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In textual studies, a palimpsest is a manuscript page, either from a scroll or a book, from which the text has been scraped or washed off in preparation for reuse in the form of another document. Parchment was made of lamb, calf, or kid skin and was expensive and not readily available, so, in the interest of economy, a page was often re-used by scraping off the previous writing. In colloquial usage, the term palimpsest is also used in architecture, archaeology and geomorphology to denote an object made or worked upon for one purpose and later reused for another; for example, a monumental brass the reverse blank side of which has been re-engraved.
An illuminated manuscript is a formally prepared document where the text is decorated with flourishes such as borders and miniature illustrations. Often used in the Roman Catholic Church for prayers and liturgical books such as psalters and courtly literature, the practice continued into secular texts from the 13th century onward and typically include proclamations, enrolled bills, laws, charters, inventories, and deeds.
Nájera is a small town, former bishopric and now Latin Catholic titular see, former capital of the Kingdom of Navarre, located in the "Rioja Alta" region of La Rioja, northern Spain, on the river Najerilla. Nájera is a stopping point on the French Way the most popular path on the Way of St James.
The Mozarabs, or more precisely Andalusi Christians, were the Christians of al-Andalus, or the territories of Iberia under Muslim rule from 711 to 1492. Following the Umayyad conquest of the Visigothic Kingdom in Hispania, the Christian population of much of Iberia came under Muslim control.
The Mozarabic Rite, officially called the Hispanic Rite, and in the past also called the Visigothic Rite, is a liturgical rite of the Latin Church once used generally in the Iberian Peninsula (Hispania), in what is now Spain and Portugal. While the liturgy is often called 'Mozarabic' after the Christian communities that lived under Muslim rulers in Al-Andalus that preserved its use, the rite itself developed before and during the Visigothic period. After experiencing a period of decline during the Reconquista, when it was superseded by the Roman Rite in the Christian states of Iberia as part of a wider programme of liturgical standardization within the Catholic Church, efforts were taken in the 16th century to revive the rite and ensure its continued presence in the city of Toledo, where it is still celebrated today. It is also celebrated on a more widespread basis throughout Spain and, by special dispensation, in other countries, though only on special occasions.
The Squarcialupi Codex is an illuminated manuscript compiled in Florence in the early 15th century. It is the single largest primary source of music of the 14th-century Italian Trecento.
Santo Domingo de Silos Abbey is a Benedictine monastery in the village of Santo Domingo de Silos in the southern part of Burgos Province in northern Spain. The monastery is named after the eleventh-century saint Dominic of Silos.
Santa María la Real is a monastery in the small town of Nájera in the La Rioja community, Spain. Originally a royal foundation, it was ceded by Alfonso VI to the Cluniac order. It was an important pilgrimage stop on the Camino de Santiago. It is particularly well known for the woodwork in the choir of the church.
Mozarabic chant is the liturgical plainchant repertory of the Visigothic/Mozarabic rite of the Catholic Church, related to the Gregorian chant. It is primarily associated with Hispania under Visigothic rule and later with the Mozarabs and was replaced by the chant of the Roman rite following the Christian Reconquest of the Iberian Peninsula. Although its original medieval form is largely lost, a few chants have survived with readable musical notation, and the chanted rite was later revived in altered form and continues to be used in a few isolated locations in Spain, primarily in Toledo.
The Glosas Emilianenses are glosses written in the 10th or 11th century to a 9th-century Latin codex called the Aemilianensis 60; the name Glosas Emilianenses is also sometimes applies to the entire codex. These marginalia are important as early attestations of both an Iberian Romance variety and of medieval Basque. The anonymous author of the glosses, presumed to be a monk at the monastery San Millán de Suso, wrote the glosses in three languages:
Mozarabic art is an early medieval artistic style that is part of the pre-Romanesque style and is linked to the kingdom of León. It was developed by the Hispanic Christians who lived in Muslim territory and in the expansion territories of the León crown, in the period from the Muslim invasion (711) to the end of the 11th century. During this period, disciplines such as painting, goldsmithing and architecture with marked Caliphate influences were cultivated in a context of medieval coexistence - Christian, Hebrew and Muslim - in which the territories were constantly changing in size and status. Other names for this artistic style are Leonese art or repopulation art.
Commentary on the Apocalypse is a book written in the eighth century by the Spanish monk and theologian Beatus of Liébana (730–785) and copied and illustrated in manuscript in works called "Beati" during the 10th and 11th centuries AD. It is a commentary on the New Testament Apocalypse of John or Book of Revelation. It also refers to any manuscript copy of this work, especially any of the 27 illuminated copies that have survived. It is often referred to simply as the Beatus. The historical significance of the Commentary is made even more pronounced since it included a world map, which offers a rare insight into the geographical understanding of the post-Roman world. Well-known copies include the Morgan, the Saint-Sever, the Gerona, the Osma and the Madrid Beatus codices.
The Kiev Missal is a seven-folio Glagolitic Old Church Slavonic canon manuscript containing parts of the Roman-rite liturgy. It is usually held to be the oldest and the most archaic Old Church Slavonic manuscript, and is dated at no later than the latter half of the 10th century. Seven parchment folios have been preserved in small format of easily portable book to be of use to missionaries on the move.
San Martín de Albelda was a Riojan monastery, whose ruins now lie within the municipal boundaries of Albelda de Iregua. It was an important and advanced cultural centre in Spain and western Europe during the tenth century.
Minuscule 480, δ 462, is a Greek minuscule manuscript of the New Testament, on parchment. It is dated by a colophon to the year 1366. The manuscript is lacunose. The manuscript was adapted for liturgical use. It has marginalia. It contains liturgical books with hagiographies: Synaxarion and Menologion.
The Castle of San Servando is a medieval castle in Toledo, Spain, near the Tagus River. It was begun as a monastery, occupied first by monks and later by the Knights Templar.
The monasteries of San Millán de Suso and San Millán de Yuso are two monasteries situated in the village of San Millán de la Cogolla, La Rioja, Spain. They have been designated a World Heritage Site by UNESCO since December 1997.
M. Moleiro Editor is a publishing house specialising in high-quality facsimile reproductions of codices, maps and illuminated manuscripts. Founded in Barcelona in 1991, the firm has reproduced many masterpieces from the history of illumination.
Monasteries in Spain have a rich artistic and cultural tradition, and serve as testament to Spain's religious history and political-military history, from the Visigothic Period to the Middle Ages. The monasteries played an important role in the recruitment conducted by Christian aristocracy during and after the progress of the Reconquista, with the consequent decline in the Muslim south of the peninsula.
Spanish Romanesque designates the Romanesque art developed in the Hispanic-Christian kingdoms of the Iberian Peninsula in the 11th and 12th centuries. Its stylistic features are essentially common to the European Romanesque although it developed particular characteristics in the different regions of the peninsula. There is no Romanesque art in the southern half of the peninsula because it remained under Muslim rule (Al-Andalus). The examples of Romanesque buildings in the central area of the peninsula are sparse and of the latest period, with virtually no presence south of the Ebro and the Tagus. Most Romanesque buildings can be found in the northern third of the peninsula. Romanesque art was introduced into the peninsula from east to west, so scholars have usually defined regional characteristics accordingly: the "eastern kingdoms" comprising the Pyrenean areas, Catalan Romanesque, Aragonese Romanesque and Navarrese Romanesque, and the "western kingdoms" comprising Castilian-Leonese Romanesque, Asturian Romanesque, Galician Romanesque and Portuguese Romanesque.
References
- ↑ Crespo, Carmen; Vinas, Vincente (1984). "The Preservation and Restoration of Paper Records and Books: A RAMP Study with Guidelines" (PDF). United Nations Educational, Scientific and Cultural Organization. p. 3. Retrieved 10 July 2013.
- ↑ Vivancos, Miguel C. (2007). Zapke, Susana (ed.). Hispania Vetus: Musical-liturgical manuscripts from Visigothic origins to the Franco-Roman transition. Bilbao: Fundación BBVA. p. 290.
- 1 2 "La biblioteca del monasterio de Silos hace tangible la ficción de Umberto Eco". Diario de Burgos. 25 May 2013.
