin Levi Warner, Imagination (1896). Library of Congress Thomas Jefferson Building, Washington, D.C.

Imagination is the production of sensations, feelings and thoughts informing oneself. [1] These experiences can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes. [2] Imagination helps apply knowledge to solve problems and is fundamental to integrating experience and the learning process. [3] [4] [5] [ full citation needed ] [6] As a way of building theory, it is called "disciplined imagination". [7] A way of training imagination is by listening to storytelling (narrative), [3] [8] in which the exactness of the chosen words is how it can "evoke worlds". [9] [ full citation needed ]

Contents

One view of imagination links it with cognition, [10] seeing imagination as a cognitive process used in mental functioning. It is used — in the form of visual imagery — by clinicians in psychological treatment. [11] Imaginative thought may become associated with rational thought on the assumption that both activities involve cognitive processes that "underpin thinking about possibilities". [12]

The cognate term, "mental imagery" may be used in psychology to denote the process of reviving in the mind recollections of objects formerly given in sense perception. Since this use of the term conflicts with that of ordinary language, some psychologists have preferred to describe this process as "imaging" or "imagery" or to speak of it as "reproductive" as opposed to "productive" or "constructive" imagination. Constructive imagination is further divided into voluntary imagination driven by the lateral prefrontal cortex (LPFC) and involuntary imagination (LPFC-independent), such as REM sleep dreaming, daydreaming, hallucinations, and spontaneous insight. [13] The voluntary types of imagination include integration of modifiers [ jargon ], and mental rotation. Imagined images, both novel and recalled, are seen with the "mind's eye".

Imagination, however, is not considered to be exclusively a cognitive activity because it is also linked to the body and place, particularly in that it also involves setting up relationships with materials and people, precluding the sense that imagination is locked away in the head. [14]

Imagination can be expressed through stories and writings such as fairy tales, fantasies, science fiction. [15] Children often use such narratives and pretend play in order to exercise their imaginations. When children develop fantasy they play at two levels: first, they use role playing to act out what they have developed with their imagination, and at the second level they play again with their make-believe situation by acting as if what they have developed is an actual reality. [16]

History

Imaginatio is the standard Latin translation of the Greek term phantasia. [17] Aristotle in On the Soul considered phantasia (imagination) as the capacity for making mental images, and distinguished it from perception and from thinking. He held however that thought was always accompanied by an image. [18]

The notion of a "mind's eye" goes back at least to Cicero's reference to mentis oculi during his discussion of the orator's appropriate use of simile. [19] Cicero observed that allusions to "the Syrtis of his patrimony" and "the Charybdis of his possessions" involved similes that were "too far-fetched". He advised the orator to, instead, just speak of "the rock" and "the gulf" (respectively) — on the grounds that "the eyes of the mind are more easily directed to those objects which we have seen, than to those which we have only heard". [20]

In medieval faculty psychology, the imagination was one of the inward wits along with memory and the sensus communis . It allowed the recombination of images, for example by combining perceptions of gold and mountain to obtain the idea of a golden mountain. [21]

The concept of "mind's eye" appeared in English in Chaucer's (c.1387) Man of Law's Tale in his Canterbury Tales , in which he tells us that one of the three men dwelling in a castle was blind, and could only see with "the eyes of his mind"; namely, those eyes "with which all men see after they have become blind". [22]

Galileo used the imagination to conduct thought experiments, such as asking readers to imagine in what direction a stone released from a sling would fly. [23]

Description

Imagination... is more important than knowledge. Knowledge is limited. Imagination encircles the world.

When I get an idea I start at once building it up in my imagination. I change the construction, make improvements and operate the device in my mind. It is absolutely immaterial to me whether I run my turbine in thought or test it in my shop. I even note if it is out of balance. There is no difference whatever, the results are the same. In this way I am able to rapidly develop and perfect a conception without touching anything.

Imagination involves a creative division of the mind which is used to develop theories and ideas based on functions. Drawing from actual perceptions, imagination employs intricate conditional processes that engage both Semantic and Episodic memory to generate fresh or refined ideas. [26] This part of the mind helps develop better and easier ways to accomplish old and new tasks.

In sociology, imagination serves as a means to depart from reality and gain insights into social interactions from an external perspective. This leads to the development of theories through questions that would not otherwise be asked. These speculative ideas can be safely explored within a virtual realm and then, if deemed feasible and the function is true[ clarification needed ], translated into real-world applications.

Imagination can be classified as:

Psychology

Psychologists have studied imaginative thought, not only in its exotic form of creativity and artistic expression but also in its mundane form of everyday imagination. [27] Ruth M.J. Byrne proposed that everyday imaginative thoughts about counterfactual alternatives to reality may be based on the same cognitive processes on which rational thoughts are based. [28] Children can create imaginative alternatives to reality from their very early years. [29] Cultural psychology views imagination as a higher mental function involved in a number of everyday activities both at the individual and collective level [30] that enables people to manipulate complex meanings of both linguistic and iconic forms in the process of experiencing.

The phenomenology of imagination is discussed in The Imaginary: A Phenomenological Psychology of the Imagination (French : L'Imaginaire: Psychologie phénoménologique de l'imagination), also published under the title The Psychology of the Imagination, a 1940 book by Jean-Paul Sartre, in which he propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human consciousness. [31]

The imagination is also active in our perception of photographic images in order to make them appear real. [32]

Memory

Memory and mental imagery, often seen as a part of the process of imagination, are affected by one another. [33] "Images made by functional magnetic resonance imaging (fMRI) technology show that remembering and imagining sends blood to identical parts of the brain." [33]

Various psychological factors can influence the brain's ability to retain information as either long-term memories or short-term memories. Experiences stored as long-term memories are easier to recall, as they are ingrained deeper in the mind[ clarification needed ]. Each of these memory types necessitates its own specific instructional approach that engages the specialized brain regions appropriate to that variety of memory. [34] This insight may aid in designing programs for young students aimed at nurturing and enhancing their creative abilities. The neocortex and thalamus control the brain's imagination, along with many of the brain's other functions such as consciousness and abstract thought.[ citation needed ] Since imagination involves many different brain functions (emotions, memory, thoughts, etc.) regions where these functions converge, such as the thalamus and neocortex, are the main regions where imaginative processing has been documented. [35] [ better source needed ]

Perception

Piaget posited that a person's perceptions depend on their world view. The world view is the result of arranging perceptions into existing imagery by imagination. Piaget cites the example of a child saying that the moon is following her when she walks around the village at night. Like this, perceptions are integrated into the world view so that they make sense. Imagination is needed to make sense of perceptions. [36]

Brain activation

A study that used fMRI while subjects were asked to imagine precise visual figures, to mentally disassemble them, or mentally blend them, showed activity in the occipital, frontoparietal, posterior parietal, precuneus, and dorsolateral prefrontal regions of the subject's brains. [37]

Evolution

Phylogenesis and ontogenesis of various components of imagination TheoryLargeFigures.png
Phylogenesis and ontogenesis of various components of imagination

Phylogenetic acquisition of imagination was a gradual process. The simplest form of imagination, REM-sleep dreaming, evolved in mammals with acquisition of REM sleep 140 million years ago. [38] Spontaneous insight improved in primates with acquisition of the lateral prefrontal cortex 70 million years ago. After hominins split from the chimpanzee line 6 million years ago they further improved their imagination. Prefrontal analysis was acquired 3.3 million years ago when hominins started to manufacture Mode One stone tools. [39] Progress in stone tools culture to Mode Two stone tools by 2 million years ago signifies remarkable improvement of prefrontal analysis. The most advanced mechanism of imagination, prefrontal synthesis, was likely acquired by humans around 70,000 years ago and resulted in behavioral modernity. [40] This leap toward modern imagination has been characterized by paleoanthropologists as the "Cognitive revolution", [41] "Upper Paleolithic Revolution", [42]  and the "Great Leap Forward". [43]

Moral imagination

Moral imagination usually describes the mental capacity to find answers to ethical questions and dilemmas through the process of imagination and visualization. Different definitions of "moral imagination" can be found in the literature. [44]

The philosopher Mark Johnson described it as "[a]n ability to imaginatively discern various possibilities for acting in a given situation and to envision the potential help and harm that are likely to result from a given action." [45]

In one proposed example, Hitler's assassin Claus von Stauffenberg was said to have decided to dare to overthrow the Nazi regime as a result (among other factors) of a process of "moral imagination." His willingness to kill Hitler was less due to his compassion for his comrades, his family, or friends living at that time, but from thinking about the potential problems of later generations and people he did not know. In other words, through a process of “moral imagination” he developed empathy for "abstract" people (for example, Germans of later generations, people who were not yet alive). [46]

See also

Related Research Articles

Cognitive psychology is the scientific study of mental processes such as attention, language use, memory, perception, problem solving, creativity, and reasoning.

<span class="mw-page-title-main">Mind</span> Faculties responsible for mental phenomena

The mind is that which thinks, imagines, remembers, wills, and senses, or is the set of faculties responsible for such phenomena. The mind is also associated with experiencing perception, pleasure and pain, belief, desire, intention, and emotion. The mind can include conscious and non-conscious states as well as sensory and non-sensory experiences.

<span class="mw-page-title-main">Philosophy of perception</span> Branch of philosophy

The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world. Any explicit account of perception requires a commitment to one of a variety of ontological or metaphysical views. Philosophers distinguish internalist accounts, which assume that perceptions of objects, and knowledge or beliefs about them, are aspects of an individual's mind, and externalist accounts, which state that they constitute real aspects of the world external to the individual. The position of naïve realism—the 'everyday' impression of physical objects constituting what is perceived—is to some extent contradicted by the occurrence of perceptual illusions and hallucinations and the relativity of perceptual experience as well as certain insights in science. Realist conceptions include phenomenalism and direct and indirect realism. Anti-realist conceptions include idealism and skepticism. Recent philosophical work have expanded on the philosophical features of perception by going beyond the single paradigm of vision.

<span class="mw-page-title-main">Cognitive bias</span> Systematic pattern of deviation from norm or rationality in judgment

A cognitive bias is a systematic pattern of deviation from norm or rationality in judgment. Individuals create their own "subjective reality" from their perception of the input. An individual's construction of reality, not the objective input, may dictate their behavior in the world. Thus, cognitive biases may sometimes lead to perceptual distortion, inaccurate judgment, illogical interpretation, and irrationality.

<span class="mw-page-title-main">Cognition</span> Act or process of knowing

Cognition is the "mental action or process of acquiring knowledge and understanding through thought, experience, and the senses". It encompasses all aspects of intellectual functions and processes such as: perception, attention, thought, imagination, intelligence, the formation of knowledge, memory and working memory, judgment and evaluation, reasoning and computation, problem-solving and decision-making, comprehension and production of language. Cognitive processes use existing knowledge and discover new knowledge.

Modularity of mind is the notion that a mind may, at least in part, be composed of innate neural structures or mental modules which have distinct, established, and evolutionarily developed functions. However, different definitions of "module" have been proposed by different authors. According to Jerry Fodor, the author of Modularity of Mind, a system can be considered 'modular' if its functions are made of multiple dimensions or units to some degree. One example of modularity in the mind is binding. When one perceives an object, they take in not only the features of an object, but the integrated features that can operate in sync or independently that create a whole. Instead of just seeing red, round, plastic, and moving, the subject may experience a rolling red ball. Binding may suggest that the mind is modular because it takes multiple cognitive processes to perceive one thing.

In the philosophy of mind, neuroscience, and cognitive science, a mental image is an experience that, on most occasions, significantly resembles the experience of "perceiving" some object, event, or scene but occurs when the relevant object, event, or scene is not actually present to the senses. There are sometimes episodes, particularly on falling asleep and waking up, when the mental imagery may be dynamic, phantasmagoric, and involuntary in character, repeatedly presenting identifiable objects or actions, spilling over from waking events, or defying perception, presenting a kaleidoscopic field, in which no distinct object can be discerned. Mental imagery can sometimes produce the same effects as would be produced by the behavior or experience imagined.

<span class="mw-page-title-main">Mental model</span> Explanation of someones thought process about how something works in the real world

A mental model in psychology is an internal representation of external reality, hypothesized to play a major role in cognition, reasoning and decision-making. The term was coined by Kenneth Craik in 1943 who suggested that the mind constructs "small-scale models" of reality that it uses to anticipate events.

Auditory imagery is a form of mental imagery that is used to organize and analyze sounds when there is no external auditory stimulus present. This form of imagery is broken up into a couple of auditory modalities such as verbal imagery or musical imagery. This modality of mental imagery differs from other sensory images such as motor imagery or visual imagery. The vividness and detail of auditory imagery can vary from person to person depending on their background and condition of their brain. Through all of the research developed to understand auditory imagery behavioral neuroscientists have found that the auditory images developed in subjects' minds are generated in real time and consist of fairly precise information about quantifiable auditory properties as well as melodic and harmonic relationships. These studies have been able to recently gain confirmation and recognition due to the arrival of Positron emission tomography and fMRI scans that can confirm a physiological and psychological correlation.

The cognitive revolution was an intellectual movement that began in the 1950s as an interdisciplinary study of the mind and its processes, from which emerged a new field known as cognitive science. The preexisting relevant fields were psychology, linguistics, computer science, anthropology, neuroscience, and philosophy. The approaches used were developed within the then-nascent fields of artificial intelligence, computer science, and neuroscience. In the 1960s, the Harvard Center for Cognitive Studies and the Center for Human Information Processing at the University of California, San Diego were influential in developing the academic study of cognitive science. By the early 1970s, the cognitive movement had surpassed behaviorism as a psychological paradigm. Furthermore, by the early 1980s the cognitive approach had become the dominant line of research inquiry across most branches in the field of psychology.

Creative visualization is the cognitive process of purposefully generating visual mental imagery, with eyes open or closed, simulating or recreating visual perception, in order to maintain, inspect, and transform those images, consequently modifying their associated emotions or feelings, with intent to experience a subsequent beneficial physiological, psychological, or social effect, such as expediting the healing of wounds to the body, minimizing physical pain, alleviating psychological pain including anxiety, sadness, and low mood, improving self-esteem or self-confidence, and enhancing the capacity to cope when interacting with others.

Active imagination refers to a process or technique of engaging with the ideas or imaginings of one's mind. It is used as a mental strategy to communicate with the subconscious mind. In Jungian psychology, it is a method for bridging the conscious and unconscious minds. Instead of being linked to the Jungian process, the word "active imagination" in modern psychology is most frequently used to describe a propensity to have a very creative and present imagination. By examining the most evident manifestations of the unconscious mind—dreams—a person can learn how to execute this method on themselves. It is thought to be a crucial aid in the process of individuation. It employs creative imagination as an organ for "perceiving outside your mental boxes". For the first hundred years of active imagination, it was applied primarily by individuals for exploring their sub- and unconscious; hence its value in psycho-therapeutic settings. Until the "inner child" theme in the 1970s, active imagination was most closely associated with C. G. Jung's experiments with himself and with clients emphasizing its therapeutic value. In the 1980s, active imagination found uses in commercial disciplines, for example, architecture and molecular biology. Where active imagination seeks to perceive what is already present, fantasy intends to create where nothing yet exists.

<span class="mw-page-title-main">Jean Decety</span> American neuroscientist

Jean Decety is an American–French neuroscientist specializing in developmental neuroscience, affective neuroscience, and social neuroscience. His research focuses on the psychological and neurobiological mechanisms underpinning social cognition, particularly social decision-making, empathy, moral reasoning, altruism, pro-social behavior, and more generally interpersonal relationships. He is Irving B. Harris Distinguished Service Professor at the University of Chicago.

Motor imagery is a mental process by which an individual rehearses or simulates a given action. It is widely used in sport training as mental practice of action, neurological rehabilitation, and has also been employed as a research paradigm in cognitive neuroscience and cognitive psychology to investigate the content and the structure of covert processes that precede the execution of action. In some medical, musical, and athletic contexts, when paired with physical rehearsal, mental rehearsal can be as effective as pure physical rehearsal (practice) of an action.

Guided imagery is a mind-body intervention by which a trained practitioner or teacher helps a participant or patient to evoke and generate mental images that simulate or recreate the sensory perception of sights, sounds, tastes, smells, movements, and images associated with touch, such as texture, temperature, and pressure, as well as imaginative or mental content that the participant or patient experiences as defying conventional sensory categories, and that may precipitate strong emotions or feelings in the absence of the stimuli to which correlating sensory receptors are receptive.

<span class="mw-page-title-main">Embodied cognition</span> Interdisciplinary theory

Embodied cognition is the concept suggesting that many features of cognition are shaped by the state and capacities of the organism. The cognitive features include a wide spectrum of cognitive functions, such as perception biases, memory recall, comprehension and high-level mental constructs and performance on various cognitive tasks. The bodily aspects involve the motor system, the perceptual system, the bodily interactions with the environment (situatedness), and the assumptions about the world built the functional structure of organism's brain and body.

Fred W. Mast is a full professor of Psychology at the University of Bern in Switzerland, specialized in mental imagery, sensorimotor processing, and visual perception. He directs the Cognitive Psychology, Perception, and Research Methods Section at the Department of Psychology of the University of Bern.

Raymond W. Gibbs Jr. is a former psychology professor and researcher at the University of California, Santa Cruz. His research interests are in the fields of experimental psycholinguistics and cognitive science. His work concerns a range of theoretical issues, ranging from questions about the role of embodied experience in thought and language, to looking at people's use and understanding of figurative language. Raymond Gibbs's research is especially focused on bodily experience and linguistic meaning. Much of his research is motivated by theories of meaning in philosophy, linguistics, and comparative literature.

Aphantasia is the inability to create mental imagery.

<span class="mw-page-title-main">Prefrontal synthesis</span> Conscious process of synthesizing mental images

Prefrontal synthesis is the conscious purposeful process of synthesizing novel mental images. PFS is neurologically different from the other types of imagination, such as simple memory recall and dreaming. Unlike dreaming, which is spontaneous and not controlled by the prefrontal cortex (PFC), PFS is controlled by and completely dependent on the intact lateral prefrontal cortex. Unlike simple memory recall that involves activation of a single neuronal ensemble (NE) encoded at some point in the past, PFS involves active combination of two or more object-encoding neuronal ensembles (objectNE). The mechanism of PFS is hypothesized to involve synchronization of several independent objectNEs. When objectNEs fire out-of-sync, the objects are perceived one at a time. However, once those objectNEs are time-shifted by the lateral PFC to fire in-phase with each other, they are consciously experienced as one unified object or scene.

References

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Further reading

Books
Articles

Three philosophers for whom imagination is a central concept are Kendall Walton, John Sallis and Richard Kearney. See in particular:

Wiktionary-logo-en-v2.svg The dictionary definition of imagination at Wiktionary